From b92f23dfe2ae9c7887489a890da735b1771a7969 Mon Sep 17 00:00:00 2001 From: "mattia@debian.org" <> Date: Sat, 7 Jan 2017 23:00:59 +0100 Subject: Fix typo in variable name s/strech/stretch/ Fixed bugs: - https://launchpad.net/bugs/1653371 (bzr r15400.1.1) --- src/live_effects/lpe-transform_2pts.cpp | 14 +++++++------- src/live_effects/lpe-transform_2pts.h | 2 +- 2 files changed, 8 insertions(+), 8 deletions(-) diff --git a/src/live_effects/lpe-transform_2pts.cpp b/src/live_effects/lpe-transform_2pts.cpp index e1f36eee7..ef2900775 100644 --- a/src/live_effects/lpe-transform_2pts.cpp +++ b/src/live_effects/lpe-transform_2pts.cpp @@ -34,7 +34,7 @@ LPETransform2Pts::LPETransform2Pts(LivePathEffectObject *lpeobject) : flip_vertical(_("Flip vertical"), _("Flip vertical"), "flip_vertical", &wr, this, false,"", INKSCAPE_ICON("on"), INKSCAPE_ICON("off")), start(_("Start"), _("Start point"), "start", &wr, this, "Start point"), end(_("End"), _("End point"), "end", &wr, this, "End point"), - strech(_("Stretch"), _("Stretch the result"), "strech", &wr, this, 1), + stretch(_("Stretch"), _("Stretch the result"), "stretch", &wr, this, 1), offset(_("Offset"), _("Offset from knots"), "offset", &wr, this, 0), first_knot(_("First Knot"), _("First Knot"), "first_knot", &wr, this, 1), last_knot(_("Last Knot"), _("Last Knot"), "last_knot", &wr, this, 1), @@ -52,7 +52,7 @@ LPETransform2Pts::LPETransform2Pts(LivePathEffectObject *lpeobject) : registerParameter(&first_knot); registerParameter(&last_knot); registerParameter(&helper_size); - registerParameter(&strech); + registerParameter(&stretch); registerParameter(&offset); registerParameter(&start); registerParameter(&end); @@ -73,9 +73,9 @@ LPETransform2Pts::LPETransform2Pts(LivePathEffectObject *lpeobject) : offset.param_set_range(-999999.0, 999999.0); offset.param_set_increments(1, 1); offset.param_set_digits(2); - strech.param_set_range(0, 999.0); - strech.param_set_increments(0.01, 0.01); - strech.param_set_digits(4); + stretch.param_set_range(0, 999.0); + stretch.param_set_increments(0.01, 0.01); + stretch.param_set_digits(4); apply_to_clippath_and_mask = true; } @@ -379,9 +379,9 @@ LPETransform2Pts::doEffect_pwd2 (Geom::Piecewise > const m *= Geom::Scale(-1,1); m *= Geom::Rotate(original_angle); } - if(strech != 1){ + if(stretch != 1){ m *= Geom::Rotate(-original_angle); - m *= Geom::Scale(1,strech); + m *= Geom::Scale(1,stretch); m *= Geom::Rotate(original_angle); } if(elastic) { diff --git a/src/live_effects/lpe-transform_2pts.h b/src/live_effects/lpe-transform_2pts.h index c20d56206..0f88e6b00 100644 --- a/src/live_effects/lpe-transform_2pts.h +++ b/src/live_effects/lpe-transform_2pts.h @@ -57,7 +57,7 @@ private: ToggleButtonParam flip_vertical; PointParam start; PointParam end; - ScalarParam strech; + ScalarParam stretch; ScalarParam offset; ScalarParam first_knot; ScalarParam last_knot; -- cgit v1.2.3 From 62ef7c9d8c78ec40d5eab013246bfd204709b605 Mon Sep 17 00:00:00 2001 From: suv-lp <> Date: Sun, 8 Jan 2017 08:55:53 +0100 Subject: [Bug #1654743] Interpolate extension fails if end path has no 'stroke-width' attribute (0.91, 0.92). Fixed bugs: - https://launchpad.net/bugs/1654743 (bzr r15401) --- share/extensions/interp.py | 4 ++-- 1 file changed, 2 insertions(+), 2 deletions(-) diff --git a/share/extensions/interp.py b/share/extensions/interp.py index a53ab07d9..fd80ab412 100755 --- a/share/extensions/interp.py +++ b/share/extensions/interp.py @@ -110,8 +110,8 @@ class Interp(inkex.Effect): def tweenstyleunit(self, property, start, end, time): # moved here so we can call 'unittouu' scale = self.unittouu('1px') - sp = self.unittouu(start[property]) / scale - ep = self.unittouu(end[property]) / scale + sp = self.unittouu(start.get(property, '1px')) / scale + ep = self.unittouu(end.get(property, '1px')) / scale return str(sp + (time * (ep - sp))) def effect(self): -- cgit v1.2.3 From d994d8f220eec4293101dbe0b8299119efa6e4e0 Mon Sep 17 00:00:00 2001 From: Jabiertxof Date: Sun, 8 Jan 2017 12:46:00 +0100 Subject: Fix a bad inicialization of unsigned int (bzr r15402) --- src/ui/widget/registered-widget.h | 2 +- 1 file changed, 1 insertion(+), 1 deletion(-) diff --git a/src/ui/widget/registered-widget.h b/src/ui/widget/registered-widget.h index d410dbfe6..f66d5cbf2 100644 --- a/src/ui/widget/registered-widget.h +++ b/src/ui/widget/registered-widget.h @@ -135,7 +135,7 @@ private: repr = NULL; doc = NULL; write_undo = false; - event_type = -1; + event_type = 0; //SP_VERB_INVALID } }; -- cgit v1.2.3 From 5f0a1801ee8423cbdb4d0e86aa8502049f4e0c0f Mon Sep 17 00:00:00 2001 From: suv-lp <> Date: Mon, 9 Jan 2017 20:32:29 +0100 Subject: [Bug #1654798] Broken icon in LPE 'Fill between many' Fixed bugs: - https://launchpad.net/bugs/1654798 (bzr r15404) --- src/live_effects/parameter/originalpath.cpp | 2 +- src/live_effects/parameter/originalpatharray.cpp | 2 +- 2 files changed, 2 insertions(+), 2 deletions(-) diff --git a/src/live_effects/parameter/originalpath.cpp b/src/live_effects/parameter/originalpath.cpp index 2741461be..f7eb48b7a 100644 --- a/src/live_effects/parameter/originalpath.cpp +++ b/src/live_effects/parameter/originalpath.cpp @@ -56,7 +56,7 @@ OriginalPathParam::param_newWidget() } { // Paste path to link button - Gtk::Widget *pIcon = Gtk::manage( sp_icon_get_icon( INKSCAPE_ICON("edit-paste"), Inkscape::ICON_SIZE_BUTTON) ); + Gtk::Widget *pIcon = Gtk::manage( sp_icon_get_icon( INKSCAPE_ICON("edit-clone"), Inkscape::ICON_SIZE_BUTTON) ); Gtk::Button *pButton = Gtk::manage(new Gtk::Button()); pButton->set_relief(Gtk::RELIEF_NONE); pIcon->show(); diff --git a/src/live_effects/parameter/originalpatharray.cpp b/src/live_effects/parameter/originalpatharray.cpp index 4ee068ebf..083abc94c 100644 --- a/src/live_effects/parameter/originalpatharray.cpp +++ b/src/live_effects/parameter/originalpatharray.cpp @@ -144,7 +144,7 @@ Gtk::Widget* OriginalPathArrayParam::param_newWidget() { // Paste path to link button - Gtk::Widget *pIcon = Gtk::manage( sp_icon_get_icon("gtk-stock", Inkscape::ICON_SIZE_BUTTON) ); + Gtk::Widget *pIcon = Gtk::manage( sp_icon_get_icon("edit-clone", Inkscape::ICON_SIZE_BUTTON) ); Gtk::Button *pButton = Gtk::manage(new Gtk::Button()); pButton->set_relief(Gtk::RELIEF_NONE); pIcon->show(); -- cgit v1.2.3 From e1e535998b740ea79b0bdcd5b09a855e13af397f Mon Sep 17 00:00:00 2001 From: Nicolas Dufour Date: Tue, 10 Jan 2017 09:58:25 +0100 Subject: [Bug #1651334] Strings untranslatable due to word puzzles. Fixed bugs: - https://launchpad.net/bugs/1651334 (bzr r15405) --- po/inkscape.pot | 1448 ++++++++++++++++---------------- share/extensions/draw_from_triangle.py | 19 +- 2 files changed, 741 insertions(+), 726 deletions(-) diff --git a/po/inkscape.pot b/po/inkscape.pot index 596dedecc..7c30110c4 100644 --- a/po/inkscape.pot +++ b/po/inkscape.pot @@ -8,7 +8,7 @@ msgid "" msgstr "" "Project-Id-Version: PACKAGE VERSION\n" "Report-Msgid-Bugs-To: inkscape-devel@lists.sourceforge.net\n" -"POT-Creation-Date: 2016-12-30 20:28+0000\n" +"POT-Creation-Date: 2017-01-10 09:57+0100\n" "PO-Revision-Date: YEAR-MO-DA HO:MI+ZONE\n" "Last-Translator: FULL NAME \n" "Language-Team: LANGUAGE \n" @@ -3331,1044 +3331,1044 @@ msgstr "" msgid "Old paint (bitmap)" msgstr "" -#. Symbols: AigaSymbols.svg +#. Symbols: LogicSymbols.svg #: ../share/symbols/symbols.h:2 msgctxt "Symbol" -msgid "AIGA Symbol Signs" +msgid "Logic Symbols" msgstr "" -#. Symbols: AigaSymbols.svg -#. Symbols: MapSymbolsNPS.svg -#: ../share/symbols/symbols.h:3 ../share/symbols/symbols.h:4 -#: ../share/symbols/symbols.h:281 ../share/symbols/symbols.h:282 +#. Symbols: LogicSymbols.svg +#: ../share/symbols/symbols.h:3 msgctxt "Symbol" -msgid "Telephone" +msgid "Xnor Gate" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:5 ../share/symbols/symbols.h:6 +#. Symbols: LogicSymbols.svg +#: ../share/symbols/symbols.h:4 msgctxt "Symbol" -msgid "Mail" +msgid "Xor Gate" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:7 ../share/symbols/symbols.h:8 +#. Symbols: LogicSymbols.svg +#: ../share/symbols/symbols.h:5 msgctxt "Symbol" -msgid "Currency Exchange" +msgid "Nor Gate" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:9 ../share/symbols/symbols.h:10 +#. Symbols: LogicSymbols.svg +#: ../share/symbols/symbols.h:6 msgctxt "Symbol" -msgid "Currency Exchange - Euro" +msgid "Or Gate" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:11 ../share/symbols/symbols.h:12 +#. Symbols: LogicSymbols.svg +#: ../share/symbols/symbols.h:7 msgctxt "Symbol" -msgid "Cashier" +msgid "Nand Gate" msgstr "" -#. Symbols: AigaSymbols.svg -#. Symbols: MapSymbolsNPS.svg -#: ../share/symbols/symbols.h:13 ../share/symbols/symbols.h:14 -#: ../share/symbols/symbols.h:213 ../share/symbols/symbols.h:214 +#. Symbols: LogicSymbols.svg +#: ../share/symbols/symbols.h:8 msgctxt "Symbol" -msgid "First Aid" +msgid "And Gate" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:15 ../share/symbols/symbols.h:16 +#. Symbols: LogicSymbols.svg +#: ../share/symbols/symbols.h:9 msgctxt "Symbol" -msgid "Lost and Found" +msgid "Buffer" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:17 ../share/symbols/symbols.h:18 +#. Symbols: LogicSymbols.svg +#: ../share/symbols/symbols.h:10 msgctxt "Symbol" -msgid "Coat Check" +msgid "Not Gate" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:19 ../share/symbols/symbols.h:20 +#. Symbols: LogicSymbols.svg +#: ../share/symbols/symbols.h:11 msgctxt "Symbol" -msgid "Baggage Lockers" +msgid "Buffer Small" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:21 ../share/symbols/symbols.h:22 +#. Symbols: LogicSymbols.svg +#: ../share/symbols/symbols.h:12 msgctxt "Symbol" -msgid "Escalator" +msgid "Not Gate Small" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:23 ../share/symbols/symbols.h:24 +#. Symbols: FlowSymbols.svg +#: ../share/symbols/symbols.h:13 msgctxt "Symbol" -msgid "Escalator Down" +msgid "Flow Chart Shapes" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:25 ../share/symbols/symbols.h:26 +#. Symbols: FlowSymbols.svg +#: ../share/symbols/symbols.h:14 msgctxt "Symbol" -msgid "Escalator Up" +msgid "Process" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:27 ../share/symbols/symbols.h:28 +#. Symbols: FlowSymbols.svg +#: ../share/symbols/symbols.h:15 msgctxt "Symbol" -msgid "Stairs" +msgid "Input/Output" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:29 ../share/symbols/symbols.h:30 +#. Symbols: FlowSymbols.svg +#: ../share/symbols/symbols.h:16 msgctxt "Symbol" -msgid "Stairs Down" +msgid "Document" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:31 ../share/symbols/symbols.h:32 +#. Symbols: FlowSymbols.svg +#: ../share/symbols/symbols.h:17 msgctxt "Symbol" -msgid "Stairs Up" +msgid "Manual Operation" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:33 ../share/symbols/symbols.h:34 +#. Symbols: FlowSymbols.svg +#: ../share/symbols/symbols.h:18 msgctxt "Symbol" -msgid "Elevator" +msgid "Preparation" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:35 ../share/symbols/symbols.h:36 +#. Symbols: FlowSymbols.svg +#: ../share/symbols/symbols.h:19 msgctxt "Symbol" -msgid "Toilets - Men" +msgid "Merge" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:37 ../share/symbols/symbols.h:38 +#. Symbols: FlowSymbols.svg +#: ../share/symbols/symbols.h:20 msgctxt "Symbol" -msgid "Toilets - Women" +msgid "Decision" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:39 ../share/symbols/symbols.h:40 +#. Symbols: FlowSymbols.svg +#: ../share/symbols/symbols.h:21 msgctxt "Symbol" -msgid "Toilets" +msgid "Magnetic Tape" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:41 ../share/symbols/symbols.h:42 +#. Symbols: FlowSymbols.svg +#: ../share/symbols/symbols.h:22 msgctxt "Symbol" -msgid "Nursery" +msgid "Display" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:43 ../share/symbols/symbols.h:44 +#. Symbols: FlowSymbols.svg +#: ../share/symbols/symbols.h:23 msgctxt "Symbol" -msgid "Drinking Fountain" +msgid "Auxiliary Operation" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:45 ../share/symbols/symbols.h:46 +#. Symbols: FlowSymbols.svg +#: ../share/symbols/symbols.h:24 msgctxt "Symbol" -msgid "Waiting Room" +msgid "Manual Input" msgstr "" -#. Symbols: AigaSymbols.svg -#. Symbols: MapSymbolsNPS.svg -#: ../share/symbols/symbols.h:47 ../share/symbols/symbols.h:48 -#: ../share/symbols/symbols.h:231 ../share/symbols/symbols.h:232 +#. Symbols: FlowSymbols.svg +#: ../share/symbols/symbols.h:25 msgctxt "Symbol" -msgid "Information" +msgid "Extract" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:49 ../share/symbols/symbols.h:50 +#. Symbols: FlowSymbols.svg +#: ../share/symbols/symbols.h:26 msgctxt "Symbol" -msgid "Hotel Information" +msgid "Terminal/Interrupt" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:51 ../share/symbols/symbols.h:52 +#. Symbols: FlowSymbols.svg +#: ../share/symbols/symbols.h:27 msgctxt "Symbol" -msgid "Air Transportation" +msgid "Punched Card" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:53 ../share/symbols/symbols.h:54 +#. Symbols: FlowSymbols.svg +#: ../share/symbols/symbols.h:28 msgctxt "Symbol" -msgid "Heliport" +msgid "Punch Tape" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:55 ../share/symbols/symbols.h:56 +#. Symbols: FlowSymbols.svg +#: ../share/symbols/symbols.h:29 msgctxt "Symbol" -msgid "Taxi" +msgid "Online Storage" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:57 ../share/symbols/symbols.h:58 +#. Symbols: FlowSymbols.svg +#: ../share/symbols/symbols.h:30 msgctxt "Symbol" -msgid "Bus" +msgid "Keying" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:59 ../share/symbols/symbols.h:60 +#. Symbols: FlowSymbols.svg +#: ../share/symbols/symbols.h:31 msgctxt "Symbol" -msgid "Ground Transportation" +msgid "Sort" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:61 ../share/symbols/symbols.h:62 +#. Symbols: FlowSymbols.svg +#: ../share/symbols/symbols.h:32 msgctxt "Symbol" -msgid "Rail Transportation" +msgid "Connector" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:63 ../share/symbols/symbols.h:64 +#. Symbols: FlowSymbols.svg +#: ../share/symbols/symbols.h:33 msgctxt "Symbol" -msgid "Water Transportation" +msgid "Off-Page Connector" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:65 ../share/symbols/symbols.h:66 +#. Symbols: FlowSymbols.svg +#: ../share/symbols/symbols.h:34 msgctxt "Symbol" -msgid "Car Rental" +msgid "Transmittal Tape" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:67 ../share/symbols/symbols.h:68 +#. Symbols: FlowSymbols.svg +#: ../share/symbols/symbols.h:35 msgctxt "Symbol" -msgid "Restaurant" +msgid "Communication Link" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:69 ../share/symbols/symbols.h:70 +#. Symbols: FlowSymbols.svg +#: ../share/symbols/symbols.h:36 msgctxt "Symbol" -msgid "Coffeeshop" +msgid "Collate" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:71 ../share/symbols/symbols.h:72 +#. Symbols: FlowSymbols.svg +#: ../share/symbols/symbols.h:37 msgctxt "Symbol" -msgid "Bar" +msgid "Comment/Annotation" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:73 ../share/symbols/symbols.h:74 +#. Symbols: FlowSymbols.svg +#: ../share/symbols/symbols.h:38 msgctxt "Symbol" -msgid "Shops" +msgid "Core" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:75 ../share/symbols/symbols.h:76 +#. Symbols: FlowSymbols.svg +#: ../share/symbols/symbols.h:39 msgctxt "Symbol" -msgid "Barber Shop - Beauty Salon" +msgid "Predefined Process" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:77 ../share/symbols/symbols.h:78 +#. Symbols: FlowSymbols.svg +#: ../share/symbols/symbols.h:40 msgctxt "Symbol" -msgid "Barber Shop" +msgid "Magnetic Disk (Database)" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:79 ../share/symbols/symbols.h:80 +#. Symbols: FlowSymbols.svg +#: ../share/symbols/symbols.h:41 msgctxt "Symbol" -msgid "Beauty Salon" +msgid "Magnetic Drum (Direct Access)" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:81 ../share/symbols/symbols.h:82 +#. Symbols: FlowSymbols.svg +#: ../share/symbols/symbols.h:42 msgctxt "Symbol" -msgid "Ticket Purchase" +msgid "Offline Storage" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:83 ../share/symbols/symbols.h:84 +#. Symbols: FlowSymbols.svg +#: ../share/symbols/symbols.h:43 msgctxt "Symbol" -msgid "Baggage Check In" +msgid "Logical Or" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:85 ../share/symbols/symbols.h:86 +#. Symbols: FlowSymbols.svg +#: ../share/symbols/symbols.h:44 msgctxt "Symbol" -msgid "Baggage Claim" +msgid "Logical And" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:87 ../share/symbols/symbols.h:88 +#. Symbols: FlowSymbols.svg +#: ../share/symbols/symbols.h:45 msgctxt "Symbol" -msgid "Customs" +msgid "Delay" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:89 ../share/symbols/symbols.h:90 +#. Symbols: FlowSymbols.svg +#: ../share/symbols/symbols.h:46 msgctxt "Symbol" -msgid "Immigration" +msgid "Loop Limit Begin" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:91 ../share/symbols/symbols.h:92 +#. Symbols: FlowSymbols.svg +#: ../share/symbols/symbols.h:47 msgctxt "Symbol" -msgid "Departing Flights" +msgid "Loop Limit End" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:93 ../share/symbols/symbols.h:94 +#. Symbols: BalloonSymbols.svg +#: ../share/symbols/symbols.h:48 msgctxt "Symbol" -msgid "Arriving Flights" +msgid "Word Balloons" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:95 ../share/symbols/symbols.h:96 +#. Symbols: BalloonSymbols.svg +#: ../share/symbols/symbols.h:49 msgctxt "Symbol" -msgid "Smoking" +msgid "Thought Balloon" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:97 ../share/symbols/symbols.h:98 +#. Symbols: BalloonSymbols.svg +#: ../share/symbols/symbols.h:50 msgctxt "Symbol" -msgid "No Smoking" +msgid "Dream Speaking" msgstr "" -#. Symbols: AigaSymbols.svg -#. Symbols: MapSymbolsNPS.svg -#: ../share/symbols/symbols.h:99 ../share/symbols/symbols.h:100 -#: ../share/symbols/symbols.h:245 ../share/symbols/symbols.h:246 +#. Symbols: BalloonSymbols.svg +#: ../share/symbols/symbols.h:51 msgctxt "Symbol" -msgid "Parking" +msgid "Rounded Balloon" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:101 ../share/symbols/symbols.h:102 +#. Symbols: BalloonSymbols.svg +#: ../share/symbols/symbols.h:52 msgctxt "Symbol" -msgid "No Parking" +msgid "Squared Balloon" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:103 ../share/symbols/symbols.h:104 +#. Symbols: BalloonSymbols.svg +#: ../share/symbols/symbols.h:53 msgctxt "Symbol" -msgid "No Dogs" +msgid "Over the Phone" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:105 ../share/symbols/symbols.h:106 +#. Symbols: BalloonSymbols.svg +#: ../share/symbols/symbols.h:54 msgctxt "Symbol" -msgid "No Entry" +msgid "Hip Balloon" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:107 ../share/symbols/symbols.h:108 +#. Symbols: BalloonSymbols.svg +#: ../share/symbols/symbols.h:55 msgctxt "Symbol" -msgid "Exit" +msgid "Circle Balloon" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:109 ../share/symbols/symbols.h:110 +#. Symbols: BalloonSymbols.svg +#: ../share/symbols/symbols.h:56 msgctxt "Symbol" -msgid "Fire Extinguisher" +msgid "Exclaim Balloon" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:111 ../share/symbols/symbols.h:112 +#. Symbols: MapSymbolsNPS.svg +#: ../share/symbols/symbols.h:57 msgctxt "Symbol" -msgid "Right Arrow" +msgid "United States National Park Service Map Symbols" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:113 ../share/symbols/symbols.h:114 +#. Symbols: MapSymbolsNPS.svg +#: ../share/symbols/symbols.h:58 ../share/symbols/symbols.h:59 msgctxt "Symbol" -msgid "Forward and Right Arrow" +msgid "Airport" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:115 ../share/symbols/symbols.h:116 +#. Symbols: MapSymbolsNPS.svg +#: ../share/symbols/symbols.h:60 ../share/symbols/symbols.h:61 msgctxt "Symbol" -msgid "Up Arrow" +msgid "Amphitheatre" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:117 ../share/symbols/symbols.h:118 +#. Symbols: MapSymbolsNPS.svg +#: ../share/symbols/symbols.h:62 ../share/symbols/symbols.h:63 msgctxt "Symbol" -msgid "Forward and Left Arrow" +msgid "Bicycle Trail" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:119 ../share/symbols/symbols.h:120 +#. Symbols: MapSymbolsNPS.svg +#: ../share/symbols/symbols.h:64 ../share/symbols/symbols.h:65 msgctxt "Symbol" -msgid "Left Arrow" +msgid "Boat Launch" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:121 ../share/symbols/symbols.h:122 +#. Symbols: MapSymbolsNPS.svg +#: ../share/symbols/symbols.h:66 ../share/symbols/symbols.h:67 msgctxt "Symbol" -msgid "Left and Down Arrow" +msgid "Boat Tour" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:123 ../share/symbols/symbols.h:124 +#. Symbols: MapSymbolsNPS.svg +#: ../share/symbols/symbols.h:68 ../share/symbols/symbols.h:69 msgctxt "Symbol" -msgid "Down Arrow" +msgid "Bus Stop" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:125 ../share/symbols/symbols.h:126 +#. Symbols: MapSymbolsNPS.svg +#: ../share/symbols/symbols.h:70 ../share/symbols/symbols.h:71 msgctxt "Symbol" -msgid "Right and Down Arrow" +msgid "Campfire" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:127 ../share/symbols/symbols.h:128 +#. Symbols: MapSymbolsNPS.svg +#: ../share/symbols/symbols.h:72 ../share/symbols/symbols.h:73 msgctxt "Symbol" -msgid "NPS Wheelchair Accessible - 1996" +msgid "Campground" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:129 ../share/symbols/symbols.h:130 +#. Symbols: MapSymbolsNPS.svg +#: ../share/symbols/symbols.h:74 ../share/symbols/symbols.h:75 msgctxt "Symbol" -msgid "NPS Wheelchair Accessible" +msgid "CanoeAccess" msgstr "" -#. Symbols: AigaSymbols.svg -#: ../share/symbols/symbols.h:131 ../share/symbols/symbols.h:132 +#. Symbols: MapSymbolsNPS.svg +#: ../share/symbols/symbols.h:76 ../share/symbols/symbols.h:77 msgctxt "Symbol" -msgid "New Wheelchair Accessible" +msgid "Crosscountry Ski Trail" msgstr "" -#. Symbols: BalloonSymbols.svg -#: ../share/symbols/symbols.h:133 +#. Symbols: MapSymbolsNPS.svg +#: ../share/symbols/symbols.h:78 ../share/symbols/symbols.h:79 msgctxt "Symbol" -msgid "Word Balloons" +msgid "Downhill Skiing" msgstr "" -#. Symbols: BalloonSymbols.svg -#: ../share/symbols/symbols.h:134 +#. Symbols: MapSymbolsNPS.svg +#: ../share/symbols/symbols.h:80 ../share/symbols/symbols.h:81 msgctxt "Symbol" -msgid "Thought Balloon" +msgid "Drinking Water" msgstr "" -#. Symbols: BalloonSymbols.svg -#: ../share/symbols/symbols.h:135 +#. Symbols: MapSymbolsNPS.svg +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:82 ../share/symbols/symbols.h:83 +#: ../share/symbols/symbols.h:172 ../share/symbols/symbols.h:173 msgctxt "Symbol" -msgid "Dream Speaking" +msgid "First Aid" msgstr "" -#. Symbols: BalloonSymbols.svg -#: ../share/symbols/symbols.h:136 +#. Symbols: MapSymbolsNPS.svg +#: ../share/symbols/symbols.h:84 ../share/symbols/symbols.h:85 msgctxt "Symbol" -msgid "Rounded Balloon" +msgid "Fishing" msgstr "" -#. Symbols: BalloonSymbols.svg -#: ../share/symbols/symbols.h:137 +#. Symbols: MapSymbolsNPS.svg +#: ../share/symbols/symbols.h:86 ../share/symbols/symbols.h:87 msgctxt "Symbol" -msgid "Squared Balloon" +msgid "Food Service" msgstr "" -#. Symbols: BalloonSymbols.svg -#: ../share/symbols/symbols.h:138 +#. Symbols: MapSymbolsNPS.svg +#: ../share/symbols/symbols.h:88 ../share/symbols/symbols.h:89 msgctxt "Symbol" -msgid "Over the Phone" +msgid "Four Wheel Drive Road" msgstr "" -#. Symbols: BalloonSymbols.svg -#: ../share/symbols/symbols.h:139 +#. Symbols: MapSymbolsNPS.svg +#: ../share/symbols/symbols.h:90 ../share/symbols/symbols.h:91 msgctxt "Symbol" -msgid "Hip Balloon" +msgid "Gas Station" msgstr "" -#. Symbols: BalloonSymbols.svg -#: ../share/symbols/symbols.h:140 +#. Symbols: MapSymbolsNPS.svg +#: ../share/symbols/symbols.h:92 ../share/symbols/symbols.h:93 msgctxt "Symbol" -msgid "Circle Balloon" +msgid "Golfing" msgstr "" -#. Symbols: BalloonSymbols.svg -#: ../share/symbols/symbols.h:141 +#. Symbols: MapSymbolsNPS.svg +#: ../share/symbols/symbols.h:94 ../share/symbols/symbols.h:95 msgctxt "Symbol" -msgid "Exclaim Balloon" +msgid "Horseback Riding" msgstr "" -#. Symbols: FlowSymbols.svg -#: ../share/symbols/symbols.h:142 +#. Symbols: MapSymbolsNPS.svg +#: ../share/symbols/symbols.h:96 ../share/symbols/symbols.h:97 msgctxt "Symbol" -msgid "Flow Chart Shapes" +msgid "Hospital" msgstr "" -#. Symbols: FlowSymbols.svg -#: ../share/symbols/symbols.h:143 +#. Symbols: MapSymbolsNPS.svg +#: ../share/symbols/symbols.h:98 ../share/symbols/symbols.h:99 msgctxt "Symbol" -msgid "Process" +msgid "Ice Skating" msgstr "" -#. Symbols: FlowSymbols.svg -#: ../share/symbols/symbols.h:144 +#. Symbols: MapSymbolsNPS.svg +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:100 ../share/symbols/symbols.h:101 +#: ../share/symbols/symbols.h:206 ../share/symbols/symbols.h:207 msgctxt "Symbol" -msgid "Input/Output" +msgid "Information" msgstr "" -#. Symbols: FlowSymbols.svg -#: ../share/symbols/symbols.h:145 +#. Symbols: MapSymbolsNPS.svg +#: ../share/symbols/symbols.h:102 ../share/symbols/symbols.h:103 msgctxt "Symbol" -msgid "Document" +msgid "Litter Receptacle" msgstr "" -#. Symbols: FlowSymbols.svg -#: ../share/symbols/symbols.h:146 +#. Symbols: MapSymbolsNPS.svg +#: ../share/symbols/symbols.h:104 ../share/symbols/symbols.h:105 msgctxt "Symbol" -msgid "Manual Operation" +msgid "Lodging" msgstr "" -#. Symbols: FlowSymbols.svg -#: ../share/symbols/symbols.h:147 +#. Symbols: MapSymbolsNPS.svg +#: ../share/symbols/symbols.h:106 ../share/symbols/symbols.h:107 msgctxt "Symbol" -msgid "Preparation" +msgid "Marina" msgstr "" -#. Symbols: FlowSymbols.svg -#: ../share/symbols/symbols.h:148 +#. Symbols: MapSymbolsNPS.svg +#: ../share/symbols/symbols.h:108 ../share/symbols/symbols.h:109 msgctxt "Symbol" -msgid "Merge" +msgid "Motorbike Trail" msgstr "" -#. Symbols: FlowSymbols.svg -#: ../share/symbols/symbols.h:149 +#. Symbols: MapSymbolsNPS.svg +#: ../share/symbols/symbols.h:110 ../share/symbols/symbols.h:111 msgctxt "Symbol" -msgid "Decision" +msgid "Radiator Water" msgstr "" -#. Symbols: FlowSymbols.svg -#: ../share/symbols/symbols.h:150 +#. Symbols: MapSymbolsNPS.svg +#: ../share/symbols/symbols.h:112 ../share/symbols/symbols.h:113 msgctxt "Symbol" -msgid "Magnetic Tape" +msgid "Recycling" msgstr "" -#. Symbols: FlowSymbols.svg -#: ../share/symbols/symbols.h:151 +#. Symbols: MapSymbolsNPS.svg +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:114 ../share/symbols/symbols.h:115 +#: ../share/symbols/symbols.h:258 ../share/symbols/symbols.h:259 msgctxt "Symbol" -msgid "Display" +msgid "Parking" msgstr "" -#. Symbols: FlowSymbols.svg -#: ../share/symbols/symbols.h:152 +#. Symbols: MapSymbolsNPS.svg +#: ../share/symbols/symbols.h:116 ../share/symbols/symbols.h:117 msgctxt "Symbol" -msgid "Auxiliary Operation" +msgid "Pets On Leash" msgstr "" -#. Symbols: FlowSymbols.svg -#: ../share/symbols/symbols.h:153 +#. Symbols: MapSymbolsNPS.svg +#: ../share/symbols/symbols.h:118 ../share/symbols/symbols.h:119 msgctxt "Symbol" -msgid "Manual Input" +msgid "Picnic Area" msgstr "" -#. Symbols: FlowSymbols.svg -#: ../share/symbols/symbols.h:154 +#. Symbols: MapSymbolsNPS.svg +#: ../share/symbols/symbols.h:120 ../share/symbols/symbols.h:121 msgctxt "Symbol" -msgid "Extract" +msgid "Post Office" msgstr "" -#. Symbols: FlowSymbols.svg -#: ../share/symbols/symbols.h:155 +#. Symbols: MapSymbolsNPS.svg +#: ../share/symbols/symbols.h:122 ../share/symbols/symbols.h:123 msgctxt "Symbol" -msgid "Terminal/Interrupt" +msgid "Ranger Station" msgstr "" -#. Symbols: FlowSymbols.svg -#: ../share/symbols/symbols.h:156 +#. Symbols: MapSymbolsNPS.svg +#: ../share/symbols/symbols.h:124 ../share/symbols/symbols.h:125 msgctxt "Symbol" -msgid "Punched Card" +msgid "RV Campground" msgstr "" -#. Symbols: FlowSymbols.svg -#: ../share/symbols/symbols.h:157 +#. Symbols: MapSymbolsNPS.svg +#: ../share/symbols/symbols.h:126 ../share/symbols/symbols.h:127 msgctxt "Symbol" -msgid "Punch Tape" +msgid "Restrooms" msgstr "" -#. Symbols: FlowSymbols.svg -#: ../share/symbols/symbols.h:158 +#. Symbols: MapSymbolsNPS.svg +#: ../share/symbols/symbols.h:128 ../share/symbols/symbols.h:129 msgctxt "Symbol" -msgid "Online Storage" +msgid "Sailing" msgstr "" -#. Symbols: FlowSymbols.svg -#: ../share/symbols/symbols.h:159 +#. Symbols: MapSymbolsNPS.svg +#: ../share/symbols/symbols.h:130 ../share/symbols/symbols.h:131 msgctxt "Symbol" -msgid "Keying" +msgid "Sanitary Disposal Station" msgstr "" -#. Symbols: FlowSymbols.svg -#: ../share/symbols/symbols.h:160 +#. Symbols: MapSymbolsNPS.svg +#: ../share/symbols/symbols.h:132 ../share/symbols/symbols.h:133 msgctxt "Symbol" -msgid "Sort" +msgid "Scuba Diving" msgstr "" -#. Symbols: FlowSymbols.svg -#: ../share/symbols/symbols.h:161 +#. Symbols: MapSymbolsNPS.svg +#: ../share/symbols/symbols.h:134 ../share/symbols/symbols.h:135 msgctxt "Symbol" -msgid "Connector" +msgid "Self Guided Trail" msgstr "" -#. Symbols: FlowSymbols.svg -#: ../share/symbols/symbols.h:162 +#. Symbols: MapSymbolsNPS.svg +#: ../share/symbols/symbols.h:136 ../share/symbols/symbols.h:137 msgctxt "Symbol" -msgid "Off-Page Connector" +msgid "Shelter" msgstr "" -#. Symbols: FlowSymbols.svg -#: ../share/symbols/symbols.h:163 +#. Symbols: MapSymbolsNPS.svg +#: ../share/symbols/symbols.h:138 ../share/symbols/symbols.h:139 msgctxt "Symbol" -msgid "Transmittal Tape" +msgid "Showers" msgstr "" -#. Symbols: FlowSymbols.svg -#: ../share/symbols/symbols.h:164 +#. Symbols: MapSymbolsNPS.svg +#: ../share/symbols/symbols.h:140 ../share/symbols/symbols.h:141 msgctxt "Symbol" -msgid "Communication Link" +msgid "Sledding" msgstr "" -#. Symbols: FlowSymbols.svg -#: ../share/symbols/symbols.h:165 +#. Symbols: MapSymbolsNPS.svg +#: ../share/symbols/symbols.h:142 ../share/symbols/symbols.h:143 msgctxt "Symbol" -msgid "Collate" +msgid "SnowmobileTrail" msgstr "" -#. Symbols: FlowSymbols.svg -#: ../share/symbols/symbols.h:166 +#. Symbols: MapSymbolsNPS.svg +#: ../share/symbols/symbols.h:144 ../share/symbols/symbols.h:145 msgctxt "Symbol" -msgid "Comment/Annotation" +msgid "Stable" msgstr "" -#. Symbols: FlowSymbols.svg -#: ../share/symbols/symbols.h:167 +#. Symbols: MapSymbolsNPS.svg +#: ../share/symbols/symbols.h:146 ../share/symbols/symbols.h:147 msgctxt "Symbol" -msgid "Core" +msgid "Store" msgstr "" -#. Symbols: FlowSymbols.svg -#: ../share/symbols/symbols.h:168 +#. Symbols: MapSymbolsNPS.svg +#: ../share/symbols/symbols.h:148 ../share/symbols/symbols.h:149 msgctxt "Symbol" -msgid "Predefined Process" +msgid "Swimming" msgstr "" -#. Symbols: FlowSymbols.svg -#: ../share/symbols/symbols.h:169 +#. Symbols: MapSymbolsNPS.svg +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:150 ../share/symbols/symbols.h:151 +#: ../share/symbols/symbols.h:162 ../share/symbols/symbols.h:163 msgctxt "Symbol" -msgid "Magnetic Disk (Database)" +msgid "Telephone" msgstr "" -#. Symbols: FlowSymbols.svg -#: ../share/symbols/symbols.h:170 +#. Symbols: MapSymbolsNPS.svg +#: ../share/symbols/symbols.h:152 ../share/symbols/symbols.h:153 msgctxt "Symbol" -msgid "Magnetic Drum (Direct Access)" +msgid "Emergency Telephone" msgstr "" -#. Symbols: FlowSymbols.svg -#: ../share/symbols/symbols.h:171 +#. Symbols: MapSymbolsNPS.svg +#: ../share/symbols/symbols.h:154 ../share/symbols/symbols.h:155 msgctxt "Symbol" -msgid "Offline Storage" +msgid "Trailhead" msgstr "" -#. Symbols: FlowSymbols.svg -#: ../share/symbols/symbols.h:172 +#. Symbols: MapSymbolsNPS.svg +#: ../share/symbols/symbols.h:156 ../share/symbols/symbols.h:157 msgctxt "Symbol" -msgid "Logical Or" +msgid "Wheelchair Accessible" msgstr "" -#. Symbols: FlowSymbols.svg -#: ../share/symbols/symbols.h:173 +#. Symbols: MapSymbolsNPS.svg +#: ../share/symbols/symbols.h:158 ../share/symbols/symbols.h:159 msgctxt "Symbol" -msgid "Logical And" +msgid "Wind Surfing" msgstr "" -#. Symbols: FlowSymbols.svg -#: ../share/symbols/symbols.h:174 +#. Symbols: MapSymbolsNPS.svg +#: ../share/symbols/symbols.h:160 msgctxt "Symbol" -msgid "Delay" +msgid "Blank" msgstr "" -#. Symbols: FlowSymbols.svg -#: ../share/symbols/symbols.h:175 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:161 msgctxt "Symbol" -msgid "Loop Limit Begin" +msgid "AIGA Symbol Signs" msgstr "" -#. Symbols: FlowSymbols.svg -#: ../share/symbols/symbols.h:176 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:164 ../share/symbols/symbols.h:165 msgctxt "Symbol" -msgid "Loop Limit End" +msgid "Mail" msgstr "" -#. Symbols: LogicSymbols.svg -#: ../share/symbols/symbols.h:177 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:166 ../share/symbols/symbols.h:167 msgctxt "Symbol" -msgid "Logic Symbols" +msgid "Currency Exchange" msgstr "" -#. Symbols: LogicSymbols.svg -#: ../share/symbols/symbols.h:178 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:168 ../share/symbols/symbols.h:169 msgctxt "Symbol" -msgid "Xnor Gate" +msgid "Currency Exchange - Euro" msgstr "" -#. Symbols: LogicSymbols.svg -#: ../share/symbols/symbols.h:179 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:170 ../share/symbols/symbols.h:171 msgctxt "Symbol" -msgid "Xor Gate" +msgid "Cashier" msgstr "" -#. Symbols: LogicSymbols.svg -#: ../share/symbols/symbols.h:180 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:174 ../share/symbols/symbols.h:175 msgctxt "Symbol" -msgid "Nor Gate" +msgid "Lost and Found" msgstr "" -#. Symbols: LogicSymbols.svg -#: ../share/symbols/symbols.h:181 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:176 ../share/symbols/symbols.h:177 msgctxt "Symbol" -msgid "Or Gate" +msgid "Coat Check" msgstr "" -#. Symbols: LogicSymbols.svg -#: ../share/symbols/symbols.h:182 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:178 ../share/symbols/symbols.h:179 msgctxt "Symbol" -msgid "Nand Gate" +msgid "Baggage Lockers" msgstr "" -#. Symbols: LogicSymbols.svg -#: ../share/symbols/symbols.h:183 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:180 ../share/symbols/symbols.h:181 msgctxt "Symbol" -msgid "And Gate" +msgid "Escalator" msgstr "" -#. Symbols: LogicSymbols.svg -#: ../share/symbols/symbols.h:184 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:182 ../share/symbols/symbols.h:183 msgctxt "Symbol" -msgid "Buffer" +msgid "Escalator Down" msgstr "" -#. Symbols: LogicSymbols.svg -#: ../share/symbols/symbols.h:185 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:184 ../share/symbols/symbols.h:185 msgctxt "Symbol" -msgid "Not Gate" +msgid "Escalator Up" msgstr "" -#. Symbols: LogicSymbols.svg -#: ../share/symbols/symbols.h:186 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:186 ../share/symbols/symbols.h:187 msgctxt "Symbol" -msgid "Buffer Small" +msgid "Stairs" msgstr "" -#. Symbols: LogicSymbols.svg -#: ../share/symbols/symbols.h:187 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:188 ../share/symbols/symbols.h:189 msgctxt "Symbol" -msgid "Not Gate Small" +msgid "Stairs Down" msgstr "" -#. Symbols: MapSymbolsNPS.svg -#: ../share/symbols/symbols.h:188 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:190 ../share/symbols/symbols.h:191 msgctxt "Symbol" -msgid "United States National Park Service Map Symbols" +msgid "Stairs Up" msgstr "" -#. Symbols: MapSymbolsNPS.svg -#: ../share/symbols/symbols.h:189 ../share/symbols/symbols.h:190 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:192 ../share/symbols/symbols.h:193 msgctxt "Symbol" -msgid "Airport" +msgid "Elevator" msgstr "" -#. Symbols: MapSymbolsNPS.svg -#: ../share/symbols/symbols.h:191 ../share/symbols/symbols.h:192 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:194 ../share/symbols/symbols.h:195 msgctxt "Symbol" -msgid "Amphitheatre" +msgid "Toilets - Men" msgstr "" -#. Symbols: MapSymbolsNPS.svg -#: ../share/symbols/symbols.h:193 ../share/symbols/symbols.h:194 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:196 ../share/symbols/symbols.h:197 msgctxt "Symbol" -msgid "Bicycle Trail" +msgid "Toilets - Women" msgstr "" -#. Symbols: MapSymbolsNPS.svg -#: ../share/symbols/symbols.h:195 ../share/symbols/symbols.h:196 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:198 ../share/symbols/symbols.h:199 msgctxt "Symbol" -msgid "Boat Launch" +msgid "Toilets" msgstr "" -#. Symbols: MapSymbolsNPS.svg -#: ../share/symbols/symbols.h:197 ../share/symbols/symbols.h:198 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:200 ../share/symbols/symbols.h:201 msgctxt "Symbol" -msgid "Boat Tour" +msgid "Nursery" msgstr "" -#. Symbols: MapSymbolsNPS.svg -#: ../share/symbols/symbols.h:199 ../share/symbols/symbols.h:200 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:202 ../share/symbols/symbols.h:203 msgctxt "Symbol" -msgid "Bus Stop" +msgid "Drinking Fountain" msgstr "" -#. Symbols: MapSymbolsNPS.svg -#: ../share/symbols/symbols.h:201 ../share/symbols/symbols.h:202 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:204 ../share/symbols/symbols.h:205 msgctxt "Symbol" -msgid "Campfire" +msgid "Waiting Room" msgstr "" -#. Symbols: MapSymbolsNPS.svg -#: ../share/symbols/symbols.h:203 ../share/symbols/symbols.h:204 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:208 ../share/symbols/symbols.h:209 msgctxt "Symbol" -msgid "Campground" +msgid "Hotel Information" msgstr "" -#. Symbols: MapSymbolsNPS.svg -#: ../share/symbols/symbols.h:205 ../share/symbols/symbols.h:206 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:210 ../share/symbols/symbols.h:211 msgctxt "Symbol" -msgid "CanoeAccess" +msgid "Air Transportation" msgstr "" -#. Symbols: MapSymbolsNPS.svg -#: ../share/symbols/symbols.h:207 ../share/symbols/symbols.h:208 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:212 ../share/symbols/symbols.h:213 msgctxt "Symbol" -msgid "Crosscountry Ski Trail" +msgid "Heliport" msgstr "" -#. Symbols: MapSymbolsNPS.svg -#: ../share/symbols/symbols.h:209 ../share/symbols/symbols.h:210 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:214 ../share/symbols/symbols.h:215 msgctxt "Symbol" -msgid "Downhill Skiing" +msgid "Taxi" msgstr "" -#. Symbols: MapSymbolsNPS.svg -#: ../share/symbols/symbols.h:211 ../share/symbols/symbols.h:212 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:216 ../share/symbols/symbols.h:217 msgctxt "Symbol" -msgid "Drinking Water" +msgid "Bus" msgstr "" -#. Symbols: MapSymbolsNPS.svg -#: ../share/symbols/symbols.h:215 ../share/symbols/symbols.h:216 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:218 ../share/symbols/symbols.h:219 msgctxt "Symbol" -msgid "Fishing" +msgid "Ground Transportation" msgstr "" -#. Symbols: MapSymbolsNPS.svg -#: ../share/symbols/symbols.h:217 ../share/symbols/symbols.h:218 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:220 ../share/symbols/symbols.h:221 msgctxt "Symbol" -msgid "Food Service" +msgid "Rail Transportation" msgstr "" -#. Symbols: MapSymbolsNPS.svg -#: ../share/symbols/symbols.h:219 ../share/symbols/symbols.h:220 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:222 ../share/symbols/symbols.h:223 msgctxt "Symbol" -msgid "Four Wheel Drive Road" +msgid "Water Transportation" msgstr "" -#. Symbols: MapSymbolsNPS.svg -#: ../share/symbols/symbols.h:221 ../share/symbols/symbols.h:222 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:224 ../share/symbols/symbols.h:225 msgctxt "Symbol" -msgid "Gas Station" +msgid "Car Rental" msgstr "" -#. Symbols: MapSymbolsNPS.svg -#: ../share/symbols/symbols.h:223 ../share/symbols/symbols.h:224 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:226 ../share/symbols/symbols.h:227 msgctxt "Symbol" -msgid "Golfing" +msgid "Restaurant" msgstr "" -#. Symbols: MapSymbolsNPS.svg -#: ../share/symbols/symbols.h:225 ../share/symbols/symbols.h:226 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:228 ../share/symbols/symbols.h:229 msgctxt "Symbol" -msgid "Horseback Riding" +msgid "Coffeeshop" msgstr "" -#. Symbols: MapSymbolsNPS.svg -#: ../share/symbols/symbols.h:227 ../share/symbols/symbols.h:228 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:230 ../share/symbols/symbols.h:231 msgctxt "Symbol" -msgid "Hospital" +msgid "Bar" msgstr "" -#. Symbols: MapSymbolsNPS.svg -#: ../share/symbols/symbols.h:229 ../share/symbols/symbols.h:230 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:232 ../share/symbols/symbols.h:233 msgctxt "Symbol" -msgid "Ice Skating" +msgid "Shops" msgstr "" -#. Symbols: MapSymbolsNPS.svg -#: ../share/symbols/symbols.h:233 ../share/symbols/symbols.h:234 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:234 ../share/symbols/symbols.h:235 msgctxt "Symbol" -msgid "Litter Receptacle" +msgid "Barber Shop - Beauty Salon" msgstr "" -#. Symbols: MapSymbolsNPS.svg -#: ../share/symbols/symbols.h:235 ../share/symbols/symbols.h:236 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:236 ../share/symbols/symbols.h:237 msgctxt "Symbol" -msgid "Lodging" +msgid "Barber Shop" msgstr "" -#. Symbols: MapSymbolsNPS.svg -#: ../share/symbols/symbols.h:237 ../share/symbols/symbols.h:238 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:238 ../share/symbols/symbols.h:239 msgctxt "Symbol" -msgid "Marina" +msgid "Beauty Salon" msgstr "" -#. Symbols: MapSymbolsNPS.svg -#: ../share/symbols/symbols.h:239 ../share/symbols/symbols.h:240 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:240 ../share/symbols/symbols.h:241 msgctxt "Symbol" -msgid "Motorbike Trail" +msgid "Ticket Purchase" msgstr "" -#. Symbols: MapSymbolsNPS.svg -#: ../share/symbols/symbols.h:241 ../share/symbols/symbols.h:242 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:242 ../share/symbols/symbols.h:243 msgctxt "Symbol" -msgid "Radiator Water" +msgid "Baggage Check In" msgstr "" -#. Symbols: MapSymbolsNPS.svg -#: ../share/symbols/symbols.h:243 ../share/symbols/symbols.h:244 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:244 ../share/symbols/symbols.h:245 msgctxt "Symbol" -msgid "Recycling" +msgid "Baggage Claim" msgstr "" -#. Symbols: MapSymbolsNPS.svg -#: ../share/symbols/symbols.h:247 ../share/symbols/symbols.h:248 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:246 ../share/symbols/symbols.h:247 msgctxt "Symbol" -msgid "Pets On Leash" +msgid "Customs" msgstr "" -#. Symbols: MapSymbolsNPS.svg -#: ../share/symbols/symbols.h:249 ../share/symbols/symbols.h:250 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:248 ../share/symbols/symbols.h:249 msgctxt "Symbol" -msgid "Picnic Area" +msgid "Immigration" msgstr "" -#. Symbols: MapSymbolsNPS.svg -#: ../share/symbols/symbols.h:251 ../share/symbols/symbols.h:252 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:250 ../share/symbols/symbols.h:251 msgctxt "Symbol" -msgid "Post Office" +msgid "Departing Flights" msgstr "" -#. Symbols: MapSymbolsNPS.svg -#: ../share/symbols/symbols.h:253 ../share/symbols/symbols.h:254 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:252 ../share/symbols/symbols.h:253 msgctxt "Symbol" -msgid "Ranger Station" +msgid "Arriving Flights" msgstr "" -#. Symbols: MapSymbolsNPS.svg -#: ../share/symbols/symbols.h:255 ../share/symbols/symbols.h:256 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:254 ../share/symbols/symbols.h:255 msgctxt "Symbol" -msgid "RV Campground" +msgid "Smoking" msgstr "" -#. Symbols: MapSymbolsNPS.svg -#: ../share/symbols/symbols.h:257 ../share/symbols/symbols.h:258 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:256 ../share/symbols/symbols.h:257 msgctxt "Symbol" -msgid "Restrooms" +msgid "No Smoking" msgstr "" -#. Symbols: MapSymbolsNPS.svg -#: ../share/symbols/symbols.h:259 ../share/symbols/symbols.h:260 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:260 ../share/symbols/symbols.h:261 msgctxt "Symbol" -msgid "Sailing" +msgid "No Parking" msgstr "" -#. Symbols: MapSymbolsNPS.svg -#: ../share/symbols/symbols.h:261 ../share/symbols/symbols.h:262 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:262 ../share/symbols/symbols.h:263 msgctxt "Symbol" -msgid "Sanitary Disposal Station" +msgid "No Dogs" msgstr "" -#. Symbols: MapSymbolsNPS.svg -#: ../share/symbols/symbols.h:263 ../share/symbols/symbols.h:264 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:264 ../share/symbols/symbols.h:265 msgctxt "Symbol" -msgid "Scuba Diving" +msgid "No Entry" msgstr "" -#. Symbols: MapSymbolsNPS.svg -#: ../share/symbols/symbols.h:265 ../share/symbols/symbols.h:266 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:266 ../share/symbols/symbols.h:267 msgctxt "Symbol" -msgid "Self Guided Trail" +msgid "Exit" msgstr "" -#. Symbols: MapSymbolsNPS.svg -#: ../share/symbols/symbols.h:267 ../share/symbols/symbols.h:268 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:268 ../share/symbols/symbols.h:269 msgctxt "Symbol" -msgid "Shelter" +msgid "Fire Extinguisher" msgstr "" -#. Symbols: MapSymbolsNPS.svg -#: ../share/symbols/symbols.h:269 ../share/symbols/symbols.h:270 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:270 ../share/symbols/symbols.h:271 msgctxt "Symbol" -msgid "Showers" +msgid "Right Arrow" msgstr "" -#. Symbols: MapSymbolsNPS.svg -#: ../share/symbols/symbols.h:271 ../share/symbols/symbols.h:272 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:272 ../share/symbols/symbols.h:273 msgctxt "Symbol" -msgid "Sledding" +msgid "Forward and Right Arrow" msgstr "" -#. Symbols: MapSymbolsNPS.svg -#: ../share/symbols/symbols.h:273 ../share/symbols/symbols.h:274 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:274 ../share/symbols/symbols.h:275 msgctxt "Symbol" -msgid "SnowmobileTrail" +msgid "Up Arrow" msgstr "" -#. Symbols: MapSymbolsNPS.svg -#: ../share/symbols/symbols.h:275 ../share/symbols/symbols.h:276 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:276 ../share/symbols/symbols.h:277 msgctxt "Symbol" -msgid "Stable" +msgid "Forward and Left Arrow" msgstr "" -#. Symbols: MapSymbolsNPS.svg -#: ../share/symbols/symbols.h:277 ../share/symbols/symbols.h:278 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:278 ../share/symbols/symbols.h:279 msgctxt "Symbol" -msgid "Store" +msgid "Left Arrow" msgstr "" -#. Symbols: MapSymbolsNPS.svg -#: ../share/symbols/symbols.h:279 ../share/symbols/symbols.h:280 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:280 ../share/symbols/symbols.h:281 msgctxt "Symbol" -msgid "Swimming" +msgid "Left and Down Arrow" msgstr "" -#. Symbols: MapSymbolsNPS.svg -#: ../share/symbols/symbols.h:283 ../share/symbols/symbols.h:284 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:282 ../share/symbols/symbols.h:283 msgctxt "Symbol" -msgid "Emergency Telephone" +msgid "Down Arrow" msgstr "" -#. Symbols: MapSymbolsNPS.svg -#: ../share/symbols/symbols.h:285 ../share/symbols/symbols.h:286 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:284 ../share/symbols/symbols.h:285 msgctxt "Symbol" -msgid "Trailhead" +msgid "Right and Down Arrow" msgstr "" -#. Symbols: MapSymbolsNPS.svg -#: ../share/symbols/symbols.h:287 ../share/symbols/symbols.h:288 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:286 ../share/symbols/symbols.h:287 msgctxt "Symbol" -msgid "Wheelchair Accessible" +msgid "NPS Wheelchair Accessible - 1996" msgstr "" -#. Symbols: MapSymbolsNPS.svg -#: ../share/symbols/symbols.h:289 ../share/symbols/symbols.h:290 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:288 ../share/symbols/symbols.h:289 msgctxt "Symbol" -msgid "Wind Surfing" +msgid "NPS Wheelchair Accessible" msgstr "" -#. Symbols: MapSymbolsNPS.svg -#: ../share/symbols/symbols.h:291 +#. Symbols: AigaSymbols.svg +#: ../share/symbols/symbols.h:290 ../share/symbols/symbols.h:291 msgctxt "Symbol" -msgid "Blank" +msgid "New Wheelchair Accessible" msgstr "" #: ../share/templates/templates.h:1 -msgid "CD Label 120mmx120mm " +msgid "No Layers" msgstr "" #: ../share/templates/templates.h:1 -msgid "Simple CD Label template with disc's pattern." +msgid "Empty sheet with no layers" msgstr "" #: ../share/templates/templates.h:1 -msgid "CD label 120x120 disc disk" +msgid "no layers empty" msgstr "" #: ../share/templates/templates.h:1 @@ -4396,15 +4396,15 @@ msgid "guidelines typography canvas" msgstr "" #: ../share/templates/templates.h:1 -msgid "No Layers" +msgid "CD Label 120mmx120mm " msgstr "" #: ../share/templates/templates.h:1 -msgid "Empty sheet with no layers" +msgid "Simple CD Label template with disc's pattern." msgstr "" #: ../share/templates/templates.h:1 -msgid "no layers empty" +msgid "CD label 120x120 disc disk" msgstr "" #. 3D box @@ -5011,7 +5011,7 @@ msgstr "" #: ../src/ui/dialog/object-attributes.cpp:74 #: ../src/ui/widget/page-sizer.cpp:232 #: ../src/widgets/calligraphy-toolbar.cpp:430 -#: ../src/widgets/eraser-toolbar.cpp:185 ../src/widgets/spray-toolbar.cpp:297 +#: ../src/widgets/eraser-toolbar.cpp:187 ../src/widgets/spray-toolbar.cpp:297 #: ../src/widgets/tweak-toolbar.cpp:128 ../share/extensions/foldablebox.inx.h:2 msgid "Width:" msgstr "" @@ -5771,7 +5771,7 @@ msgstr "" #: ../src/extension/internal/vsd-input.cpp:121 #: ../src/extension/prefdialog.cpp:73 #: ../src/ui/dialog/calligraphic-profile-rename.cpp:49 -#: ../src/ui/dialog/export.cpp:904 ../src/ui/dialog/export.cpp:1287 +#: ../src/ui/dialog/export.cpp:912 ../src/ui/dialog/export.cpp:1296 #: ../src/ui/dialog/filedialogimpl-gtkmm.cpp:737 #: ../src/ui/dialog/filedialogimpl-gtkmm.cpp:1052 #: ../src/ui/dialog/filedialogimpl-gtkmm.cpp:1599 @@ -7168,6 +7168,7 @@ msgstr "" #: ../src/extension/internal/filter/morphology.h:69 #: ../src/extension/internal/filter/morphology.h:190 +#: ../src/ui/dialog/export.cpp:154 msgid "Antialiasing" msgstr "" @@ -7687,7 +7688,7 @@ msgstr "" #: ../src/extension/internal/filter/transparency.h:59 #: ../src/ui/dialog/filter-effects-dialog.cpp:2739 -#: ../src/ui/dialog/input.cpp:959 ../src/widgets/eraser-toolbar.cpp:163 +#: ../src/ui/dialog/input.cpp:959 ../src/widgets/eraser-toolbar.cpp:165 #: ../src/widgets/pencil-toolbar.cpp:138 ../src/widgets/spray-toolbar.cpp:389 #: ../src/widgets/tweak-toolbar.cpp:254 ../share/extensions/extrude.inx.h:2 #: ../share/extensions/triangle.inx.h:8 @@ -7895,7 +7896,7 @@ msgstr "" #: ../src/extension/internal/grid.cpp:210 #: ../src/ui/dialog/document-properties.cpp:148 #: ../src/ui/dialog/inkscape-preferences.cpp:820 -#: ../src/widgets/toolbox.cpp:1865 +#: ../src/widgets/toolbox.cpp:1864 msgid "Grids" msgstr "" @@ -9146,7 +9147,7 @@ msgstr "" #: ../src/live_effects/lpe-bendpath.cpp:56 #: ../src/live_effects/lpe-patternalongpath.cpp:67 -#: ../src/ui/dialog/export.cpp:254 ../src/ui/dialog/transformation.cpp:68 +#: ../src/ui/dialog/export.cpp:256 ../src/ui/dialog/transformation.cpp:68 #: ../src/ui/widget/page-sizer.cpp:220 msgid "_Width:" msgstr "" @@ -9276,66 +9277,73 @@ msgstr "" msgid "The size of the grid in Y direction." msgstr "" -#: ../src/live_effects/lpe-copy_rotate.cpp:42 +#: ../src/live_effects/lpe-copy_rotate.cpp:43 msgid "Origin" msgstr "" -#: ../src/live_effects/lpe-copy_rotate.cpp:42 +#: ../src/live_effects/lpe-copy_rotate.cpp:43 msgid "Adjust origin of the rotation" msgstr "" -#: ../src/live_effects/lpe-copy_rotate.cpp:43 +#: ../src/live_effects/lpe-copy_rotate.cpp:44 #: ../src/live_effects/lpe-transform_2pts.cpp:35 msgid "Start point" msgstr "" -#: ../src/live_effects/lpe-copy_rotate.cpp:43 +#: ../src/live_effects/lpe-copy_rotate.cpp:44 msgid "Starting point to define start angle" msgstr "" -#: ../src/live_effects/lpe-copy_rotate.cpp:43 +#: ../src/live_effects/lpe-copy_rotate.cpp:44 msgid "Adjust starting point to define start angle" msgstr "" -#: ../src/live_effects/lpe-copy_rotate.cpp:44 +#: ../src/live_effects/lpe-copy_rotate.cpp:45 msgid "Starting angle" msgstr "" -#: ../src/live_effects/lpe-copy_rotate.cpp:44 +#: ../src/live_effects/lpe-copy_rotate.cpp:45 msgid "Angle of the first copy" msgstr "" -#: ../src/live_effects/lpe-copy_rotate.cpp:45 +#: ../src/live_effects/lpe-copy_rotate.cpp:46 msgid "Rotation angle" msgstr "" -#: ../src/live_effects/lpe-copy_rotate.cpp:45 +#: ../src/live_effects/lpe-copy_rotate.cpp:46 msgid "Angle between two successive copies" msgstr "" -#: ../src/live_effects/lpe-copy_rotate.cpp:46 +#: ../src/live_effects/lpe-copy_rotate.cpp:47 msgid "Number of copies" msgstr "" -#: ../src/live_effects/lpe-copy_rotate.cpp:46 +#: ../src/live_effects/lpe-copy_rotate.cpp:47 msgid "Number of copies of the original path" msgstr "" -#: ../src/live_effects/lpe-copy_rotate.cpp:47 +#: ../src/live_effects/lpe-copy_rotate.cpp:48 msgid "360º Copies" msgstr "" -#: ../src/live_effects/lpe-copy_rotate.cpp:47 +#: ../src/live_effects/lpe-copy_rotate.cpp:48 msgid "No rotation angle, fixed to 360º" msgstr "" -#: ../src/live_effects/lpe-copy_rotate.cpp:48 -#: ../src/live_effects/lpe-mirror_symmetry.cpp:44 -msgid "Fuse paths" +#: ../src/live_effects/lpe-copy_rotate.cpp:49 +msgid "Kaleidoskope" msgstr "" -#: ../src/live_effects/lpe-copy_rotate.cpp:48 -msgid "Fuse paths by helper line, use fill-rule: evenodd for best result" +#: ../src/live_effects/lpe-copy_rotate.cpp:49 +msgid "Kaleidoskope by helper line, use fill-rule: evenodd for best result" +msgstr "" + +#: ../src/live_effects/lpe-copy_rotate.cpp:50 +msgid "Join paths" +msgstr "" + +#: ../src/live_effects/lpe-copy_rotate.cpp:50 +msgid "Join paths, use fill-rule: evenodd for best result" msgstr "" #: ../src/live_effects/lpe-curvestitch.cpp:34 @@ -9628,7 +9636,7 @@ msgid "Min Radius:" msgstr "" #: ../src/live_effects/lpe-gears.cpp:210 -msgid "Minimun radius, low balues can slow" +msgid "Minimum radius, low values can be slow" msgstr "" #: ../src/live_effects/lpe-interpolate.cpp:27 @@ -10102,7 +10110,7 @@ msgid "Unit*" msgstr "" #: ../src/live_effects/lpe-measure-line.cpp:50 -#: ../src/live_effects/lpe-ruler.cpp:39 ../src/widgets/gimp/ruler.cpp:193 +#: ../src/live_effects/lpe-ruler.cpp:39 ../src/widgets/gimp/ruler.cpp:195 msgid "Unit" msgstr "" @@ -10115,7 +10123,7 @@ msgid "Font Selector" msgstr "" #: ../src/live_effects/lpe-measure-line.cpp:52 -#: ../src/widgets/gimp/ruler.cpp:183 +#: ../src/widgets/gimp/ruler.cpp:185 #: ../share/extensions/gcodetools_graffiti.inx.h:9 #: ../share/extensions/gcodetools_orientation_points.inx.h:2 msgid "Orientation" @@ -10138,11 +10146,12 @@ msgid "Precision*" msgstr "" #: ../src/live_effects/lpe-measure-line.cpp:55 -msgid "Positon*" +msgid "Position*" msgstr "" #: ../src/live_effects/lpe-measure-line.cpp:55 -msgid "Positon" +#: ../src/widgets/gimp/ruler.cpp:223 +msgid "Position" msgstr "" #: ../src/live_effects/lpe-measure-line.cpp:56 @@ -10331,6 +10340,10 @@ msgstr "" msgid "Check this to only keep the mirrored part of the path" msgstr "" +#: ../src/live_effects/lpe-mirror_symmetry.cpp:44 +msgid "Fuse paths" +msgstr "" + #: ../src/live_effects/lpe-mirror_symmetry.cpp:44 msgid "Fuse original and the reflection into a single path" msgstr "" @@ -12202,7 +12215,7 @@ msgid "Nothing was deleted." msgstr "" #: ../src/selection-chemistry.cpp:408 ../src/ui/dialog/swatches.cpp:268 -#: ../src/ui/tools/text-tool.cpp:961 ../src/widgets/eraser-toolbar.cpp:143 +#: ../src/ui/tools/text-tool.cpp:961 ../src/widgets/eraser-toolbar.cpp:145 #: ../src/widgets/gradient-toolbar.cpp:1182 #: ../src/widgets/gradient-toolbar.cpp:1196 #: ../src/widgets/gradient-toolbar.cpp:1210 ../src/widgets/node-toolbar.cpp:399 @@ -12785,8 +12798,8 @@ msgstr "" msgid "Keyboard directory (%s) is unavailable." msgstr "" -#: ../src/shortcuts.cpp:335 ../src/ui/dialog/export.cpp:1284 -#: ../src/ui/dialog/export.cpp:1318 +#: ../src/shortcuts.cpp:335 ../src/ui/dialog/export.cpp:1293 +#: ../src/ui/dialog/export.cpp:1327 msgid "Select a filename for exporting" msgstr "" @@ -13496,7 +13509,7 @@ msgid "Rearrange" msgstr "" #: ../src/ui/dialog/align-and-distribute.cpp:919 -#: ../src/widgets/toolbox.cpp:1767 +#: ../src/widgets/toolbox.cpp:1766 msgid "Nodes" msgstr "" @@ -13714,7 +13727,7 @@ msgid "_Delete" msgstr "" #: ../src/ui/dialog/calligraphic-profile-rename.cpp:58 -#: ../src/ui/dialog/export.cpp:1288 +#: ../src/ui/dialog/export.cpp:1297 #: ../src/ui/dialog/filedialogimpl-gtkmm.cpp:1053 #: ../src/ui/dialog/filedialogimpl-gtkmm.cpp:1600 #: ../src/ui/dialog/input.cpp:953 ../src/verbs.cpp:2467 @@ -14720,7 +14733,7 @@ msgstr "" msgid "Remove selected grid." msgstr "" -#: ../src/ui/dialog/document-properties.cpp:147 ../src/widgets/toolbox.cpp:1874 +#: ../src/ui/dialog/document-properties.cpp:147 ../src/widgets/toolbox.cpp:1873 msgid "Guides" msgstr "" @@ -14977,172 +14990,172 @@ msgstr "" msgid "pHYs dpi" msgstr "" -#: ../src/ui/dialog/export.cpp:155 -msgid "Hide a_ll except selected" +#: ../src/ui/dialog/export.cpp:157 +msgid "Hide all except selected" msgstr "" -#: ../src/ui/dialog/export.cpp:155 +#: ../src/ui/dialog/export.cpp:157 msgid "In the exported image, hide all objects except those that are selected" msgstr "" -#: ../src/ui/dialog/export.cpp:156 +#: ../src/ui/dialog/export.cpp:158 msgid "Close when complete" msgstr "" -#: ../src/ui/dialog/export.cpp:156 +#: ../src/ui/dialog/export.cpp:158 msgid "Once the export completes, close this dialog" msgstr "" -#: ../src/ui/dialog/export.cpp:174 +#: ../src/ui/dialog/export.cpp:176 msgid "Export area" msgstr "" -#: ../src/ui/dialog/export.cpp:207 +#: ../src/ui/dialog/export.cpp:209 msgid "_x0:" msgstr "" -#: ../src/ui/dialog/export.cpp:211 +#: ../src/ui/dialog/export.cpp:213 msgid "x_1:" msgstr "" -#: ../src/ui/dialog/export.cpp:215 +#: ../src/ui/dialog/export.cpp:217 msgid "Wid_th:" msgstr "" -#: ../src/ui/dialog/export.cpp:219 +#: ../src/ui/dialog/export.cpp:221 msgid "_y0:" msgstr "" -#: ../src/ui/dialog/export.cpp:223 +#: ../src/ui/dialog/export.cpp:225 msgid "y_1:" msgstr "" -#: ../src/ui/dialog/export.cpp:227 +#: ../src/ui/dialog/export.cpp:229 msgid "Hei_ght:" msgstr "" -#: ../src/ui/dialog/export.cpp:242 +#: ../src/ui/dialog/export.cpp:244 msgid "Image size" msgstr "" -#: ../src/ui/dialog/export.cpp:254 ../src/ui/dialog/export.cpp:265 +#: ../src/ui/dialog/export.cpp:256 ../src/ui/dialog/export.cpp:267 msgid "pixels at" msgstr "" -#: ../src/ui/dialog/export.cpp:260 +#: ../src/ui/dialog/export.cpp:262 msgid "dp_i" msgstr "" -#: ../src/ui/dialog/export.cpp:265 ../src/ui/dialog/transformation.cpp:70 +#: ../src/ui/dialog/export.cpp:267 ../src/ui/dialog/transformation.cpp:70 #: ../src/ui/widget/page-sizer.cpp:221 msgid "_Height:" msgstr "" -#: ../src/ui/dialog/export.cpp:273 +#: ../src/ui/dialog/export.cpp:275 #: ../src/ui/dialog/inkscape-preferences.cpp:1474 #: ../src/ui/dialog/inkscape-preferences.cpp:1478 #: ../src/ui/dialog/inkscape-preferences.cpp:1502 msgid "dpi" msgstr "" -#: ../src/ui/dialog/export.cpp:281 +#: ../src/ui/dialog/export.cpp:283 msgid "_Filename" msgstr "" -#: ../src/ui/dialog/export.cpp:319 +#: ../src/ui/dialog/export.cpp:321 msgid "_Export" msgstr "" -#: ../src/ui/dialog/export.cpp:321 +#: ../src/ui/dialog/export.cpp:323 msgid "Export the bitmap file with these settings" msgstr "" #. Advanced -#: ../src/ui/dialog/export.cpp:327 +#: ../src/ui/dialog/export.cpp:329 msgid "Advanced" msgstr "" -#: ../src/ui/dialog/export.cpp:341 +#: ../src/ui/dialog/export.cpp:343 msgid "" "Will force-set the physical dpi for the png file. Set this to 72 if you're " "planning to work on your png with Photoshop" msgstr "" -#: ../src/ui/dialog/export.cpp:475 +#: ../src/ui/dialog/export.cpp:483 msgid "bitmap" msgstr "" -#: ../src/ui/dialog/export.cpp:580 +#: ../src/ui/dialog/export.cpp:588 #, c-format msgid "B_atch export %d selected object" msgid_plural "B_atch export %d selected objects" msgstr[0] "" msgstr[1] "" -#: ../src/ui/dialog/export.cpp:896 +#: ../src/ui/dialog/export.cpp:904 msgid "Export in progress" msgstr "" -#: ../src/ui/dialog/export.cpp:996 +#: ../src/ui/dialog/export.cpp:1005 msgid "No items selected." msgstr "" -#: ../src/ui/dialog/export.cpp:1000 ../src/ui/dialog/export.cpp:1002 +#: ../src/ui/dialog/export.cpp:1009 ../src/ui/dialog/export.cpp:1011 msgid "Exporting %1 files" msgstr "" -#: ../src/ui/dialog/export.cpp:1044 ../src/ui/dialog/export.cpp:1046 +#: ../src/ui/dialog/export.cpp:1053 ../src/ui/dialog/export.cpp:1055 #, c-format msgid "Exporting file %s..." msgstr "" -#: ../src/ui/dialog/export.cpp:1057 ../src/ui/dialog/export.cpp:1152 +#: ../src/ui/dialog/export.cpp:1066 ../src/ui/dialog/export.cpp:1161 #, c-format msgid "Could not export to filename %s.\n" msgstr "" -#: ../src/ui/dialog/export.cpp:1060 +#: ../src/ui/dialog/export.cpp:1069 #, c-format msgid "Could not export to filename %s." msgstr "" -#: ../src/ui/dialog/export.cpp:1075 +#: ../src/ui/dialog/export.cpp:1084 #, c-format msgid "Successfully exported %d files from %d selected items." msgstr "" -#: ../src/ui/dialog/export.cpp:1086 +#: ../src/ui/dialog/export.cpp:1095 msgid "You have to enter a filename." msgstr "" -#: ../src/ui/dialog/export.cpp:1087 +#: ../src/ui/dialog/export.cpp:1096 msgid "You have to enter a filename" msgstr "" -#: ../src/ui/dialog/export.cpp:1102 +#: ../src/ui/dialog/export.cpp:1111 msgid "The chosen area to be exported is invalid." msgstr "" -#: ../src/ui/dialog/export.cpp:1103 +#: ../src/ui/dialog/export.cpp:1112 msgid "The chosen area to be exported is invalid" msgstr "" -#: ../src/ui/dialog/export.cpp:1118 +#: ../src/ui/dialog/export.cpp:1127 #, c-format msgid "Directory %s does not exist or is not a directory.\n" msgstr "" #. TRANSLATORS: %1 will be the filename, %2 the width, and %3 the height of the image -#: ../src/ui/dialog/export.cpp:1132 ../src/ui/dialog/export.cpp:1134 +#: ../src/ui/dialog/export.cpp:1141 ../src/ui/dialog/export.cpp:1143 msgid "Exporting %1 (%2 x %3)" msgstr "" -#: ../src/ui/dialog/export.cpp:1163 +#: ../src/ui/dialog/export.cpp:1172 #, c-format msgid "Drawing exported to %s." msgstr "" -#: ../src/ui/dialog/export.cpp:1167 +#: ../src/ui/dialog/export.cpp:1176 msgid "Export aborted." msgstr "" @@ -16182,7 +16195,7 @@ msgstr "" msgid "Search spirals" msgstr "" -#: ../src/ui/dialog/find.cpp:96 ../src/widgets/toolbox.cpp:1775 +#: ../src/ui/dialog/find.cpp:96 ../src/widgets/toolbox.cpp:1774 msgid "Paths" msgstr "" @@ -27549,7 +27562,7 @@ msgstr "" #. Width #: ../src/widgets/calligraphy-toolbar.cpp:427 -#: ../src/widgets/eraser-toolbar.cpp:182 +#: ../src/widgets/eraser-toolbar.cpp:184 msgid "(hairline)" msgstr "" @@ -27558,7 +27571,7 @@ msgstr "" #. Scale #: ../src/widgets/calligraphy-toolbar.cpp:427 #: ../src/widgets/calligraphy-toolbar.cpp:460 -#: ../src/widgets/eraser-toolbar.cpp:182 ../src/widgets/pencil-toolbar.cpp:374 +#: ../src/widgets/eraser-toolbar.cpp:184 ../src/widgets/pencil-toolbar.cpp:374 #: ../src/widgets/spray-toolbar.cpp:294 ../src/widgets/spray-toolbar.cpp:323 #: ../src/widgets/spray-toolbar.cpp:339 ../src/widgets/spray-toolbar.cpp:408 #: ../src/widgets/spray-toolbar.cpp:438 ../src/widgets/spray-toolbar.cpp:456 @@ -27568,12 +27581,12 @@ msgid "(default)" msgstr "" #: ../src/widgets/calligraphy-toolbar.cpp:427 -#: ../src/widgets/eraser-toolbar.cpp:182 +#: ../src/widgets/eraser-toolbar.cpp:184 msgid "(broad stroke)" msgstr "" #: ../src/widgets/calligraphy-toolbar.cpp:430 -#: ../src/widgets/eraser-toolbar.cpp:185 +#: ../src/widgets/eraser-toolbar.cpp:187 msgid "Pen Width" msgstr "" @@ -27583,27 +27596,27 @@ msgstr "" #. Thinning #: ../src/widgets/calligraphy-toolbar.cpp:444 -#: ../src/widgets/eraser-toolbar.cpp:212 +#: ../src/widgets/eraser-toolbar.cpp:214 msgid "(speed blows up stroke)" msgstr "" #: ../src/widgets/calligraphy-toolbar.cpp:444 -#: ../src/widgets/eraser-toolbar.cpp:212 +#: ../src/widgets/eraser-toolbar.cpp:214 msgid "(slight widening)" msgstr "" #: ../src/widgets/calligraphy-toolbar.cpp:444 -#: ../src/widgets/eraser-toolbar.cpp:212 +#: ../src/widgets/eraser-toolbar.cpp:214 msgid "(constant width)" msgstr "" #: ../src/widgets/calligraphy-toolbar.cpp:444 -#: ../src/widgets/eraser-toolbar.cpp:212 +#: ../src/widgets/eraser-toolbar.cpp:214 msgid "(slight thinning, default)" msgstr "" #: ../src/widgets/calligraphy-toolbar.cpp:444 -#: ../src/widgets/eraser-toolbar.cpp:212 +#: ../src/widgets/eraser-toolbar.cpp:214 msgid "(speed deflates stroke)" msgstr "" @@ -27612,12 +27625,12 @@ msgid "Stroke Thinning" msgstr "" #: ../src/widgets/calligraphy-toolbar.cpp:447 -#: ../src/widgets/eraser-toolbar.cpp:215 +#: ../src/widgets/eraser-toolbar.cpp:217 msgid "Thinning:" msgstr "" #: ../src/widgets/calligraphy-toolbar.cpp:448 -#: ../src/widgets/eraser-toolbar.cpp:216 +#: ../src/widgets/eraser-toolbar.cpp:218 msgid "" "How much velocity thins the stroke (> 0 makes fast strokes thinner, < 0 " "makes them broader, 0 makes width independent of velocity)" @@ -27680,22 +27693,22 @@ msgstr "" #. Cap Rounding #: ../src/widgets/calligraphy-toolbar.cpp:494 -#: ../src/widgets/eraser-toolbar.cpp:228 +#: ../src/widgets/eraser-toolbar.cpp:230 msgid "(blunt caps, default)" msgstr "" #: ../src/widgets/calligraphy-toolbar.cpp:494 -#: ../src/widgets/eraser-toolbar.cpp:228 +#: ../src/widgets/eraser-toolbar.cpp:230 msgid "(slightly bulging)" msgstr "" #: ../src/widgets/calligraphy-toolbar.cpp:494 -#: ../src/widgets/eraser-toolbar.cpp:228 +#: ../src/widgets/eraser-toolbar.cpp:230 msgid "(approximately round)" msgstr "" #: ../src/widgets/calligraphy-toolbar.cpp:494 -#: ../src/widgets/eraser-toolbar.cpp:228 +#: ../src/widgets/eraser-toolbar.cpp:230 msgid "(long protruding caps)" msgstr "" @@ -27704,12 +27717,12 @@ msgid "Cap rounding" msgstr "" #: ../src/widgets/calligraphy-toolbar.cpp:498 -#: ../src/widgets/eraser-toolbar.cpp:232 +#: ../src/widgets/eraser-toolbar.cpp:234 msgid "Caps:" msgstr "" #: ../src/widgets/calligraphy-toolbar.cpp:499 -#: ../src/widgets/eraser-toolbar.cpp:233 +#: ../src/widgets/eraser-toolbar.cpp:235 msgid "" "Increase to make caps at the ends of strokes protrude more (0 = no caps, 1 = " "round caps)" @@ -27717,22 +27730,22 @@ msgstr "" #. Tremor #: ../src/widgets/calligraphy-toolbar.cpp:511 -#: ../src/widgets/eraser-toolbar.cpp:246 +#: ../src/widgets/eraser-toolbar.cpp:248 msgid "(smooth line)" msgstr "" #: ../src/widgets/calligraphy-toolbar.cpp:511 -#: ../src/widgets/eraser-toolbar.cpp:246 +#: ../src/widgets/eraser-toolbar.cpp:248 msgid "(slight tremor)" msgstr "" #: ../src/widgets/calligraphy-toolbar.cpp:511 -#: ../src/widgets/eraser-toolbar.cpp:246 +#: ../src/widgets/eraser-toolbar.cpp:248 msgid "(noticeable tremor)" msgstr "" #: ../src/widgets/calligraphy-toolbar.cpp:511 -#: ../src/widgets/eraser-toolbar.cpp:246 +#: ../src/widgets/eraser-toolbar.cpp:248 msgid "(maximum tremor)" msgstr "" @@ -27741,12 +27754,12 @@ msgid "Stroke Tremor" msgstr "" #: ../src/widgets/calligraphy-toolbar.cpp:514 -#: ../src/widgets/eraser-toolbar.cpp:249 +#: ../src/widgets/eraser-toolbar.cpp:251 msgid "Tremor:" msgstr "" #: ../src/widgets/calligraphy-toolbar.cpp:515 -#: ../src/widgets/eraser-toolbar.cpp:250 +#: ../src/widgets/eraser-toolbar.cpp:252 msgid "Increase to make strokes rugged and trembling" msgstr "" @@ -27777,22 +27790,22 @@ msgstr "" #. Mass #: ../src/widgets/calligraphy-toolbar.cpp:546 -#: ../src/widgets/eraser-toolbar.cpp:264 +#: ../src/widgets/eraser-toolbar.cpp:266 msgid "(no inertia)" msgstr "" #: ../src/widgets/calligraphy-toolbar.cpp:546 -#: ../src/widgets/eraser-toolbar.cpp:264 +#: ../src/widgets/eraser-toolbar.cpp:266 msgid "(slight smoothing, default)" msgstr "" #: ../src/widgets/calligraphy-toolbar.cpp:546 -#: ../src/widgets/eraser-toolbar.cpp:264 +#: ../src/widgets/eraser-toolbar.cpp:266 msgid "(noticeable lagging)" msgstr "" #: ../src/widgets/calligraphy-toolbar.cpp:546 -#: ../src/widgets/eraser-toolbar.cpp:264 +#: ../src/widgets/eraser-toolbar.cpp:266 msgid "(maximum inertia)" msgstr "" @@ -27801,7 +27814,7 @@ msgid "Pen Mass" msgstr "" #: ../src/widgets/calligraphy-toolbar.cpp:549 -#: ../src/widgets/eraser-toolbar.cpp:267 +#: ../src/widgets/eraser-toolbar.cpp:269 msgid "Mass:" msgstr "" @@ -27820,7 +27833,7 @@ msgid "" msgstr "" #: ../src/widgets/calligraphy-toolbar.cpp:579 -#: ../src/widgets/eraser-toolbar.cpp:201 +#: ../src/widgets/eraser-toolbar.cpp:203 msgid "Use the pressure of the input device to alter the width of the pen" msgstr "" @@ -28083,60 +28096,60 @@ msgstr "" msgid "remove" msgstr "" -#: ../src/widgets/eraser-toolbar.cpp:144 +#: ../src/widgets/eraser-toolbar.cpp:146 msgid "Delete objects touched by the eraser" msgstr "" -#: ../src/widgets/eraser-toolbar.cpp:150 +#: ../src/widgets/eraser-toolbar.cpp:152 msgid "Cut" msgstr "" -#: ../src/widgets/eraser-toolbar.cpp:151 +#: ../src/widgets/eraser-toolbar.cpp:153 msgid "Cut out from paths and shapes" msgstr "" -#: ../src/widgets/eraser-toolbar.cpp:157 +#: ../src/widgets/eraser-toolbar.cpp:159 msgid "Clip" msgstr "" -#: ../src/widgets/eraser-toolbar.cpp:158 +#: ../src/widgets/eraser-toolbar.cpp:160 msgid "Clip from objects" msgstr "" #. Width -#: ../src/widgets/eraser-toolbar.cpp:182 +#: ../src/widgets/eraser-toolbar.cpp:184 msgid "(no width)" msgstr "" -#: ../src/widgets/eraser-toolbar.cpp:186 +#: ../src/widgets/eraser-toolbar.cpp:188 msgid "The width of the eraser pen (relative to the visible canvas area)" msgstr "" -#: ../src/widgets/eraser-toolbar.cpp:200 +#: ../src/widgets/eraser-toolbar.cpp:202 msgid "Eraser Pressure" msgstr "" -#: ../src/widgets/eraser-toolbar.cpp:215 +#: ../src/widgets/eraser-toolbar.cpp:217 msgid "Eraser Stroke Thinning" msgstr "" -#: ../src/widgets/eraser-toolbar.cpp:232 +#: ../src/widgets/eraser-toolbar.cpp:234 msgid "Eraser Cap rounding" msgstr "" -#: ../src/widgets/eraser-toolbar.cpp:249 +#: ../src/widgets/eraser-toolbar.cpp:251 msgid "EraserStroke Tremor" msgstr "" -#: ../src/widgets/eraser-toolbar.cpp:267 +#: ../src/widgets/eraser-toolbar.cpp:269 msgid "Eraser Mass" msgstr "" -#: ../src/widgets/eraser-toolbar.cpp:268 +#: ../src/widgets/eraser-toolbar.cpp:270 msgid "Increase to make the eraser drag behind, as if slowed by inertia" msgstr "" -#: ../src/widgets/eraser-toolbar.cpp:282 ../src/widgets/eraser-toolbar.cpp:283 +#: ../src/widgets/eraser-toolbar.cpp:284 ../src/widgets/eraser-toolbar.cpp:285 msgid "Break apart cut items" msgstr "" @@ -28203,43 +28216,39 @@ msgstr "" msgid "Font size:" msgstr "" -#: ../src/widgets/gimp/ruler.cpp:184 +#: ../src/widgets/gimp/ruler.cpp:186 msgid "The orientation of the ruler" msgstr "" -#: ../src/widgets/gimp/ruler.cpp:194 +#: ../src/widgets/gimp/ruler.cpp:196 msgid "Unit of the ruler" msgstr "" -#: ../src/widgets/gimp/ruler.cpp:201 +#: ../src/widgets/gimp/ruler.cpp:203 msgid "Lower" msgstr "" -#: ../src/widgets/gimp/ruler.cpp:202 +#: ../src/widgets/gimp/ruler.cpp:204 msgid "Lower limit of ruler" msgstr "" -#: ../src/widgets/gimp/ruler.cpp:211 +#: ../src/widgets/gimp/ruler.cpp:213 msgid "Upper" msgstr "" -#: ../src/widgets/gimp/ruler.cpp:212 +#: ../src/widgets/gimp/ruler.cpp:214 msgid "Upper limit of ruler" msgstr "" -#: ../src/widgets/gimp/ruler.cpp:221 -msgid "Position" -msgstr "" - -#: ../src/widgets/gimp/ruler.cpp:222 +#: ../src/widgets/gimp/ruler.cpp:224 msgid "Position of mark on the ruler" msgstr "" -#: ../src/widgets/gimp/ruler.cpp:231 +#: ../src/widgets/gimp/ruler.cpp:233 msgid "Max Size" msgstr "" -#: ../src/widgets/gimp/ruler.cpp:232 +#: ../src/widgets/gimp/ruler.cpp:234 msgid "Maximum size of the ruler" msgstr "" @@ -28605,7 +28614,7 @@ msgid "Scale the results" msgstr "" #: ../src/widgets/measure-toolbar.cpp:329 -msgid "The offset size" +msgid "Mark dimension offset" msgstr "" #: ../src/widgets/measure-toolbar.cpp:341 @@ -28743,65 +28752,66 @@ msgstr "" msgid "Bicubic" msgstr "" -#: ../src/widgets/mesh-toolbar.cpp:542 +#. TRANSLATORS: Type of Smoothing. See https://en.wikipedia.org/wiki/Coons_patch +#: ../src/widgets/mesh-toolbar.cpp:543 msgid "Coons" msgstr "" -#: ../src/widgets/mesh-toolbar.cpp:543 +#: ../src/widgets/mesh-toolbar.cpp:544 msgid "Coons: no smoothing. Bicubic: smoothing across patch boundaries." msgstr "" -#: ../src/widgets/mesh-toolbar.cpp:545 ../src/widgets/pencil-toolbar.cpp:377 +#: ../src/widgets/mesh-toolbar.cpp:546 ../src/widgets/pencil-toolbar.cpp:377 msgid "Smoothing:" msgstr "" -#: ../src/widgets/mesh-toolbar.cpp:555 +#: ../src/widgets/mesh-toolbar.cpp:556 msgid "Toggle Sides" msgstr "" -#: ../src/widgets/mesh-toolbar.cpp:556 +#: ../src/widgets/mesh-toolbar.cpp:557 msgid "Toggle selected sides between Beziers and lines." msgstr "" -#: ../src/widgets/mesh-toolbar.cpp:559 +#: ../src/widgets/mesh-toolbar.cpp:560 msgid "Toggle side:" msgstr "" -#: ../src/widgets/mesh-toolbar.cpp:566 +#: ../src/widgets/mesh-toolbar.cpp:567 msgid "Make elliptical" msgstr "" -#: ../src/widgets/mesh-toolbar.cpp:567 +#: ../src/widgets/mesh-toolbar.cpp:568 msgid "" "Make selected sides elliptical by changing length of handles. Works best if " "handles already approximate ellipse." msgstr "" -#: ../src/widgets/mesh-toolbar.cpp:570 +#: ../src/widgets/mesh-toolbar.cpp:571 msgid "Make elliptical:" msgstr "" -#: ../src/widgets/mesh-toolbar.cpp:577 +#: ../src/widgets/mesh-toolbar.cpp:578 msgid "Pick colors:" msgstr "" -#: ../src/widgets/mesh-toolbar.cpp:578 +#: ../src/widgets/mesh-toolbar.cpp:579 msgid "Pick colors for selected corner nodes from underneath mesh." msgstr "" -#: ../src/widgets/mesh-toolbar.cpp:581 +#: ../src/widgets/mesh-toolbar.cpp:582 msgid "Pick Color" msgstr "" -#: ../src/widgets/mesh-toolbar.cpp:589 +#: ../src/widgets/mesh-toolbar.cpp:590 msgid "Scale mesh to bounding box:" msgstr "" -#: ../src/widgets/mesh-toolbar.cpp:590 +#: ../src/widgets/mesh-toolbar.cpp:591 msgid "Scale mesh to fit inside bounding box." msgstr "" -#: ../src/widgets/mesh-toolbar.cpp:593 +#: ../src/widgets/mesh-toolbar.cpp:594 msgid "Fit mesh" msgstr "" @@ -30395,131 +30405,131 @@ msgstr "" msgid "Style of Paint Bucket fill objects" msgstr "" -#: ../src/widgets/toolbox.cpp:1721 +#: ../src/widgets/toolbox.cpp:1720 msgid "Bounding box" msgstr "" -#: ../src/widgets/toolbox.cpp:1721 +#: ../src/widgets/toolbox.cpp:1720 msgid "Snap bounding boxes" msgstr "" -#: ../src/widgets/toolbox.cpp:1730 +#: ../src/widgets/toolbox.cpp:1729 msgid "Bounding box edges" msgstr "" -#: ../src/widgets/toolbox.cpp:1730 +#: ../src/widgets/toolbox.cpp:1729 msgid "Snap to edges of a bounding box" msgstr "" -#: ../src/widgets/toolbox.cpp:1739 +#: ../src/widgets/toolbox.cpp:1738 msgid "Bounding box corners" msgstr "" -#: ../src/widgets/toolbox.cpp:1739 +#: ../src/widgets/toolbox.cpp:1738 msgid "Snap bounding box corners" msgstr "" -#: ../src/widgets/toolbox.cpp:1748 +#: ../src/widgets/toolbox.cpp:1747 msgid "BBox Edge Midpoints" msgstr "" -#: ../src/widgets/toolbox.cpp:1748 +#: ../src/widgets/toolbox.cpp:1747 msgid "Snap midpoints of bounding box edges" msgstr "" -#: ../src/widgets/toolbox.cpp:1758 +#: ../src/widgets/toolbox.cpp:1757 msgid "BBox Centers" msgstr "" -#: ../src/widgets/toolbox.cpp:1758 +#: ../src/widgets/toolbox.cpp:1757 msgid "Snapping centers of bounding boxes" msgstr "" -#: ../src/widgets/toolbox.cpp:1767 +#: ../src/widgets/toolbox.cpp:1766 msgid "Snap nodes, paths, and handles" msgstr "" -#: ../src/widgets/toolbox.cpp:1775 +#: ../src/widgets/toolbox.cpp:1774 msgid "Snap to paths" msgstr "" -#: ../src/widgets/toolbox.cpp:1784 +#: ../src/widgets/toolbox.cpp:1783 msgid "Path intersections" msgstr "" -#: ../src/widgets/toolbox.cpp:1784 +#: ../src/widgets/toolbox.cpp:1783 msgid "Snap to path intersections" msgstr "" -#: ../src/widgets/toolbox.cpp:1793 +#: ../src/widgets/toolbox.cpp:1792 msgid "To nodes" msgstr "" -#: ../src/widgets/toolbox.cpp:1793 +#: ../src/widgets/toolbox.cpp:1792 msgid "Snap cusp nodes, incl. rectangle corners" msgstr "" -#: ../src/widgets/toolbox.cpp:1802 +#: ../src/widgets/toolbox.cpp:1801 msgid "Smooth nodes" msgstr "" -#: ../src/widgets/toolbox.cpp:1802 +#: ../src/widgets/toolbox.cpp:1801 msgid "Snap smooth nodes, incl. quadrant points of ellipses" msgstr "" -#: ../src/widgets/toolbox.cpp:1811 +#: ../src/widgets/toolbox.cpp:1810 msgid "Line Midpoints" msgstr "" -#: ../src/widgets/toolbox.cpp:1811 +#: ../src/widgets/toolbox.cpp:1810 msgid "Snap midpoints of line segments" msgstr "" -#: ../src/widgets/toolbox.cpp:1820 +#: ../src/widgets/toolbox.cpp:1819 msgid "Others" msgstr "" -#: ../src/widgets/toolbox.cpp:1820 +#: ../src/widgets/toolbox.cpp:1819 msgid "Snap other points (centers, guide origins, gradient handles, etc.)" msgstr "" -#: ../src/widgets/toolbox.cpp:1828 +#: ../src/widgets/toolbox.cpp:1827 msgid "Object Centers" msgstr "" -#: ../src/widgets/toolbox.cpp:1828 +#: ../src/widgets/toolbox.cpp:1827 msgid "Snap centers of objects" msgstr "" -#: ../src/widgets/toolbox.cpp:1837 +#: ../src/widgets/toolbox.cpp:1836 msgid "Rotation Centers" msgstr "" -#: ../src/widgets/toolbox.cpp:1837 +#: ../src/widgets/toolbox.cpp:1836 msgid "Snap an item's rotation center" msgstr "" -#: ../src/widgets/toolbox.cpp:1846 +#: ../src/widgets/toolbox.cpp:1845 msgid "Text baseline" msgstr "" -#: ../src/widgets/toolbox.cpp:1846 +#: ../src/widgets/toolbox.cpp:1845 msgid "Snap text anchors and baselines" msgstr "" -#: ../src/widgets/toolbox.cpp:1856 +#: ../src/widgets/toolbox.cpp:1855 msgid "Page border" msgstr "" -#: ../src/widgets/toolbox.cpp:1856 +#: ../src/widgets/toolbox.cpp:1855 msgid "Snap to the page border" msgstr "" -#: ../src/widgets/toolbox.cpp:1865 +#: ../src/widgets/toolbox.cpp:1864 msgid "Snap to grids" msgstr "" -#: ../src/widgets/toolbox.cpp:1874 +#: ../src/widgets/toolbox.cpp:1873 msgid "Snap guides" msgstr "" @@ -30744,36 +30754,40 @@ msgstr "" msgid "Unable to process this object. Try changing it into a path first." msgstr "" -#: ../share/extensions/draw_from_triangle.py:179 -msgid "Side Length 'a' (" -msgstr "" - #: ../share/extensions/draw_from_triangle.py:180 -msgid "Side Length 'b' (" +#, python-brace-format +msgid "Side Length 'a' ({0}): {1}" msgstr "" #: ../share/extensions/draw_from_triangle.py:181 -msgid "Side Length 'c' (" +#, python-brace-format +msgid "Side Length 'b' ({0}): {1}" msgstr "" #: ../share/extensions/draw_from_triangle.py:182 -msgid "Angle 'A' (radians): " +#, python-brace-format +msgid "Side Length 'c' ({0}): {1}" msgstr "" #: ../share/extensions/draw_from_triangle.py:183 -msgid "Angle 'B' (radians): " +msgid "Angle 'A' (radians): {}" msgstr "" #: ../share/extensions/draw_from_triangle.py:184 -msgid "Angle 'C' (radians): " +msgid "Angle 'B' (radians): {}" msgstr "" #: ../share/extensions/draw_from_triangle.py:185 -msgid "Semiperimeter (px): " +msgid "Angle 'C' (radians): {}" msgstr "" #: ../share/extensions/draw_from_triangle.py:186 -msgid "Area (" +msgid "Semiperimeter (px): {}" +msgstr "" + +#: ../share/extensions/draw_from_triangle.py:187 +#, python-brace-format +msgid "Area ({0}^2): {1}" msgstr "" #: ../share/extensions/dxf_input.py:530 @@ -32789,7 +32803,7 @@ msgstr "" msgid "" "Gcodetools was developed to make simple Gcode from Inkscape's paths. Gcode " "is a special format which is used in most of CNC machines. So Gcodetools " -"allows you to use Inkscape as CAM program. It can be use with a lot of " +"allows you to use Inkscape as CAM program. It can be used with a lot of " "machine types: Mills Lathes Laser and Plasma cutters and engravers Mill " "engravers Plotters etc. To get more info visit developers page at http://www." "cnc-club.ru/gcodetools" @@ -32939,7 +32953,7 @@ msgstr "" #: ../share/extensions/gcodetools_area.inx.h:24 #: ../share/extensions/gcodetools_lathe.inx.h:17 #: ../share/extensions/gcodetools_path_to_gcode.inx.h:6 -msgid "Sort paths to reduse rapid distance" +msgid "Sort paths to reduce rapid distance" msgstr "" #: ../share/extensions/gcodetools_area.inx.h:25 @@ -33350,7 +33364,7 @@ msgstr "" #: ../share/extensions/gcodetools_lathe.inx.h:11 msgid "" -"This function modifies path so it will be able to be cut with the " +"This function modifies path so it will be possible to be cut it with a " "rectangular cutter." msgstr "" @@ -33363,7 +33377,7 @@ msgid "Prepare path for plasma" msgstr "" #: ../share/extensions/gcodetools_prepare_path_for_plasma.inx.h:2 -msgid "Prepare path for plasma or laser cuters" +msgid "Prepare path for plasma or laser cutters" msgstr "" #: ../share/extensions/gcodetools_prepare_path_for_plasma.inx.h:3 diff --git a/share/extensions/draw_from_triangle.py b/share/extensions/draw_from_triangle.py index 3146fe26e..fd966b1d1 100755 --- a/share/extensions/draw_from_triangle.py +++ b/share/extensions/draw_from_triangle.py @@ -176,16 +176,17 @@ def cot(x):#cotangent(x) def report_properties( params ):#report to the Inkscape console using errormsg # TODO: unit identifier needs solution for arbitrary document scale unit = Draw_From_Triangle.getDocumentUnit(e) - inkex.errormsg(_("Side Length 'a' (" + unit + "): " + str( params[0][0] ) )) - inkex.errormsg(_("Side Length 'b' (" + unit + "): " + str( params[0][1] ) )) - inkex.errormsg(_("Side Length 'c' (" + unit + "): " + str( params[0][2] ) )) - inkex.errormsg(_("Angle 'A' (radians): " + str( params[1][0] ) )) - inkex.errormsg(_("Angle 'B' (radians): " + str( params[1][1] ) )) - inkex.errormsg(_("Angle 'C' (radians): " + str( params[1][2] ) )) - inkex.errormsg(_("Semiperimeter (px): " + str( params[4][1] ) )) - inkex.errormsg(_("Area ("+ unit + "^2): " + str( params[4][0] ) )) + + inkex.errormsg(_("Side Length 'a' ({0}): {1}").format(unit, str(params[0][0])) ) + inkex.errormsg(_("Side Length 'b' ({0}): {1}").format(unit, str(params[0][1])) ) + inkex.errormsg(_("Side Length 'c' ({0}): {1}").format(unit, str(params[0][2])) ) + inkex.errormsg(_("Angle 'A' (radians): {}").format(str(params[1][0])) ) + inkex.errormsg(_("Angle 'B' (radians): {}").format(str(params[1][1])) ) + inkex.errormsg(_("Angle 'C' (radians): {}").format(params[1][2]) ) + inkex.errormsg(_("Semiperimeter (px): {}").format(params[4][1]) ) + inkex.errormsg(_("Area ({0}^2): {1}").format(unit, str(params[4][0])) ) return - + class Style(object): #container for style information def __init__(self, options): -- cgit v1.2.3 From 66095b4a7c8d8c38ffe727490f90de088f488574 Mon Sep 17 00:00:00 2001 From: Tavmjong Bah Date: Tue, 10 Jan 2017 13:44:57 +0100 Subject: Another scaling option to test. (bzr r15406) --- src/file.cpp | 69 ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++-- 1 file changed, 67 insertions(+), 2 deletions(-) diff --git a/src/file.cpp b/src/file.cpp index 756bc55bb..629e8205b 100644 --- a/src/file.cpp +++ b/src/file.cpp @@ -433,6 +433,7 @@ bool sp_file_open(const Glib::ustring &uri, scaleDialog.add_button(_("Ignore"), 3); scaleDialog.add_button("Scale test - group", 4); scaleDialog.add_button("Scale test - children", 5); + scaleDialog.add_button("Scale test - all", 6); gint response = scaleDialog.run(); backup = backupButton.get_active(); @@ -519,9 +520,34 @@ bool sp_file_open(const Glib::ustring &uri, prefs->setBool("/options/transform/rectcorners", transform_rectcorners); prefs->setBool("/options/transform/pattern", transform_pattern); prefs->setBool("/options/transform/gradient", transform_gradient); + + } else if (response == 6) { + + std::cout << "Respons 6a" << std::endl; + + // Save preferences + bool onlysensitive = prefs->getBool("/options/kbselection/onlysensitive",true); + bool onlyvisible = prefs->getBool("/options/kbselection/onlyvisible", true); + + prefs->setBool("/options/kbselection/onlysensitive", false); + prefs->setBool("/options/kbselection/onlyvisible", false); + + Inkscape::Selection *selection = desktop->getSelection(); + Inkscape::SelectionHelper::selectAllInAll( desktop ); + + double height = root->height.computed; + selection->setScaleRelative( Geom::Point(0,height), Geom::Scale(96.0/90.0,96.0/90.0) ); + std::cout << " scaling: " << 96.0/90.0 << std::endl; + selection->clear(); + + prefs->setBool("/options/kbselection/onlysensitive", onlysensitive); + prefs->setBool("/options/kbselection/onlyvisible", onlyvisible ); + + did_scaling = true; + } - need_fix_box3d = true; + need_fix_box3d = false; // setScaleRelative() handles box3d need_fix_guides = true; // Always fix guides } @@ -550,6 +576,7 @@ bool sp_file_open(const Glib::ustring &uri, scaleDialog.add_button(_("Ignore"), 3); scaleDialog.add_button("Scale test - group", 4); scaleDialog.add_button("Scale test - children", 5); + scaleDialog.add_button("Scale test - all", 6); gint response = scaleDialog.run(); backup = backupButton.get_active(); @@ -671,9 +698,47 @@ bool sp_file_open(const Glib::ustring &uri, prefs->setBool("/options/transform/gradient", transform_gradient); did_scaling = true; + } - need_fix_box3d = true; + } else if (response == 6) { + + std::cout << "Response 6b" << std::endl; + double old_height = root->height.computed; + Inkscape::Util::Quantity width = + Inkscape::Util::Quantity(doc->getWidth().value("px")/ratio, "px" ); + Inkscape::Util::Quantity height = + Inkscape::Util::Quantity(doc->getHeight().value("px")/ratio,"px" ); + doc->setWidthAndHeight( width, height, false ); + + if (!root->viewBox_set) { + + // Save preferences + Inkscape::Preferences *prefs = Inkscape::Preferences::get(); + bool onlysensitive = prefs->getBool("/options/kbselection/onlysensitive",true); + bool onlyvisible = prefs->getBool("/options/kbselection/onlyvisible", true); + + prefs->setBool("/options/kbselection/onlysensitive", false); + prefs->setBool("/options/kbselection/onlyvisible", false); + + Inkscape::Selection *selection = desktop->getSelection(); + Inkscape::SelectionHelper::selectAllInAll( desktop ); + std::cout << " scaling: " << 96.0/90.0 << std::endl; + double height = root->height.computed; + + // So far we have just enlarged the drawing but due to the + // inverted coordinate system we must scale around the old + // height position. + selection->setScaleRelative( Geom::Point(0,old_height), Geom::Scale(96.0/90.0,96.0/90.0) ); + selection->clear(); + + prefs->setBool("/options/kbselection/onlysensitive", onlysensitive); + prefs->setBool("/options/kbselection/onlyvisible", onlyvisible ); + + did_scaling = true; + } + + need_fix_box3d = false; // setScaleRelative() handls box3s need_fix_guides = true; // Only fix guides if drawing scaled } else { -- cgit v1.2.3 From 3d488c4a3091d4e14c045e85aa20b1ec96b479c0 Mon Sep 17 00:00:00 2001 From: Tavmjong Bah Date: Tue, 10 Jan 2017 13:55:18 +0100 Subject: Remove debugging lines from last commit. (bzr r15407) --- src/file.cpp | 5 ----- 1 file changed, 5 deletions(-) diff --git a/src/file.cpp b/src/file.cpp index 629e8205b..9e96361c3 100644 --- a/src/file.cpp +++ b/src/file.cpp @@ -523,8 +523,6 @@ bool sp_file_open(const Glib::ustring &uri, } else if (response == 6) { - std::cout << "Respons 6a" << std::endl; - // Save preferences bool onlysensitive = prefs->getBool("/options/kbselection/onlysensitive",true); bool onlyvisible = prefs->getBool("/options/kbselection/onlyvisible", true); @@ -537,7 +535,6 @@ bool sp_file_open(const Glib::ustring &uri, double height = root->height.computed; selection->setScaleRelative( Geom::Point(0,height), Geom::Scale(96.0/90.0,96.0/90.0) ); - std::cout << " scaling: " << 96.0/90.0 << std::endl; selection->clear(); prefs->setBool("/options/kbselection/onlysensitive", onlysensitive); @@ -703,7 +700,6 @@ bool sp_file_open(const Glib::ustring &uri, } else if (response == 6) { - std::cout << "Response 6b" << std::endl; double old_height = root->height.computed; Inkscape::Util::Quantity width = Inkscape::Util::Quantity(doc->getWidth().value("px")/ratio, "px" ); @@ -723,7 +719,6 @@ bool sp_file_open(const Glib::ustring &uri, Inkscape::Selection *selection = desktop->getSelection(); Inkscape::SelectionHelper::selectAllInAll( desktop ); - std::cout << " scaling: " << 96.0/90.0 << std::endl; double height = root->height.computed; // So far we have just enlarged the drawing but due to the -- cgit v1.2.3 From a990b228dac4df40190334093d695e486ba1eee4 Mon Sep 17 00:00:00 2001 From: Alex Valavanis Date: Wed, 11 Jan 2017 14:51:54 +0000 Subject: fix comment typos (bzr r15408) --- src/ui/dialog/align-and-distribute.cpp | 4 ++-- 1 file changed, 2 insertions(+), 2 deletions(-) diff --git a/src/ui/dialog/align-and-distribute.cpp b/src/ui/dialog/align-and-distribute.cpp index 236832beb..1c88fc849 100644 --- a/src/ui/dialog/align-and-distribute.cpp +++ b/src/ui/dialog/align-and-distribute.cpp @@ -614,7 +614,7 @@ private : } }; -// instantiae the private static member +// instantiate the private static member boost::optional ActionExchangePositions::center; class ActionUnclump : public Action { @@ -928,7 +928,7 @@ AlignAndDistribute::AlignAndDistribute() { Inkscape::Preferences *prefs = Inkscape::Preferences::get(); - //Instanciate the align buttons + //Instantiate the align buttons addAlignButton(INKSCAPE_ICON("align-horizontal-right-to-anchor"), _("Align right edges of objects to the left edge of the anchor"), 0, 0); -- cgit v1.2.3 From 1ddb154aebd50c228f307fb45132ab1e5491ad30 Mon Sep 17 00:00:00 2001 From: Alex Valavanis Date: Wed, 11 Jan 2017 15:36:51 +0000 Subject: Improve search for GMock src (bzr r15409) --- CMakeLists.txt | 10 ++++++++-- 1 file changed, 8 insertions(+), 2 deletions(-) diff --git a/CMakeLists.txt b/CMakeLists.txt index 612423ef0..e9f1986b4 100644 --- a/CMakeLists.txt +++ b/CMakeLists.txt @@ -76,8 +76,14 @@ include(CMakeScripts/ConfigPaths.cmake) # Installation Paths # ----------------------------------------------------------------------------- # Test Harness # ----------------------------------------------------------------------------- -set(GMOCK_DIR "${CMAKE_SOURCE_DIR}/gtest/gmock-1.7.0" - CACHE PATH "The path to the GoogleMock test framework.") +if(NOT GMOCK_DIR) + find_path(GMOCK_DIR + NAMES src/gmock.cc + PATHS "$ENV{GMOCK_DIR}" "/usr/src/gmock" "/usr/src/googletest/googlemock" "${CMAKE_SOURCE_DIR}/gtest/gmock-1.7.0" + ) +endif(NOT GMOCK_DIR) +#set(GMOCK_DIR "${CMAKE_SOURCE_DIR}/gtest/gmock-1.7.0" +# CACHE PATH "The path to the GoogleMock test framework.") if(EXISTS "${GMOCK_DIR}" AND IS_DIRECTORY "${GMOCK_DIR}") set(GMOCK_PRESENT ON) -- cgit v1.2.3 From 5d4aa9ac147ae6db7428aa876293cf2c46fae7a5 Mon Sep 17 00:00:00 2001 From: Diederik van Lierop Date: Wed, 11 Jan 2017 21:58:37 +0100 Subject: Fix snapping tooltips and highlighting of snapped bounding boxes (both of which were not shown) (bzr r15410) --- src/display/snap-indicator.cpp | 4 ++-- 1 file changed, 2 insertions(+), 2 deletions(-) diff --git a/src/display/snap-indicator.cpp b/src/display/snap-indicator.cpp index 17deea16d..f2271e0c6 100644 --- a/src/display/snap-indicator.cpp +++ b/src/display/snap-indicator.cpp @@ -287,7 +287,7 @@ SnapIndicator::set_new_snaptarget(Inkscape::SnappedPoint const &p, bool pre_snap } else if (p.getSource() != SNAPSOURCE_UNDEFINED) { tooltip_str = g_strdup(source_name); } - double fontsize = prefs->getInt("/tools/measure/fontsize"); + double fontsize = prefs->getDouble("/tools/measure/fontsize", 10.0); if (tooltip_str) { Geom::Point tooltip_pos = p.getPoint(); @@ -327,7 +327,7 @@ SnapIndicator::set_new_snaptarget(Inkscape::SnappedPoint const &p, bool pre_snap SP_CTRLRECT(box)->setDashed(true); SP_CTRLRECT(box)->pickable = false; // See the extensive comment above sp_canvas_item_move_to_z(box, 0); - _snaptarget_bbox = _desktop->add_temporary_canvasitem(box, timeout_val); + _snaptarget_bbox = _desktop->add_temporary_canvasitem(box, timeout_val*1000.0); } } } -- cgit v1.2.3 From adbe2f058ce65ef14ade8419803d0b204531baf3 Mon Sep 17 00:00:00 2001 From: Nicolas Dufour Date: Thu, 12 Jan 2017 10:22:08 +0100 Subject: [Bug #1651815] share/examples: rescale svgs to 96 dpi. Fixing incorrectly scaled examples. Fixed bugs: - https://launchpad.net/bugs/1651815 (bzr r15411) --- share/examples/animated-clock.svg | 613 +-- share/examples/blend_modes.svg | 5607 +++----------------- share/examples/car.svgz | Bin 94796 -> 109486 bytes share/examples/eastern-motive-P4G.svg | 1262 ++--- share/examples/flowsample.svg | 105 +- share/examples/gallardo.svgz | Bin 57648 -> 63720 bytes share/examples/gradient.svg | 2272 +++----- share/examples/lighting_filters.svg | 235 +- share/examples/live-path-effects-gears.svg | 295 +- share/examples/live-path-effects-pathalongpath.svg | 693 ++- share/examples/markers.svg | 1169 ++-- share/examples/replace-hue.svg | 1063 ++-- share/examples/rope-3D.svg | 550 +- share/examples/stars.svgz | Bin 29779 -> 34173 bytes share/examples/tesselation-P3.svg | 2084 ++++---- share/examples/text-on-path.svg | 417 +- 16 files changed, 5363 insertions(+), 11002 deletions(-) diff --git a/share/examples/animated-clock.svg b/share/examples/animated-clock.svg index 6ef16240c..bc25197c8 100644 --- a/share/examples/animated-clock.svg +++ b/share/examples/animated-clock.svg @@ -1,9 +1,8 @@ - @@ -78,14 +78,12 @@ bordercolor="#666666" pagecolor="#ffffff" id="base" - inkscape:zoom="1.1225" - inkscape:cx="400" - inkscape:cy="186.66667" - inkscape:window-x="549" - inkscape:window-y="52" - inkscape:current-layer="svg2707" - showgrid="false" - inkscape:window-maximized="0" /> + inkscape:zoom="1.2725744" + inkscape:cx="367.54579" + inkscape:cy="163.99964" + inkscape:window-x="198" + inkscape:window-y="25" + inkscape:current-layer="svg2707" /> diff --git a/share/examples/blend_modes.svg b/share/examples/blend_modes.svg index 4180f53d0..53a980272 100644 --- a/share/examples/blend_modes.svg +++ b/share/examples/blend_modes.svg @@ -1,4862 +1,753 @@ - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - image/svg+xml - - - - Niko Kiirala <niko@kiirala.com> - - - Blending modes test - 2007-07-03 - - en - - - feBlend - blending modes - multiply - screen - darken - lighten - - - - - Copyright 2007 Niko Kiirala - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Screen - Multiply - Normal - Multiply - Screen - Darken - Lighten - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Normal - Multiply - Screen - Darken - Lighten - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Normal - Multiply - Screen - Darken - Lighten - - - - - - - - Normal - Multiply - Screen - Darken - Lighten - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Normal - Multiply - Screen - Darken - Lighten - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Normal - Multiply - Screen - Darken - Lighten - - - - - - - - - - - - - - - - - - - - - - - - - Colour to white - Colour to transparent - - - - - - - - Normal - Multiply - Screen - Darken - Lighten - - Normal - Multiply - Screen - Darken - Lighten - - Normal - Multiply - Screen - Darken - Lighten - Colour to transparent (CMYK) - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +image/svg+xml + + + +Niko Kiirala <niko@kiirala.com> + + +Blending modes test +2007-07-03 + +en + + +feBlend +blending modes +multiply +screen +darken +lighten + + + + +Copyright 2007 Niko Kiirala + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +Screen +Multiply +Normal +Multiply +Screen +Darken +Lighten + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +Normal +Multiply +Screen +Darken +Lighten + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +Normal +Multiply +Screen +Darken +Lighten + + + + + + + +Normal +Multiply +Screen +Darken +Lighten + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +Normal +Multiply +Screen +Darken +Lighten + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +Normal +Multiply +Screen +Darken +Lighten + + + + + + + + + + + + + + + + + + + + + + + + +Colour to white +Colour to transparent + + + + + + + +Normal +Multiply +Screen +Darken +Lighten + +Normal +Multiply +Screen +Darken +Lighten + +Normal +Multiply +Screen +Darken +Lighten +Colour to transparent (CMYK) + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + diff --git a/share/examples/car.svgz b/share/examples/car.svgz index f2bef38e3..d66456ec4 100644 Binary files a/share/examples/car.svgz and b/share/examples/car.svgz differ diff --git a/share/examples/eastern-motive-P4G.svg b/share/examples/eastern-motive-P4G.svg index 81c2278eb..e817e6df2 100644 --- a/share/examples/eastern-motive-P4G.svg +++ b/share/examples/eastern-motive-P4G.svg @@ -1,9 +1,8 @@ - + width="210mm"> + fx="258.93150" + cy="315.10585" + cx="258.93150" + gradientTransform="scale(0.954174,1.048027)" + id="radialGradient2691" + xlink:href="#linearGradient2688" + inkscape:collect="always" /> + id="base" /> - + - image/svg+xml + image/svg+xml + rdf:resource="http://purl.org/dc/dcmitype/StillImage" + id="type9" /> @@ -78,1688 +79,1357 @@ inkscape:label="Layer 1"> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> + x="0" /> - + style="opacity:0.24175824;color:#000000;fill:url(#radialGradient2691);fill-opacity:1.0000000;fill-rule:evenodd;stroke:none;stroke-width:1.0000000pt;stroke-linecap:butt;stroke-linejoin:miter;stroke-miterlimit:4.0000000;stroke-dashoffset:0.0000000;stroke-opacity:1.0000000;marker:none;marker-start:none;marker-mid:none;marker-end:none;visibility:visible;display:block" + sodipodi:type="arc" /> + style="fill:#000000;fill-opacity:1.0000000;fill-rule:nonzero;stroke:none;stroke-width:1.0000000pt;stroke-linecap:butt;stroke-linejoin:miter;stroke-opacity:1.0000000" /> + style="fill:#000000;fill-opacity:1.0000000;fill-rule:nonzero;stroke:none;stroke-width:1.0000000pt;stroke-linecap:butt;stroke-linejoin:miter;stroke-opacity:1.0000000" /> + style="fill:#000000;fill-opacity:1.0000000;fill-rule:nonzero;stroke:none;stroke-width:1.0000000pt;stroke-linecap:butt;stroke-linejoin:miter;stroke-opacity:1.0000000" /> + style="fill:#000000;fill-opacity:1.0000000;fill-rule:nonzero;stroke:none;stroke-width:1.0000000pt;stroke-linecap:butt;stroke-linejoin:miter;stroke-opacity:1.0000000" /> + style="fill:#000000;fill-opacity:1.0000000;fill-rule:nonzero;stroke:none;stroke-width:1.0000000pt;stroke-linecap:butt;stroke-linejoin:miter;stroke-opacity:1.0000000" /> + style="fill:#000000;fill-opacity:1.0000000;fill-rule:nonzero;stroke:none;stroke-width:1.0000000pt;stroke-linecap:butt;stroke-linejoin:miter;stroke-opacity:1.0000000" /> + style="fill:#000000;fill-opacity:1.0000000;fill-rule:nonzero;stroke:none;stroke-width:1.0000000pt;stroke-linecap:butt;stroke-linejoin:miter;stroke-opacity:1.0000000" /> + style="fill:#000000;fill-opacity:1.0000000;fill-rule:nonzero;stroke:none;stroke-width:1.0000000pt;stroke-linecap:butt;stroke-linejoin:miter;stroke-opacity:1.0000000" /> + style="fill:#000000;fill-opacity:1.0000000;fill-rule:nonzero;stroke:none;stroke-width:1.0000000pt;stroke-linecap:butt;stroke-linejoin:miter;stroke-opacity:1.0000000" /> + style="fill:#000000;fill-opacity:1.0000000;fill-rule:nonzero;stroke:none;stroke-width:1.0000000pt;stroke-linecap:butt;stroke-linejoin:miter;stroke-opacity:1.0000000" /> + style="fill:#000000;fill-opacity:1.0000000;fill-rule:nonzero;stroke:none;stroke-width:1.0000000pt;stroke-linecap:butt;stroke-linejoin:miter;stroke-opacity:1.0000000" /> + style="fill:#000000;fill-opacity:1.0000000;fill-rule:nonzero;stroke:none;stroke-width:1.0000000pt;stroke-linecap:butt;stroke-linejoin:miter;stroke-opacity:1.0000000" /> + style="fill:#000000;fill-opacity:1.0000000;fill-rule:nonzero;stroke:none;stroke-width:1.0000000pt;stroke-linecap:butt;stroke-linejoin:miter;stroke-opacity:1.0000000" /> + style="fill:#000000;fill-opacity:1.0000000;fill-rule:nonzero;stroke:none;stroke-width:1.0000000pt;stroke-linecap:butt;stroke-linejoin:miter;stroke-opacity:1.0000000" /> + style="fill:#000000;fill-opacity:1.0000000;fill-rule:nonzero;stroke:none;stroke-width:1.0000000pt;stroke-linecap:butt;stroke-linejoin:miter;stroke-opacity:1.0000000" /> + style="fill:#000000;fill-opacity:1.0000000;fill-rule:nonzero;stroke:none;stroke-width:1.0000000pt;stroke-linecap:butt;stroke-linejoin:miter;stroke-opacity:1.0000000" /> + style="fill:#000000;fill-opacity:1.0000000;fill-rule:nonzero;stroke:none;stroke-width:1.0000000pt;stroke-linecap:butt;stroke-linejoin:miter;stroke-opacity:1.0000000" /> + style="fill:#000000;fill-opacity:1.0000000;fill-rule:nonzero;stroke:none;stroke-width:1.0000000pt;stroke-linecap:butt;stroke-linejoin:miter;stroke-opacity:1.0000000" /> + style="fill:#000000;fill-opacity:1.0000000;fill-rule:nonzero;stroke:none;stroke-width:1.0000000pt;stroke-linecap:butt;stroke-linejoin:miter;stroke-opacity:1.0000000" /> + style="fill:#000000;fill-opacity:1.0000000;fill-rule:nonzero;stroke:none;stroke-width:1.0000000pt;stroke-linecap:butt;stroke-linejoin:miter;stroke-opacity:1.0000000" /> + style="fill:#000000;fill-opacity:1.0000000;fill-rule:nonzero;stroke:none;stroke-width:1.0000000pt;stroke-linecap:butt;stroke-linejoin:miter;stroke-opacity:1.0000000" /> + style="fill:#000000;fill-opacity:1.0000000;fill-rule:nonzero;stroke:none;stroke-width:1.0000000pt;stroke-linecap:butt;stroke-linejoin:miter;stroke-opacity:1.0000000" /> + style="fill:#000000;fill-opacity:1.0000000;fill-rule:nonzero;stroke:none;stroke-width:1.0000000pt;stroke-linecap:butt;stroke-linejoin:miter;stroke-opacity:1.0000000" /> + style="fill:#000000;fill-opacity:1.0000000;fill-rule:nonzero;stroke:none;stroke-width:1.0000000pt;stroke-linecap:butt;stroke-linejoin:miter;stroke-opacity:1.0000000" /> + style="fill:#000000;fill-opacity:1.0000000;fill-rule:nonzero;stroke:none;stroke-width:1.0000000pt;stroke-linecap:butt;stroke-linejoin:miter;stroke-opacity:1.0000000" /> + style="fill:#000000;fill-opacity:1.0000000;fill-rule:nonzero;stroke:none;stroke-width:1.0000000pt;stroke-linecap:butt;stroke-linejoin:miter;stroke-opacity:1.0000000" /> + style="fill:#000000;fill-opacity:1.0000000;fill-rule:nonzero;stroke:none;stroke-width:1.0000000pt;stroke-linecap:butt;stroke-linejoin:miter;stroke-opacity:1.0000000" /> + style="fill:#000000;fill-opacity:1.0000000;fill-rule:nonzero;stroke:none;stroke-width:1.0000000pt;stroke-linecap:butt;stroke-linejoin:miter;stroke-opacity:1.0000000" /> + style="fill:#000000;fill-opacity:1.0000000;fill-rule:nonzero;stroke:none;stroke-width:1.0000000pt;stroke-linecap:butt;stroke-linejoin:miter;stroke-opacity:1.0000000" /> + style="fill:#000000;fill-opacity:1.0000000;fill-rule:nonzero;stroke:none;stroke-width:1.0000000pt;stroke-linecap:butt;stroke-linejoin:miter;stroke-opacity:1.0000000" /> + style="fill:#000000;fill-opacity:1.0000000;fill-rule:nonzero;stroke:none;stroke-width:1.0000000pt;stroke-linecap:butt;stroke-linejoin:miter;stroke-opacity:1.0000000" /> + style="fill:#000000;fill-opacity:1.0000000;fill-rule:nonzero;stroke:none;stroke-width:1.0000000pt;stroke-linecap:butt;stroke-linejoin:miter;stroke-opacity:1.0000000" /> + style="fill:#000000;fill-opacity:1.0000000;fill-rule:nonzero;stroke:none;stroke-width:1.0000000pt;stroke-linecap:butt;stroke-linejoin:miter;stroke-opacity:1.0000000" /> diff --git a/share/examples/flowsample.svg b/share/examples/flowsample.svg index 244da3b6c..0a397f978 100644 --- a/share/examples/flowsample.svg +++ b/share/examples/flowsample.svg @@ -1,21 +1,20 @@ - + xmlns="http://www.w3.org/2000/svg" + xmlns:cc="http://web.resource.org/cc/" + xmlns:inkscape="http://www.inkscape.org/namespaces/inkscape" + xmlns:sodipodi="http://sodipodi.sourceforge.net/DTD/sodipodi-0.dtd" + xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" + xmlns:dc="http://purl.org/dc/elements/1.1/" + xmlns:xlink="http://www.w3.org/1999/xlink"> + inkscape:window-y="39" /> - + - image/svg+xml + rdf:about="" + id="Work6"> + image/svg+xml - + transform="translate(-23.75000,370.0000)"> + id="flowRegion930"> + d="M 50.000000,100.00000 L 50.000000,300.00000 L 350.00000,300.00000 C 392.94024,176.07968 237.78285,179.26247 350.00000,100.00000 L 50.000000,100.00000 z " + sodipodi:nodetypes="ccccc" /> + id="flowRegion920"> + d="M400,200 L400,350 L600,350 L600,200 z" /> + id="flowRegionExclude929"> + d="M 120.00000,120.00000 L 150.00000,250.00000 L 250.00000,250.00000 L 250.00000,120.00000 L 120.00000,120.00000 z " + id="path923" /> In a move that will grab Apple's attention in a big way, RealNetworks - is expected to announce - on Monday that it has broken Apple's stranglehold on the iPod. - The latest version of their Harmony software mimics Apple's FairPlay DRM, the format in which tracks from the iTunes Music Store are sold. According to RealNetworks, Harmony will allow music purchased from its RealRhapsody music service to be copied to and played on iPods. + id="flowDiv17">In a move that will grab Apple's attention in a big way, RealNetworks is expected to announce on Monday that it has broken Apple's stranglehold on the iPod. The latest version of their Harmony software mimics Apple's FairPlay DRM, the format in which tracks from the iTunes Music Store are sold. According to RealNetworks, Harmony will allow music purchased from its RealRhapsody music service to be copied to and played on iPods. قتل أربعة أشخاص وجرح مفخخة أمام مركز للشرطة العراقية في مدينة الموصل which includes SkypeOut في شمالي العراق. وفي الفلوجة ارتفع عدد قتلى الاشتباكات بين القوات الأميركية والمقاتلين آخرين + id="flowDiv927"> قتل أربعة أشخاص وجرح مفخخة أمام مركز للشرطة العراقية في مدينة الموصل which includes SkypeOut في شمالي العراق. وفي الفلوجة ارتفع عدد قتلى الاشتباكات بين القوات الأميركية والمقاتلين آخرين In a move that will grab Apple's attention in a big way, - RealNetworks is expected to announce on Monday that it has broken Apple's stranglehold on the iPod. The latest version of their Harmony software mimics Apple's FairPlay DRM, the format in which tracks from the iTunes Music Store - are sold. According to RealNetworks, Harmony will allow music purchased from its RealRhapsody music service to be copied to and played on iPods. - + id="flowDiv21">In a move that will grab Apple's attention in a big way, RealNetworks is expected to announce on Monday that it has broken Apple's stranglehold on the iPod. The latest version of their Harmony software mimics Apple's FairPlay DRM, the format in which tracks from the iTunes Music Store are sold. According to RealNetworks, Harmony will allow music purchased from its RealRhapsody music service to be copied to and played on iPods. diff --git a/share/examples/gallardo.svgz b/share/examples/gallardo.svgz index 0d76109ba..38c97c344 100644 Binary files a/share/examples/gallardo.svgz and b/share/examples/gallardo.svgz differ diff --git a/share/examples/gradient.svg b/share/examples/gradient.svg index c574abcad..7a09aed5a 100644 --- a/share/examples/gradient.svg +++ b/share/examples/gradient.svg @@ -1,33 +1,17 @@ - - - - - image/svg+xml - - - - + inkscape:version="0.92" + width="1358.653pt" + height="951.648pt" + sodipodi:docname="grad.svg" + xmlns="http://www.w3.org/2000/svg" + xmlns:inkscape="http://www.inkscape.org/namespaces/inkscape" + xmlns:sodipodi="http://sodipodi.sourceforge.net/DTD/sodipodi-0.dtd" + xmlns:xlink="http://www.w3.org/1999/xlink" + sodipodi:docbase="/home/d/ink"> + x1="1.0000000" + y1="0.012760486" + x2="1.0000000" + y2="0.98359996" /> + x1="1.0000000" + y1="0.012760486" + x2="1.0000000" + y2="0.98359996" /> + x1="1.0000000" + y1="0.012760486" + x2="1.0000000" + y2="0.98359996" /> + x1="1.0000000" + y1="0.012760486" + x2="1.0000000" + y2="0.98359996" /> + x1="1.0000000" + y1="0.012760486" + x2="1.0000000" + y2="0.98359996" /> + x1="1.0000000" + y1="0.012760486" + x2="1.0000000" + y2="0.98359996" /> + x1="1.0000000" + y1="0.012760486" + x2="1.0000000" + y2="0.98359996" /> + x1="1.0000000" + y1="0.012760486" + x2="1.0000000" + y2="0.98359996" /> + cx="0.50000000" + cy="0.50000000" + r="0.50000000" + fx="0.23255809" + fy="0.72656244" /> + cx="0.42276424" + cy="0.39062500" + r="1.0014182" + fx="0.42276424" + fy="0.39062500" /> + cx="0.50000000" + cy="0.50000000" + r="0.50000000" + fx="0.50000000" + fy="0.50000000" /> + cx="0.50000000" + cy="0.50000000" + r="0.50000000" + fx="0.50000000" + fy="0.50000000" /> + x1="1.0000000" + y1="0.012760486" + x2="1.0000000" + y2="0.98359996" /> + cx="0.50000000" + cy="0.50000000" + r="0.50000000" + fx="0.50000000" + fy="0.50000000" /> + cx="0.50000000" + cy="0.50000000" + r="0.50000000" + fx="0.50000000" + fy="0.50000000" /> + cx="0.50000000" + cy="0.50000000" + r="0.50000000" + fx="0.50000000" + fy="0.50000000" /> + cx="0.50000000" + cy="0.50000000" + r="0.50000000" + fx="0.50000000" + fy="0.50000000" /> + x1="1.0000000" + y1="0.012760486" + x2="1.0000000" + y2="0.98359996" /> + x1="1.0000000" + y1="0.012760486" + x2="1.0000000" + y2="0.98359996" /> + x1="1.0000000" + y1="0.012760486" + x2="1.0000000" + y2="0.98359996" /> + x1="1.0000000" + y1="0.012760486" + x2="1.0000000" + y2="0.98359996" /> + x1="1.0000000" + y1="0.012760486" + x2="1.0000000" + y2="0.98359996" /> + x1="1.0000000" + y1="0.012760486" + x2="1.0000000" + y2="0.98359996" /> - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - + x1="1.0000000" + y1="0.012760486" + x2="1.0000000" + y2="0.98359996" /> + inkscape:window-y="0" /> - + - + - + - + - + - + - + - + - + - + - + - + - + - + - + - + - + - + - + - + - + - + - + - + - + + sodipodi:cx="1168.9283" + sodipodi:cy="999.98224" + sodipodi:rx="155.47322" + sodipodi:ry="155.47322" + d="M 1324.4016 999.98224 A 155.47322 155.47322 0 1 0 1013.4551,999.98224 A 155.47322 155.47322 0 1 0 1324.4016 999.98224 z" + transform="matrix(4.110370e-17,0.671296,-8.204100e-2,5.023395e-18,1447.964,-517.6845)" /> - + - + + sodipodi:cx="1168.9283" + sodipodi:cy="999.98224" + sodipodi:rx="155.47322" + sodipodi:ry="155.47322" + d="M 1324.4016 999.98224 A 155.47322 155.47322 0 1 0 1013.4551,999.98224 A 155.47322 155.47322 0 1 0 1324.4016 999.98224 z" + transform="matrix(4.110370e-17,0.671296,-8.204100e-2,5.023395e-18,1322.964,-140.1845)" /> - + - + + sodipodi:cx="1168.9283" + sodipodi:cy="999.98224" + sodipodi:rx="155.47322" + sodipodi:ry="155.47322" + d="M 1324.4016 999.98224 A 155.47322 155.47322 0 1 0 1013.4551,999.98224 A 155.47322 155.47322 0 1 0 1324.4016 999.98224 z" + transform="matrix(2.055185e-17,0.335648,-4.102050e-2,2.511697e-18,956.9441,652.1640)" /> - + - + + sodipodi:cx="1168.9283" + sodipodi:cy="999.98224" + sodipodi:rx="155.47322" + sodipodi:ry="155.47322" + d="M 1324.4016 999.98224 A 155.47322 155.47322 0 1 0 1013.4551,999.98224 A 155.47322 155.47322 0 1 0 1324.4016 999.98224 z" + transform="matrix(2.055185e-17,0.335648,-4.102050e-2,2.511697e-18,1131.944,402.1640)" /> - + - + + sodipodi:cx="1168.9283" + sodipodi:cy="999.98224" + sodipodi:rx="155.47322" + sodipodi:ry="155.47322" + d="M 1324.4016 999.98224 A 155.47322 155.47322 0 1 0 1013.4551,999.98224 A 155.47322 155.47322 0 1 0 1324.4016 999.98224 z" + transform="matrix(2.055185e-17,0.335648,-4.102050e-2,2.511697e-18,1131.944,402.1640)" /> - + - + + sodipodi:cx="1168.9283" + sodipodi:cy="999.98224" + sodipodi:rx="155.47322" + sodipodi:ry="155.47322" + d="M 1324.4016 999.98224 A 155.47322 155.47322 0 1 0 1013.4551,999.98224 A 155.47322 155.47322 0 1 0 1324.4016 999.98224 z" + transform="matrix(2.055185e-17,0.335648,-4.102050e-2,2.511697e-18,1131.944,402.1640)" /> - + - + + sodipodi:cx="1168.9283" + sodipodi:cy="999.98224" + sodipodi:rx="155.47322" + sodipodi:ry="155.47322" + d="M 1324.4016 999.98224 A 155.47322 155.47322 0 1 0 1013.4551,999.98224 A 155.47322 155.47322 0 1 0 1324.4016 999.98224 z" + transform="matrix(2.055185e-17,0.335648,-4.102050e-2,2.511697e-18,1131.944,402.1640)" /> - + - + + sodipodi:cx="1168.9283" + sodipodi:cy="999.98224" + sodipodi:rx="155.47322" + sodipodi:ry="155.47322" + d="M 1324.4016 999.98224 A 155.47322 155.47322 0 1 0 1013.4551,999.98224 A 155.47322 155.47322 0 1 0 1324.4016 999.98224 z" + transform="matrix(2.055185e-17,0.335648,-4.102050e-2,2.511697e-18,1131.944,402.1640)" /> - + - + + sodipodi:cx="1168.9283" + sodipodi:cy="999.98224" + sodipodi:rx="155.47322" + sodipodi:ry="155.47322" + d="M 1324.4016 999.98224 A 155.47322 155.47322 0 1 0 1013.4551,999.98224 A 155.47322 155.47322 0 1 0 1324.4016 999.98224 z" + transform="matrix(2.055185e-17,0.335648,-4.102050e-2,2.511697e-18,1131.944,402.1640)" /> - + - + + sodipodi:cx="1168.9283" + sodipodi:cy="999.98224" + sodipodi:rx="155.47322" + sodipodi:ry="155.47322" + d="M 1324.4016 999.98224 A 155.47322 155.47322 0 1 0 1013.4551,999.98224 A 155.47322 155.47322 0 1 0 1324.4016 999.98224 z" + transform="matrix(2.055185e-17,0.335648,-4.102050e-2,2.511697e-18,1131.944,402.1640)" /> - + - + + sodipodi:cx="1168.9283" + sodipodi:cy="999.98224" + sodipodi:rx="155.47322" + sodipodi:ry="155.47322" + d="M 1324.4016 999.98224 A 155.47322 155.47322 0 1 0 1013.4551,999.98224 A 155.47322 155.47322 0 1 0 1324.4016 999.98224 z" + transform="matrix(2.055185e-17,0.335648,-4.102050e-2,2.511697e-18,1131.944,402.1640)" /> - + - + + sodipodi:cx="1168.9283" + sodipodi:cy="999.98224" + sodipodi:rx="155.47322" + sodipodi:ry="155.47322" + d="M 1324.4016 999.98224 A 155.47322 155.47322 0 1 0 1013.4551,999.98224 A 155.47322 155.47322 0 1 0 1324.4016 999.98224 z" + transform="matrix(2.055185e-17,0.335648,-4.102050e-2,2.511697e-18,1131.944,402.1640)" /> - + - + + sodipodi:cx="1168.9283" + sodipodi:cy="999.98224" + sodipodi:rx="155.47322" + sodipodi:ry="155.47322" + d="M 1324.4016 999.98224 A 155.47322 155.47322 0 1 0 1013.4551,999.98224 A 155.47322 155.47322 0 1 0 1324.4016 999.98224 z" + transform="matrix(2.055185e-17,0.335648,-4.102050e-2,2.511697e-18,1131.944,402.1640)" /> - + - + + sodipodi:cx="1168.9283" + sodipodi:cy="999.98224" + sodipodi:rx="155.47322" + sodipodi:ry="155.47322" + d="M 1324.4016 999.98224 A 155.47322 155.47322 0 1 0 1013.4551,999.98224 A 155.47322 155.47322 0 1 0 1324.4016 999.98224 z" + transform="matrix(2.055185e-17,0.335648,-4.102050e-2,2.511697e-18,1131.944,402.1640)" /> - + - + + sodipodi:cx="1168.9283" + sodipodi:cy="999.98224" + sodipodi:rx="155.47322" + sodipodi:ry="155.47322" + d="M 1324.4016 999.98224 A 155.47322 155.47322 0 1 0 1013.4551,999.98224 A 155.47322 155.47322 0 1 0 1324.4016 999.98224 z" + transform="matrix(2.055185e-17,0.335648,-4.102050e-2,2.511697e-18,1131.944,402.1640)" /> - + - + + sodipodi:cx="1168.9283" + sodipodi:cy="999.98224" + sodipodi:rx="155.47322" + sodipodi:ry="155.47322" + d="M 1324.4016 999.98224 A 155.47322 155.47322 0 1 0 1013.4551,999.98224 A 155.47322 155.47322 0 1 0 1324.4016 999.98224 z" + transform="matrix(2.055185e-17,0.335648,-4.102050e-2,2.511697e-18,1131.944,402.1640)" /> - + - + + sodipodi:cx="1168.9283" + sodipodi:cy="999.98224" + sodipodi:rx="155.47322" + sodipodi:ry="155.47322" + d="M 1324.4016 999.98224 A 155.47322 155.47322 0 1 0 1013.4551,999.98224 A 155.47322 155.47322 0 1 0 1324.4016 999.98224 z" + transform="matrix(2.055185e-17,0.335648,-4.102050e-2,2.511697e-18,1131.944,402.1640)" /> - - + + sodipodi:cx="1168.9283" + sodipodi:cy="999.98224" + sodipodi:rx="155.47322" + sodipodi:ry="155.47322" + d="M 1324.4016 999.98224 A 155.47322 155.47322 0 1 0 1013.4551,999.98224 A 155.47322 155.47322 0 1 0 1324.4016 999.98224 z" + transform="matrix(2.055185e-17,0.335648,-4.102050e-2,2.511697e-18,956.9441,652.1640)" /> - + - + + sodipodi:cx="1168.9283" + sodipodi:cy="999.98224" + sodipodi:rx="155.47322" + sodipodi:ry="155.47322" + d="M 1324.4016 999.98224 A 155.47322 155.47322 0 1 0 1013.4551,999.98224 A 155.47322 155.47322 0 1 0 1324.4016 999.98224 z" + transform="matrix(2.055185e-17,0.335648,-4.102050e-2,2.511697e-18,956.9441,652.1640)" /> - - + - + + sodipodi:cx="1168.9283" + sodipodi:cy="999.98224" + sodipodi:rx="155.47322" + sodipodi:ry="155.47322" + d="M 1324.4016 999.98224 A 155.47322 155.47322 0 1 0 1013.4551,999.98224 A 155.47322 155.47322 0 1 0 1324.4016 999.98224 z" + transform="matrix(2.685186,0.000000,0.000000,2.685186,-2072.534,-1761.290)" /> - + - + + sodipodi:cx="1168.9283" + sodipodi:cy="999.98224" + sodipodi:rx="155.47322" + sodipodi:ry="155.47322" + d="M 1324.4016 999.98224 A 155.47322 155.47322 0 1 0 1013.4551,999.98224 A 155.47322 155.47322 0 1 0 1324.4016 999.98224 z" + transform="matrix(2.055185e-17,0.335648,-4.102050e-2,2.511697e-18,1131.944,402.1640)" /> - + - + + sodipodi:cx="1168.9283" + sodipodi:cy="999.98224" + sodipodi:rx="155.47322" + sodipodi:ry="155.47322" + d="M 1324.4016 999.98224 A 155.47322 155.47322 0 1 0 1013.4551,999.98224 A 155.47322 155.47322 0 1 0 1324.4016 999.98224 z" + transform="matrix(2.055185e-17,0.335648,-4.102050e-2,2.511697e-18,1131.944,402.1640)" /> + width="600.96080" + height="1272.8998" + x="0.66324927" + y="-1267.1218" + transform="scale(1.000000,-1.000000)" /> + width="51.507120" + height="602.80713" + x="-254.94858" + y="-601.58789" + transform="matrix(5.948381e-18,-1.000000,-1.000000,-8.094348e-18,0.000000,0.000000)" /> + width="51.507120" + height="602.80713" + x="-204.08761" + y="-601.58789" + transform="matrix(5.948381e-18,-1.000000,-1.000000,-8.094348e-18,0.000000,0.000000)" /> + width="51.507120" + height="602.80713" + x="-153.61919" + y="-601.58789" + transform="matrix(5.948381e-18,-1.000000,-1.000000,-8.094348e-18,0.000000,0.000000)" /> + width="51.507120" + height="602.80713" + x="-304.64494" + y="-601.58789" + transform="matrix(5.948381e-18,-1.000000,-1.000000,-8.094348e-18,0.000000,0.000000)" /> + width="51.507120" + height="602.80713" + x="-304.64494" + y="-601.58789" + transform="matrix(5.948381e-18,-1.000000,-1.000000,-8.094348e-18,0.000000,0.000000)" /> + width="51.507120" + height="602.80713" + x="-352.22659" + y="-601.58789" + transform="matrix(5.948381e-18,-1.000000,-1.000000,-8.094348e-18,0.000000,0.000000)" /> + width="51.507120" + height="602.80713" + x="-102.86526" + y="-601.58789" + transform="matrix(5.948381e-18,-1.000000,-1.000000,-8.094348e-18,0.000000,0.000000)" /> + width="51.507120" + height="602.80713" + x="-52.111282" + y="-601.58789" + transform="matrix(5.948381e-18,-1.000000,-1.000000,-8.094348e-18,0.000000,0.000000)" /> + width="51.507120" + height="602.80713" + x="-402.98044" + y="-601.58789" + transform="matrix(5.948381e-18,-1.000000,-1.000000,-8.094348e-18,0.000000,0.000000)" /> + width="51.507120" + height="602.80713" + x="449.13946" + y="3.4269917" + transform="matrix(-5.948381e-18,1.000000,1.000000,8.094348e-18,0.000000,0.000000)" /> + width="51.507120" + height="602.80713" + x="546.80558" + y="3.4269917" + transform="matrix(-5.948381e-18,1.000000,1.000000,8.094348e-18,0.000000,0.000000)" /> + width="51.507120" + height="602.80713" + x="644.47174" + y="3.4269917" + transform="matrix(-5.948381e-18,1.000000,1.000000,8.094348e-18,0.000000,0.000000)" /> + width="51.507120" + height="602.80713" + x="742.13822" + y="3.4269917" + transform="matrix(-5.948381e-18,1.000000,1.000000,8.094348e-18,0.000000,0.000000)" /> + width="51.507120" + height="602.80713" + x="839.80434" + y="3.4269917" + transform="matrix(-5.948381e-18,1.000000,1.000000,8.094348e-18,0.000000,0.000000)" /> + width="51.507120" + height="602.80713" + x="937.47046" + y="3.4269917" + transform="matrix(-5.948381e-18,1.000000,1.000000,8.094348e-18,0.000000,0.000000)" /> + width="51.507120" + height="602.80713" + x="1035.1366" + y="3.4269917" + transform="matrix(-5.948381e-18,1.000000,1.000000,8.094348e-18,0.000000,0.000000)" /> + width="51.507120" + height="602.80713" + x="1132.8028" + y="3.4269917" + transform="matrix(-5.948381e-18,1.000000,1.000000,8.094348e-18,0.000000,0.000000)" /> diff --git a/share/examples/lighting_filters.svg b/share/examples/lighting_filters.svg index 605b84f36..95bf29723 100644 --- a/share/examples/lighting_filters.svg +++ b/share/examples/lighting_filters.svg @@ -1,180 +1,63 @@ - - - - - - - - - - - - - - - - - - - - image/svg+xml - - - Lighting effects example - 25 July 2007 - - - Niko Kiirala - - - - - Copyright 2007 Niko Kiirala - - - - - feDiffuseLighting - feSpecularLighting - light - lighting effects - - - An example, how to make metallic-looking objects with SVG lighting effects - - - - - - - - - - - - - - - - + + + + + + + + + + + + + + + + + + + +image/svg+xml + + +Lighting effects example +25 July 2007 + + +Niko Kiirala + + + + +Copyright 2007 Niko Kiirala + + + + +feDiffuseLighting +feSpecularLighting +light +lighting effects + + +An example, how to make metallic-looking objects with SVG lighting effects + + + + + + + + + + + + + + + + diff --git a/share/examples/live-path-effects-gears.svg b/share/examples/live-path-effects-gears.svg index 90561ebca..bb2b2ea59 100644 --- a/share/examples/live-path-effects-gears.svg +++ b/share/examples/live-path-effects-gears.svg @@ -1,6 +1,5 @@ - + inkscape:output_extension="org.inkscape.output.svg.inkscape"> + teeth="10" /> + inkscape:window-x="-4" + inkscape:window-y="-4" /> @@ -61,150 +51,137 @@ image/svg+xml - - - - - - - - - - The first point defines the start angle The 2nd point defines the center of the 1st gear The 3rd point defines the radius of the 1st gear - - - More points define the centers of more gears - - + id="layer1"> + + + + + + + + The first point defines the start angle The 2nd point defines the center of the 1st gear The 3rd point defines the radius of the 1st gear + + + More points define the centers of more gears + diff --git a/share/examples/live-path-effects-pathalongpath.svg b/share/examples/live-path-effects-pathalongpath.svg index 20f570d56..0b66342f4 100644 --- a/share/examples/live-path-effects-pathalongpath.svg +++ b/share/examples/live-path-effects-pathalongpath.svg @@ -1,6 +1,5 @@ - + pattern="M 119.92529,-0.41956101 C 119.92529,1.659909 120.58678,2.431279 121.32538,3.765079 C 120.76714,6.123869 120.41028,8.500889 122.37545,11.088229 C 121.671,13.006199 122.5692,14.924159 123.95054,16.842119 C 123.71907,18.682279 124.92357,20.284009 126.05068,21.898579 C 126.25318,23.990909 127.36543,26.083239 129.20088,28.175559 C 112.57483,22.944749 111.46952,10.168439 108.8996,7.775379 C 107.5348,6.504509 106.05778,6.654809 105.00417,5.064329 C 103.95056,3.473849 103.32038,0.14257899 102.24918,-0.41974101 C 103.32038,-0.98206101 103.95056,-4.313331 105.00417,-5.903821 C 106.05778,-7.494301 107.5348,-7.343991 108.8996,-8.614861 C 111.46952,-11.007921 112.57483,-23.784231 129.20088,-29.015041 C 127.36543,-26.922721 126.25318,-24.830391 126.05068,-22.738061 C 124.92357,-21.123491 123.71907,-19.521771 123.95054,-17.681611 C 122.5692,-15.763641 121.671,-13.845681 122.37545,-11.927711 C 120.41028,-9.340371 120.76714,-6.963351 121.32538,-4.604571 C 120.58678,-3.270761 119.92529,-2.499391 119.92529,-0.41992101 M 102.24917,-9.399491 C 101.73918,-8.349411 101.40752,-7.043061 101.33869,-5.702881 M 97.931762,-12.373781 C 97.196772,-10.747321 96.683652,-9.149741 96.517362,-7.611401 M 40.796126,-31.951641 C 36.393294,-26.573831 34.489541,-20.703561 33.158143,-15.440541 M 92.314832,-9.032131 C 92.607472,-11.125331 93.016652,-13.311561 94.188102,-15.314231 M 69.466596,-14.799961 C 70.526116,-19.749901 72.232996,-25.173971 76.035906,-29.701501 M 76.247336,-13.550161 C 77.232456,-17.658201 78.546166,-22.280971 81.496132,-26.588961 M 81.688812,-12.160461 C 82.459442,-15.577031 83.798922,-19.288461 86.595282,-22.724941 M 87.619382,-10.586331 C 88.269962,-13.778381 89.079762,-17.038011 90.529502,-19.434311 M 39.372996,-16.390721 C 40.663096,-22.091891 42.448976,-28.160771 46.526886,-32.647581 M 44.719896,-16.786451 C 46.020076,-21.938221 48.120906,-27.667231 52.729216,-33.084921 M 51.186366,-16.832791 C 52.460916,-21.977761 54.401586,-27.698631 58.580646,-33.111011 M 57.755366,-16.454151 C 59.035266,-21.645811 60.894386,-27.451691 64.905486,-32.894161 M 70.743036,-31.820641 C 68.781736,-29.846411 65.654026,-23.126311 64.075116,-15.756401 M 32.943271,13.696999 C 31.02686,5.738139 30.600382,-0.45243101 26.863458,-0.37462101 C 30.736989,-0.29396101 30.793459,-6.970991 33.158143,-15.440541 C 32.058705,-10.280411 31.563422,-4.759601 33.107444,-0.37462101 C 31.648043,3.659839 31.768408,8.716679 32.943271,13.696999 z M 101.2948,4.002579 C 101.17471,1.399589 101.32632,-0.45999101 98.464912,-0.37462101 C 101.67522,-0.27884101 100.95543,-2.624431 101.33869,-5.702881 C 101.31622,-3.566861 101.64612,-1.440751 102.07417,-0.37462101 L 102.07417,-0.37461101 C 101.70843,0.53633899 101.30509,2.215759 101.2948,4.002579 z M 96.421272,5.945939 C 95.961022,1.675379 97.120182,-0.47020101 92.570952,-0.37462101 C 97.432252,-0.27249101 95.639582,-2.793851 96.517362,-7.611401 C 96.251492,-4.242461 97.074992,-1.421851 98.464912,-0.37462101 C 97.205982,0.57391899 96.293052,3.033689 96.421272,5.945939 z M 92.199792,7.369879 C 91.682072,3.112599 91.561712,-0.45910101 87.418402,-0.37462101 C 91.855932,-0.28415101 91.596802,-4.354961 92.314832,-9.032131 C 91.936652,-5.782151 91.961722,-2.262891 92.570952,-0.37462101 C 92.017822,1.339789 91.874662,4.370259 92.199792,7.369879 z M 69.316276,13.139069 C 67.797866,5.660429 67.642976,-0.45234101 63.912806,-0.37462101 C 67.774536,-0.29415101 67.758886,-6.940511 69.466596,-14.799961 C 68.459376,-9.690321 68.383356,-4.346991 70.151986,-0.37462101 C 68.463476,3.297119 68.413876,8.256599 69.316276,13.139069 z M 76.078836,11.926069 C 74.460446,4.871139 74.036686,-0.45624101 70.151986,-0.37462101 C 74.171726,-0.29017101 74.285226,-6.166821 76.247336,-13.550161 C 75.280136,-8.280741 74.927876,-2.963871 76.515186,-0.37462101 C 75.005646,1.958549 75.063016,6.925809 76.078836,11.926069 z M 81.510842,10.533629 C 80.232116,4.381079 80.563616,-0.45735101 76.515186,-0.37462101 C 80.723636,-0.28862101 80.257296,-5.632921 81.688812,-12.160461 C 80.480436,-7.730861 80.156206,-3.060491 81.828332,-0.37462101 C 80.253876,2.021669 80.503246,6.293799 81.510842,10.533629 z M 87.231632,9.011219 C 86.277232,3.962159 85.596432,-0.45378101 81.828332,-0.37462101 C 85.721262,-0.29283101 86.645572,-5.247951 87.619382,-10.586331 C 86.643642,-6.535971 86.369042,-2.355891 87.418402,-0.37462101 C 86.435402,1.337139 86.488032,5.129359 87.231632,9.011219 z M 39.188486,14.663929 C 37.426416,6.563309 36.714489,-0.45040101 33.107444,-0.37462101 C 36.841626,-0.29617101 37.280464,-7.861881 39.372996,-16.390721 C 38.458246,-11.472261 38.047626,-5.894711 39.116846,-0.37462101 C 38.108106,4.729069 38.236876,9.909499 39.188486,14.663929 z M 44.509636,15.084679 C 42.430096,6.289929 42.889186,-0.45620101 39.116846,-0.37462101 C 43.005546,-0.29052101 42.225876,-7.554121 44.719896,-16.786451 C 43.333526,-11.095791 42.850856,-4.991741 45.126236,-0.37462101 C 42.961866,3.900459 43.131256,9.595039 44.509636,15.084679 z M 50.990786,15.148389 C 48.912506,6.307419 49.021366,-0.45645101 45.126236,-0.37462101 C 49.135236,-0.29039101 48.729696,-7.576121 51.186366,-16.832791 C 49.925426,-11.117121 49.450086,-4.984491 51.399926,-0.37462101 C 49.545316,3.893529 49.721436,9.637169 50.990786,15.148389 z M 57.565346,14.782989 C 55.531406,6.152689 55.300196,-0.45545101 51.399926,-0.37462101 C 55.418466,-0.29134101 55.350966,-7.413051 57.755366,-16.454151 C 56.576046,-10.870761 56.066836,-4.924771 57.673626,-0.37462101 C 56.143836,3.842269 56.352086,9.409209 57.565346,14.782989 z M 63.897286,14.082869 C 61.995916,5.914449 61.453026,-0.45402101 57.673626,-0.37462101 C 61.576106,-0.29263101 61.875306,-7.194241 64.075116,-15.756401 C 63.069866,-10.454371 62.668056,-4.819531 63.912806,-0.37462101 C 62.730386,3.735449 62.890676,9.007129 63.897286,14.082869 z M 101.2948,4.002579 C 101.2854,5.635799 101.62236,7.359649 102.24917,8.650249 M 96.421272,5.945939 C 96.500192,7.738359 97.047242,9.667199 97.931762,11.624549 M 94.188102,14.564989 C 92.844012,12.267189 92.486012,9.723619 92.199792,7.369879 M 90.529502,18.685079 C 88.532242,15.921769 87.858722,12.328759 87.231632,9.011219 M 86.595282,21.975709 C 83.596552,18.186189 82.259812,14.137229 81.510842,10.533629 M 76.078836,11.926069 C 77.283916,17.857939 79.761566,23.856219 81.496132,25.839729 M 76.035906,28.952269 C 72.027436,24.064879 70.360566,18.282469 69.316276,13.139069 M 63.897286,14.082869 C 65.423906,21.780689 68.711106,29.026089 70.743036,31.071409 M 64.905486,32.144929 C 60.689146,26.315529 58.832476,20.159629 57.565346,14.782989 M 58.580646,32.361779 C 54.188676,26.567379 52.244036,20.479709 50.990786,15.148389 M 52.729216,32.335679 C 47.874606,26.521609 45.773926,20.431609 44.509636,15.084679 M 46.526886,31.898339 C 42.242406,27.064939 40.476646,20.585919 39.188486,14.663929 M 32.943271,13.696999 C 34.257898,19.156649 36.145459,25.406929 40.796126,31.202409 M 120.27531,-19.250851 C 122.72547,-21.866261 126.05068,-22.738061 126.05068,-22.738061 M 116.60008,-13.845671 C 119.57527,-16.461081 123.95054,-17.681611 123.95054,-17.681611 M 113.7999,-7.045611 C 117.82516,-11.578991 122.37545,-11.927711 122.37545,-11.927711 M 111.69977,-2.512241 C 116.7751,-4.604571 121.32538,-4.604571 121.32538,-4.604571 M 120.27531,18.411369 C 122.72547,21.026779 126.05068,21.898579 126.05068,21.898579 M 116.60008,13.006189 C 119.57527,15.621599 123.95054,16.842119 123.95054,16.842119 M 113.7999,6.206129 C 117.82516,10.739509 122.37545,11.088229 122.37545,11.088229 M 111.69977,1.672759 C 116.7751,3.765079 121.32538,3.765079 121.32538,3.765079 M 19.293941,-10.620001 C 19.293941,-10.186891 18.98032,-9.835381 18.593898,-9.835381 C 18.207472,-9.835381 17.893856,-10.186891 17.893856,-10.620001 C 17.893856,-11.053121 18.207472,-11.404621 18.593898,-11.404621 C 18.98032,-11.404621 19.293941,-11.053121 19.293941,-10.620001 z M 25.856859,27.564939 C 30.582156,27.477759 25.856859,6.205779 25.856859,-0.59428101 C 25.856859,-7.394341 27.795183,-22.180491 33.032312,-28.927861 C 38.358126,-35.789491 -1.283572,-12.994371 1.617831,4.810899 C 4.855537,6.641689 9.755844,7.600669 13.693591,9.082729 C 10.01836,9.344269 5.730588,8.210929 2.667892,7.426299 C 4.418006,11.087879 10.543393,21.200789 25.856859,27.564939 z M 21.219074,-11.796931 C 21.219074,-10.473531 20.297813,-9.399471 19.162695,-9.399471 C 18.027572,-9.399471 17.106311,-10.473531 17.106311,-11.796931 C 17.106311,-13.120321 18.027572,-14.194381 19.162695,-14.194381 C 20.297813,-14.194381 21.219074,-13.120321 21.219074,-11.796931 z M 19.293941,-10.620001 C 19.293941,-10.186891 18.98032,-9.835381 18.593898,-9.835381 C 18.207472,-9.835381 17.893856,-10.186891 17.893856,-10.620001 C 17.893856,-11.053121 18.207472,-11.404621 18.593898,-11.404621 C 18.98032,-11.404621 19.293941,-11.053121 19.293941,-10.620001 z" + copytype="single_stretched" /> + style="overflow:visible;"> + d="M 0.0,0.0 L 5.0,-5.0 L -12.5,0.0 L 5.0,5.0 L 0.0,0.0 z " + style="fill-rule:evenodd;stroke:#000000;stroke-width:1.0pt;marker-start:none;" + transform="scale(0.4) rotate(180) translate(10,0)" /> + d="M 0.0,0.0 L 5.0,-5.0 L -12.5,0.0 L 5.0,5.0 L 0.0,0.0 z " + style="fill-rule:evenodd;stroke:#000000;stroke-width:1.0pt;marker-start:none" + transform="scale(0.4) translate(10,0)" /> + style="overflow:visible;"> + d="M 0.0,0.0 L 5.0,-5.0 L -12.5,0.0 L 5.0,5.0 L 0.0,0.0 z " + style="fill-rule:evenodd;stroke:#000000;stroke-width:1.0pt;marker-start:none;" + transform="scale(0.8) rotate(180) translate(12.5,0)" /> + inkscape:guide-bbox="false" /> @@ -116,330 +104,331 @@ image/svg+xml - + + + 3 + + + + + 4 + + inkscape:groupmode="layer" /> + + + - - - 3 - - - - - 4 - - + + style="stroke:#000000;stroke-width:0.53125;stroke-miterlimit:4;stroke-dasharray:none;stroke-opacity:1" + id="g10352" + transform="translate(-52.598418,165.2633)"> - - - - - - - - - - - + style="fill:#b3b3b3;fill-rule:evenodd;stroke:#000000;stroke-width:0.53125;stroke-linecap:butt;stroke-linejoin:miter;stroke-miterlimit:4;stroke-dasharray:none;stroke-opacity:1" + d="M 182.41614,-84.323393 C 182.41614,-82.243924 183.07763,-81.472553 183.81623,-80.138746 C 183.25799,-77.779963 182.90113,-75.402938 184.8663,-72.815601 C 184.16185,-70.897634 185.06005,-68.979672 186.44139,-67.061705 C 186.20992,-65.221545 187.41442,-63.619821 188.54153,-62.00525 C 188.74403,-59.912924 189.85628,-57.820593 191.69173,-55.728267 C 175.06568,-60.959082 173.96037,-73.73539 171.39045,-76.128454 C 170.02565,-77.399318 168.54863,-77.249016 167.49502,-78.839496 C 166.44141,-80.429981 165.81123,-83.761248 164.74003,-84.323571 C 165.81123,-84.885893 166.44141,-88.217161 167.49502,-89.807646 C 168.54863,-91.398126 170.02565,-91.247824 171.39045,-92.518688 C 173.96037,-94.911751 175.06568,-107.68806 191.69173,-112.91887 C 189.85628,-110.82655 188.74403,-108.73422 188.54153,-106.64189 C 187.41442,-105.02732 186.20992,-103.4256 186.44139,-101.58544 C 185.06005,-99.667468 184.16185,-97.749506 184.8663,-95.831539 C 182.90113,-93.244204 183.25799,-90.867178 183.81623,-88.508395 C 183.07763,-87.174588 182.41614,-86.403217 182.41614,-84.323748" + sodipodi:nodetypes="ccccccsscsscccccc" + id="path8125" /> + style="fill:none;fill-rule:evenodd;stroke:#000000;stroke-width:0.53125;stroke-linecap:butt;stroke-linejoin:miter;stroke-miterlimit:4;stroke-dasharray:none;stroke-opacity:1" + d="M 164.74002,-93.303315 C 164.23003,-92.253241 163.89837,-90.946889 163.82954,-89.606705 M 160.42261,-96.277612 C 159.68762,-94.651147 159.1745,-93.053566 159.00821,-91.515233 M 103.28697,-115.85547 C 98.884138,-110.47766 96.980385,-104.60739 95.648987,-99.34437 M 154.80568,-92.93596 C 155.09832,-95.029159 155.5075,-97.215387 156.67895,-99.218055 M 131.95744,-98.703792 C 133.01696,-103.65373 134.72384,-109.0778 138.52675,-113.60533 M 138.73818,-97.453986 C 139.7233,-101.56203 141.03701,-106.1848 143.98698,-110.49279 M 144.17966,-96.064288 C 144.95029,-99.480863 146.28977,-103.19229 149.08613,-106.62877 M 150.11023,-94.490163 C 150.76081,-97.682213 151.57061,-100.94184 153.02035,-103.33814 M 101.86384,-100.29455 C 103.15394,-105.99572 104.93982,-112.0646 109.01773,-116.55141 M 107.21074,-100.69028 C 108.51092,-105.84205 110.61175,-111.57106 115.22006,-116.98875 M 113.67721,-100.73662 C 114.95176,-105.88159 116.89243,-111.60246 121.07149,-117.01484 M 120.24621,-100.35798 C 121.52611,-105.54964 123.38523,-111.35552 127.39633,-116.79799 M 133.23388,-115.72447 C 131.27258,-113.75024 128.14487,-107.03014 126.56596,-99.660228" + id="path8246" /> - Transform shape into single path + style="fill:#cccccc;fill-rule:evenodd;stroke:#000000;stroke-width:0.53125;stroke-linecap:butt;stroke-linejoin:miter;stroke-miterlimit:4;stroke-dasharray:none;stroke-opacity:1" + d="M 95.434115,-70.206827 C 93.517704,-78.165688 93.091226,-84.356263 89.354302,-84.278446 C 93.227833,-84.197794 93.284303,-90.874822 95.648987,-99.34437 C 94.549549,-94.184237 94.054266,-88.663431 95.598288,-84.278446 C 94.138887,-80.243993 94.259252,-75.187153 95.434115,-70.206827 z M 163.78565,-79.901248 C 163.66556,-82.504242 163.81717,-84.363823 160.95576,-84.278446 C 164.16607,-84.182668 163.44628,-86.528264 163.82954,-89.606705 C 163.80707,-87.470695 164.13697,-85.344582 164.56502,-84.278446 L 164.56502,-84.278436 C 164.19928,-83.367485 163.79594,-81.688072 163.78565,-79.901248 z M 158.91212,-77.957892 C 158.45187,-82.228449 159.61103,-84.374027 155.0618,-84.278446 C 159.9231,-84.176316 158.13043,-86.697682 159.00821,-91.515233 C 158.74234,-88.146293 159.56584,-85.325684 160.95576,-84.278446 C 159.69683,-83.329905 158.7839,-80.870141 158.91212,-77.957892 z M 154.69064,-76.533945 C 154.17292,-80.791225 154.05256,-84.362925 149.90925,-84.278446 C 154.34678,-84.187975 154.08765,-88.258789 154.80568,-92.93596 C 154.4275,-89.685982 154.45257,-86.166715 155.0618,-84.278446 C 154.50867,-82.564043 154.36551,-79.533568 154.69064,-76.533945 z M 131.80712,-70.764756 C 130.28871,-78.243401 130.13382,-84.356174 126.40365,-84.278446 C 130.26538,-84.197981 130.24973,-90.844345 131.95744,-98.703792 C 130.95022,-93.594145 130.8742,-88.250819 132.64283,-84.278446 C 130.95432,-80.606707 130.90472,-75.647227 131.80712,-70.764756 z M 138.56968,-71.977762 C 136.95129,-79.032694 136.52753,-84.360065 132.64283,-84.278446 C 136.66257,-84.193996 136.77607,-90.070651 138.73818,-97.453986 C 137.77098,-92.184573 137.41872,-86.867701 139.00603,-84.278446 C 137.49649,-81.945278 137.55386,-76.978021 138.56968,-71.977762 z M 144.00169,-73.370196 C 142.72296,-79.522753 143.05446,-84.361175 139.00603,-84.278446 C 143.21448,-84.192453 142.74814,-89.53675 144.17966,-96.064288 C 142.97128,-91.634688 142.64705,-86.964322 144.31918,-84.278446 C 142.74472,-81.882157 142.99409,-77.610028 144.00169,-73.370196 z M 149.72248,-74.892609 C 148.76808,-79.941667 148.08728,-84.357614 144.31918,-84.278446 C 148.21211,-84.196659 149.13642,-89.151779 150.11023,-94.490163 C 149.13449,-90.439801 148.85989,-86.259716 149.90925,-84.278446 C 148.92625,-82.566687 148.97888,-78.774472 149.72248,-74.892609 z M 101.67933,-69.239896 C 99.91726,-77.340523 99.205333,-84.354231 95.598288,-84.278446 C 99.33247,-84.199998 99.771308,-91.765707 101.86384,-100.29455 C 100.94909,-95.376091 100.53847,-89.798542 101.60769,-84.278446 C 100.59895,-79.174755 100.72772,-73.994332 101.67933,-69.239896 z M 107.00048,-68.819152 C 104.92094,-77.613899 105.38003,-84.36003 101.60769,-84.278446 C 105.49639,-84.194351 104.71672,-91.457947 107.21074,-100.69028 C 105.82437,-94.999618 105.3417,-88.895565 107.61708,-84.278446 C 105.45271,-80.003367 105.6221,-74.308794 107.00048,-68.819152 z M 113.48163,-68.75544 C 111.40335,-77.596407 111.51221,-84.360282 107.61708,-84.278446 C 111.62608,-84.194223 111.22054,-91.479952 113.67721,-100.73662 C 112.41627,-95.020953 111.94093,-88.88832 113.89077,-84.278446 C 112.03616,-80.010296 112.21228,-74.266663 113.48163,-68.75544 z M 120.05619,-69.120836 C 118.02225,-77.751138 117.79104,-84.359276 113.89077,-84.278446 C 117.90931,-84.19517 117.84181,-91.316877 120.24621,-100.35798 C 119.06689,-94.774587 118.55768,-88.828598 120.16447,-84.278446 C 118.63468,-80.061561 118.84293,-74.494624 120.05619,-69.120836 z M 126.38813,-69.820964 C 124.48676,-77.989381 123.94387,-84.357851 120.16447,-84.278446 C 124.06695,-84.196462 124.36615,-91.098069 126.56596,-99.660228 C 125.56071,-94.358197 125.1589,-88.723356 126.40365,-84.278446 C 125.22123,-80.168381 125.38152,-74.896703 126.38813,-69.820964 z" + sodipodi:nodetypes="cccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccc" + id="path8248" /> - Copy to clipboard(it is easiest later on to move the noseof the fish to the top-left corner of the document (0,0) before copying to the clipboard, so you don't have to manually tweak the origin parameter) + style="fill:none;fill-rule:evenodd;stroke:#000000;stroke-width:0.53125;stroke-linecap:butt;stroke-linejoin:miter;stroke-miterlimit:4;stroke-dasharray:none;stroke-opacity:1" + d="M 163.78565,-79.901248 C 163.77625,-78.26803 164.11321,-76.544183 164.74002,-75.253577 M 158.91212,-77.957892 C 158.99104,-76.165471 159.53809,-74.23663 160.42261,-72.279278 M 156.67895,-69.338835 C 155.33486,-71.636639 154.97686,-74.180211 154.69064,-76.533945 M 153.02035,-65.218749 C 151.02309,-67.982062 150.34957,-71.575067 149.72248,-74.892609 M 149.08613,-61.928118 C 146.0874,-65.717641 144.75066,-69.766598 144.00169,-73.370196 M 138.56968,-71.977762 C 139.77476,-66.045887 142.25241,-60.047612 143.98698,-58.064104 M 138.52675,-54.95156 C 134.51828,-59.838949 132.85141,-65.621355 131.80712,-70.764756 M 126.38813,-69.820964 C 127.91475,-62.123141 131.20195,-54.877738 133.23388,-52.832416 M 127.39633,-51.758902 C 123.17999,-57.588297 121.32332,-63.744202 120.05619,-69.120836 M 121.07149,-51.542047 C 116.67952,-57.336447 114.73488,-63.424118 113.48163,-68.75544 M 115.22006,-51.568146 C 110.36545,-57.382218 108.26477,-63.472221 107.00048,-68.819152 M 109.01773,-52.005485 C 104.73325,-56.838892 102.96749,-63.317905 101.67933,-69.239896 M 95.434115,-70.206827 C 96.748742,-64.747184 98.636303,-58.496896 103.28697,-52.701417" + sodipodi:nodetypes="cccccccccccccccccccccccccc" + id="path8242" /> - Draw the skeleton path + style="fill:none;fill-rule:evenodd;stroke:#000000;stroke-width:0.53125;stroke-linecap:butt;stroke-linejoin:miter;stroke-miterlimit:4;stroke-dasharray:none;stroke-opacity:1" + d="M 182.76616,-103.15468 C 185.21632,-105.77009 188.54153,-106.64189 188.54153,-106.64189 M 179.09093,-97.749501 C 182.06612,-100.36491 186.44139,-101.58544 186.44139,-101.58544 M 176.29075,-90.949443 C 180.31601,-95.482818 184.8663,-95.831539 184.8663,-95.831539 M 174.19062,-86.416069 C 179.26595,-88.508395 183.81623,-88.508395 183.81623,-88.508395" + sodipodi:nodetypes="cccccccc" + id="path8129" /> + + + + + + + + Transform shape into single path + + Copy to clipboard(it is easiest later on to move the noseof the fish to the top-left corner of the document (0,0) before copying to the clipboard, so you don't have to manually tweak the origin parameter) + + Draw the skeleton path + Press Ctrl-Shift-7 and apply Skeletal Strokes to the skeleton path.Press the paste button next to "pattern" + + Press Ctrl-Shift-7 and apply Skeletal Strokes to the skeleton path.Press the paste button next to "pattern" - - - 1 - - + style="font-size:40px;font-weight:bold;writing-mode:lr-tb;fill:#0000ff" + y="346.71921" + x="-82.877533" + id="tspan3175" + sodipodi:role="line">1 + + + 2 + Press F2 and notice that the red skeleton path is live edittable on-canvas + + 2 - Press F2 and notice that the red skeleton path is live edittable on-canvas - - - 5 - + id="tspan3227" + x="-82.877533" + y="346.71921" + style="font-size:40px;font-weight:bold;writing-mode:lr-tb;fill:#0000ff">5 diff --git a/share/examples/markers.svg b/share/examples/markers.svg index f1ff1f31d..590de63b0 100644 --- a/share/examples/markers.svg +++ b/share/examples/markers.svg @@ -1,30 +1,32 @@ - + id="svg1"> - + - image/svg+xml + image/svg+xml - + rdf:resource="http://purl.org/dc/dcmitype/StillImage" + id="type172" /> @@ -33,907 +35,822 @@ + style="overflow:visible;"> + d="M 21.221250,20.675360 C 14.311099,25.396517 18.766725,27.282204 15.380179,34.118595" + style="fill:none;fill-opacity:0.75000000;fill-rule:evenodd;stroke:#000000;stroke-width:1.0000000pt;marker-start:none;marker-end:none;" /> + d="M 21.398110,20.548120 C 20.037601,28.895644 24.934182,29.318060 25.903151,34.373078" + style="fill:none;fill-opacity:0.75000000;fill-rule:evenodd;stroke:#000000;stroke-width:1.0000000pt;marker-start:none;marker-end:none;" /> + d="M -14.090070,-6.7318716 L -15.012238,-2.6884886 L -11.049487,-3.9115586 L -14.090070,-6.7318716 z " + style="fill:#030300;fill-rule:evenodd;stroke-width:1.0000000pt;marker-end:none;" /> + d="M -15.215679,4.5567534 L -13.341552,8.2563664 L -11.074678,4.7835114 L -15.215679,4.5567534 z " + style="fill:#030300;fill-rule:evenodd;stroke-width:1.0000000pt;marker-end:none;" /> + style="overflow:visible;"> + d="M -3.8048674,-3.9585227 L 0.54352094,-0.00068114835" + style="fill:none;fill-rule:evenodd;stroke:#000000;stroke-width:0.8;marker-start:none;marker-end:none;stroke-linecap:round;" /> + d="M -1.2866832,-3.9585227 L 3.0617053,-0.00068114835" + style="fill:none;fill-rule:evenodd;stroke:#000000;stroke-width:0.8;marker-start:none;marker-end:none;stroke-linecap:round;" /> + d="M 1.3053582,-3.9585227 L 5.6537466,-0.00068114835" + style="fill:none;fill-rule:evenodd;stroke:#000000;stroke-width:0.8;marker-start:none;marker-end:none;stroke-linecap:round;" /> + d="M -3.8048674,4.1775838 L 0.54352094,0.21974226" + style="fill:none;fill-rule:evenodd;stroke:#000000;stroke-width:0.8;marker-start:none;marker-end:none;stroke-linecap:round;" /> + d="M -1.2866832,4.1775838 L 3.0617053,0.21974226" + style="fill:none;fill-rule:evenodd;stroke:#000000;stroke-width:0.8;marker-start:none;marker-end:none;stroke-linecap:round;" /> + d="M 1.3053582,4.1775838 L 5.6537466,0.21974226" + style="fill:none;fill-rule:evenodd;stroke:#000000;stroke-width:0.8;marker-start:none;marker-end:none;stroke-linecap:round;" /> + style="overflow:visible;"> + d="M 0.0,0.0 L 5.0,-5.0 L -12.5,0.0 L 5.0,5.0 L 0.0,0.0 z " + style="fill-rule:evenodd;stroke:#000000;stroke-width:1.0pt;marker-start:none;" /> + d="M -14.759949,-7 L -14.759949,65" + style="fill:none;fill-opacity:0.75000000;fill-rule:evenodd;stroke:#000000;stroke-width:1.2pt;marker-start:none;" /> + style="overflow:visible;"> + d="M 0.0,0.0 L 5.0,-5.0 L -12.5,0.0 L 5.0,5.0 L 0.0,0.0 z " + style="fill-rule:evenodd;stroke:#000000;stroke-width:1.0pt;marker-start:none;" /> + d="M -14.759949,-7 L -14.759949,65" + style="fill:none;fill-opacity:0.75000000;fill-rule:evenodd;stroke:#000000;stroke-width:1.2pt;marker-start:none;" /> + style="overflow:visible;"> + d="M 4.6254930,-5.0456926 C 1.8654930,-5.0456926 -0.37450702,-2.8056926 -0.37450702,-0.045692580 C -0.37450702,2.7143074 1.8654930,4.9543074 4.6254930,4.9543074" + style="fill:none;fill-rule:evenodd;stroke:#000000;stroke-width:1.0pt;marker-start:none;marker-end:none;" /> + d="M -5.4129913,-5.0456926 C -2.6529913,-5.0456926 -0.41299131,-2.8056926 -0.41299131,-0.045692580 C -0.41299131,2.7143074 -2.6529913,4.9543074 -5.4129913,4.9543074" + style="fill:none;fill-rule:evenodd;stroke:#000000;stroke-width:1.0pt;marker-start:none;marker-end:none;" /> + style="overflow:visible;"> + d="M -2.5,-0.80913858 C -2.5,1.9508614 -4.7400000,4.1908614 -7.5,4.1908614 L -7.5,-5.8091386 C -4.7400000,-5.8091386 -2.5,-3.5691386 -2.5,-0.80913858 z " + style="fill-rule:evenodd;stroke:#000000;stroke-width:1.0pt;marker-start:none;marker-end:none;" + transform="scale(0.6) translate(7.125493,0.763446)" /> + style="overflow:visible;"> + d="M -4.7792281,-3.2395420 C -2.4288541,-2.8736027 0.52103922,-1.3019943 0.25792722,0.38794346 C -0.0051877922,2.0778819 -2.2126741,2.6176539 -4.5630471,2.2517169 C -6.9134221,1.8857769 -8.5210350,0.75201414 -8.2579220,-0.93792336 C -7.9948090,-2.6278615 -7.1296041,-3.6054813 -4.7792281,-3.2395420 z " + style="fill:none;fill-opacity:0.75000000;fill-rule:evenodd;stroke:#000000;stroke-width:1.2500000;marker-start:none;marker-mid:none;marker-end:none;" /> + d="M 4.4598789,0.088665736 C -2.5564571,-4.3783320 5.2248769,-3.9061806 -0.84829578,-8.7197331" + style="fill:none;fill-opacity:0.75000000;fill-rule:evenodd;stroke:#000000;stroke-width:1.0000000pt;marker-end:none;" /> + d="M 4.9298719,0.057520736 C -1.3872731,1.7494689 1.8027579,5.4782079 -4.9448731,7.5462725" + style="fill:none;fill-opacity:0.75000000;fill-rule:evenodd;stroke:#000000;stroke-width:1.0000000pt;marker-start:none;marker-end:none;" /> + style="fill-rule:evenodd;stroke-width:1.0000000pt;marker-end:none;" /> - + - + + style="fill:#ff0000;fill-opacity:0.75000000;fill-rule:evenodd;stroke:#000000;stroke-width:1.0000000pt;marker-start:none;marker-end:none;" + sodipodi:type="arc" /> + style="overflow:visible;"> + d="M 4.6254930,-5.0456926 C 1.8654930,-5.0456926 -0.37450702,-2.8056926 -0.37450702,-0.045692580 C -0.37450702,2.7143074 1.8654930,4.9543074 4.6254930,4.9543074" + style="fill-rule:evenodd;stroke:#000000;stroke-width:1.0pt;marker-start:none;marker-end:none;fill:none;" + transform="scale(0.6)" /> + style="overflow:visible;"> + d="M 5.77,0.0 L -2.88,5.0 L -2.88,-5.0 L 5.77,0.0 z " + style="fill-rule:evenodd;stroke:#000000;stroke-width:1.0pt;marker-start:none;" + transform="scale(0.4)" /> + style="overflow:visible;"> + d="M -2.1579186e-005,-7.0710768 L -7.0710894,-8.9383918e-006 L -2.1579186e-005,7.0710589 L 7.0710462,-8.9383918e-006 L -2.1579186e-005,-7.0710768 z " + style="fill-rule:evenodd;stroke:#000000;stroke-width:1.0pt;marker-start:none;" + transform="scale(0.2)" /> + style="overflow:visible;"> + d="M 5.77,0.0 L -2.88,5.0 L -2.88,-5.0 L 5.77,0.0 z " + style="fill-rule:evenodd;stroke:#000000;stroke-width:1.0pt;marker-start:none;" + transform="scale(0.8)" /> + style="overflow:visible;"> + d="M -0.37450702,-0.045692580 C -0.37450702,2.7143074 1.8654930,4.9543074 4.6254930,4.9543074 L 4.6254930,-5.0456926 C 1.8654930,-5.0456926 -0.37450702,-2.8056926 -0.37450702,-0.045692580 z " + style="fill-rule:evenodd;stroke:#000000;stroke-width:1.0pt;marker-start:none;marker-end:none;" + transform="scale(0.6)" /> + style="overflow:visible;"> + d="M 5.77,0.0 L -2.88,5.0 L -2.88,-5.0 L 5.77,0.0 z " + style="fill-rule:evenodd;stroke:#000000;stroke-width:1.0pt;marker-start:none;" + transform="scale(-0.8)" /> + style="overflow:visible;"> + d="M -5.0,-5.0 L -5.0,5.0 L 5.0,5.0 L 5.0,-5.0 L -5.0,-5.0 z " + style="fill-rule:evenodd;stroke:#000000;stroke-width:1.0pt;marker-start:none;" + transform="scale(0.8)" /> + style="overflow:visible;"> + style="font-size:12.0;fill-rule:evenodd;stroke-width:0.62500000;stroke-linejoin:round;" + d="M 8.7185878,4.0337352 L -2.2072895,0.016013256 L 8.7185884,-4.0017078 C 6.9730900,-1.6296469 6.9831476,1.6157441 8.7185878,4.0337352 z " + transform="scale(1.1) translate(-5,0)" /> + style="overflow:visible;"> + d="M 0.0,0.0 L 5.0,-5.0 L -12.5,0.0 L 5.0,5.0 L 0.0,0.0 z " + style="fill-rule:evenodd;stroke:#000000;stroke-width:1.0pt;marker-start:none;" /> + d="M -14.759949,-7 L -14.759949,65" + style="fill:none;fill-opacity:0.75000000;fill-rule:evenodd;stroke:#000000;stroke-width:1.2pt;marker-start:none;" /> + style="overflow:visible;"> + d="M 0.0,0.0 L 5.0,-5.0 L -12.5,0.0 L 5.0,5.0 L 0.0,0.0 z " + style="fill-rule:evenodd;stroke:#000000;stroke-width:1.0pt;marker-start:none;" + transform="scale(0.2)" /> + style="overflow:visible;"> + d="M -2.1579186e-005,-7.0710768 L -7.0710894,-8.9383918e-006 L -2.1579186e-005,7.0710589 L 7.0710462,-8.9383918e-006 L -2.1579186e-005,-7.0710768 z " + style="fill-rule:evenodd;stroke:#000000;stroke-width:1.0pt;marker-start:none;" + transform="scale(0.8)" /> + style="overflow:visible;"> + d="M 0.0,5.65 L 0.0,-5.65" + style="fill:none;fill-opacity:0.75000000;fill-rule:evenodd;stroke:#000000;stroke-width:1.0pt;" + transform="scale(0.4)" /> + style="overflow:visible;"> + d="M -1.5971367,-7.0977635 C -3.4863874,-7.0977635 -5.0235187,-5.5606321 -5.0235187,-3.6713813 C -5.0235187,-3.0147015 -4.7851656,-2.4444556 -4.4641095,-1.9232271 C -4.5028609,-1.8911157 -4.5437814,-1.8647646 -4.5806531,-1.8299921 C -5.2030765,-2.6849849 -6.1700514,-3.2751330 -7.3077730,-3.2751330 C -9.1970245,-3.2751331 -10.734155,-1.7380016 -10.734155,0.15124914 C -10.734155,2.0404999 -9.1970245,3.5776313 -7.3077730,3.5776313 C -6.3143268,3.5776313 -5.4391540,3.1355702 -4.8137404,2.4588126 C -4.9384274,2.8137041 -5.0235187,3.1803000 -5.0235187,3.5776313 C -5.0235187,5.4668819 -3.4863874,7.0040135 -1.5971367,7.0040135 C 0.29211394,7.0040135 1.8292454,5.4668819 1.8292454,3.5776313 C 1.8292454,2.7842354 1.5136868,2.0838028 1.0600576,1.5031550 C 2.4152718,1.7663868 3.7718375,2.2973711 4.7661444,3.8340272 C 4.0279463,3.0958289 3.5540908,1.7534117 3.5540908,-0.058529361 L 2.9247554,-0.10514681 L 3.5074733,-0.12845553 C 3.5074733,-1.9403966 3.9580199,-3.2828138 4.6962183,-4.0210121 C 3.7371277,-2.5387813 2.4390549,-1.9946496 1.1299838,-1.7134486 C 1.5341802,-2.2753578 1.8292454,-2.9268556 1.8292454,-3.6713813 C 1.8292454,-5.5606319 0.29211394,-7.0977635 -1.5971367,-7.0977635 z " + style="fill-rule:evenodd;stroke:#000000;stroke-width:0.74587913pt;marker-start:none;" + transform="scale(0.6)" /> + style="overflow:visible;"> + d="M 0.0,5.65 L 0.0,-5.65" + style="fill:none;fill-opacity:0.75000000;fill-rule:evenodd;stroke:#000000;stroke-width:1.0pt;" + transform="scale(0.8)" /> + style="overflow:visible;"> + d="M -2.5,-1.0 C -2.5,1.7600000 -4.7400000,4.0 -7.5,4.0 C -10.260000,4.0 -12.5,1.7600000 -12.5,-1.0 C -12.5,-3.7600000 -10.260000,-6.0 -7.5,-6.0 C -4.7400000,-6.0 -2.5,-3.7600000 -2.5,-1.0 z " + style="fill-rule:evenodd;stroke:#000000;stroke-width:1.0pt;marker-start:none;marker-end:none;" + transform="scale(0.4) translate(7.125493, 1)" /> + style="overflow:visible;"> + d="M -2.5,-1.0 C -2.5,1.7600000 -4.7400000,4.0 -7.5,4.0 C -10.260000,4.0 -12.5,1.7600000 -12.5,-1.0 C -12.5,-3.7600000 -10.260000,-6.0 -7.5,-6.0 C -4.7400000,-6.0 -2.5,-3.7600000 -2.5,-1.0 z " + style="fill-rule:evenodd;stroke:#000000;stroke-width:1.0pt;marker-start:none;marker-end:none;" + transform="scale(0.8) translate(7.125493, 1)" /> + style="overflow:visible;"> + style="marker-start:none;" + d="M 9.0898857,-3.6061018 C 8.1198849,-4.7769976 6.3697607,-4.7358294 5.0623558,-4.2327734 L -3.1500488,-1.1548705 C -5.5383421,-2.4615840 -7.8983361,-2.0874077 -7.8983361,-2.7236578 C -7.8983361,-3.2209742 -7.4416699,-3.1119800 -7.5100293,-4.4068519 C -7.5756648,-5.6501286 -8.8736064,-6.5699315 -10.100428,-6.4884954 C -11.327699,-6.4958500 -12.599867,-5.5553341 -12.610769,-4.2584343 C -12.702194,-2.9520479 -11.603560,-1.7387447 -10.304005,-1.6532027 C -8.7816644,-1.4265411 -6.0857470,-2.3487593 -4.8210600,-0.082342643 C -5.7633447,1.6559151 -7.4350844,1.6607341 -8.9465707,1.5737277 C -10.201445,1.5014928 -11.708664,1.8611256 -12.307219,3.0945882 C -12.885586,4.2766744 -12.318421,5.9591904 -10.990470,6.3210002 C -9.6502788,6.8128279 -7.8098011,6.1912892 -7.4910978,4.6502760 C -7.2454393,3.4624530 -8.0864637,2.9043186 -7.7636052,2.4731223 C -7.5199917,2.1477623 -5.9728246,2.3362771 -3.2164999,1.0982979 L 5.6763468,4.2330688 C 6.8000164,4.5467672 8.1730685,4.5362646 9.1684433,3.4313614 L -0.051640930,-0.053722219 L 9.0898857,-3.6061018 z M -9.2179159,-5.5066058 C -7.9233569,-4.7838060 -8.0290767,-2.8230356 -9.3743431,-2.4433169 C -10.590861,-2.0196559 -12.145370,-3.2022863 -11.757521,-4.5207817 C -11.530373,-5.6026336 -10.104134,-6.0014137 -9.2179159,-5.5066058 z M -9.1616516,2.5107591 C -7.8108215,3.0096239 -8.0402087,5.2951947 -9.4138723,5.6023681 C -10.324932,5.9187072 -11.627422,5.4635705 -11.719569,4.3902287 C -11.897178,3.0851737 -10.363484,1.9060805 -9.1616516,2.5107591 z " /> + style="overflow:visible;"> + d="M -2.5,-1.0 C -2.5,1.7600000 -4.7400000,4.0 -7.5,4.0 C -10.260000,4.0 -12.5,1.7600000 -12.5,-1.0 C -12.5,-3.7600000 -10.260000,-6.0 -7.5,-6.0 C -4.7400000,-6.0 -2.5,-3.7600000 -2.5,-1.0 z " + style="fill-rule:evenodd;stroke:#000000;stroke-width:1.0pt;marker-start:none;marker-end:none;" + transform="scale(0.2) translate(7.125493, 1)" /> + style="overflow:visible;"> + style="font-size:12.0;fill-rule:evenodd;stroke-width:0.62500000;stroke-linejoin:round;" + d="M 8.7185878,4.0337352 L -2.2072895,0.016013256 L 8.7185884,-4.0017078 C 6.9730900,-1.6296469 6.9831476,1.6157441 8.7185878,4.0337352 z " + transform="scale(0.6) translate(-5,0)" /> + style="overflow:visible;"> + d="M 0.0,0.0 L 5.0,-5.0 L -12.5,0.0 L 5.0,5.0 L 0.0,0.0 z " + style="fill-rule:evenodd;stroke:#000000;stroke-width:1.0pt;marker-start:none;" + transform="scale(0.4)" /> + style="overflow:visible;"> + d="M 0.0,0.0 L 5.0,-5.0 L -12.5,0.0 L 5.0,5.0 L 0.0,0.0 z " + style="fill-rule:evenodd;stroke:#000000;stroke-width:1.0pt;marker-start:none;" + transform="scale(0.8)" /> - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - + id="base" /> + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + diff --git a/share/examples/replace-hue.svg b/share/examples/replace-hue.svg index 63cb7d4a8..e88e4f00a 100644 --- a/share/examples/replace-hue.svg +++ b/share/examples/replace-hue.svg @@ -1,567 +1,504 @@ - - - - - - image/svg+xml - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - + + + + + +image/svg+xml + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + diff --git a/share/examples/rope-3D.svg b/share/examples/rope-3D.svg index 0601e0171..d28113ed9 100644 --- a/share/examples/rope-3D.svg +++ b/share/examples/rope-3D.svg @@ -1,24 +1,22 @@ - + sodipodi:modified="true"> + inkscape:window-y="0" /> @@ -103,238 +99,205 @@ y="0" xlink:href="#use4519" id="use4526" - transform="translate(448)" + transform="translate(420,0)" width="744.09448" height="1052.3622" /> Best of all: edit the original shape Best of all: edit the original shape and the entire 3D assembly updates live! + transform="translate(309.5336,1119.3255)" /> Original rope-like shape with unset fill(e.g. created by converting stroke to path)Create a clone, blur by 5%Create another clone,position it over the blurred onewith some shift Select both and doObject > Clip > SetCreate a third clone, paint yellow, place under the clipped shaderCreate a fourth clone, blur 5%, opacity 40%,place it at the bottom as a drop shadow (with some shift) + x="150.85501" + y="-1066.0659" + style="font-weight:bold;font-family:Bitstream Vera Serif">Original rope-like shape with unset fill(e.g. created by converting stroke to path)Create a clone, blur by 5%Create another clone,position it over the blurred onewith some shift Select both and doObject > Clip > SetCreate a third clone, paint yellow, place under the clipped shaderCreate a fourth clone, blur 5%, opacity 40%,place it at the bottom as a drop shadow (with some shift) @@ -342,7 +305,7 @@ style="fill:#000000;filter:url(#filter4662)" height="1052.3622" width="744.09448" - transform="translate(0,157.86667)" + transform="translate(0,148)" id="use3529" xlink:href="#path3116" y="0" @@ -352,13 +315,13 @@ y="0" xlink:href="#use3529" id="use4492" - transform="translate(5.8089872,164.07639)" + transform="translate(5.4459255,153.82162)" width="744.09448" height="1052.3622" /> @@ -394,7 +357,7 @@ style="fill:#fff900;fill-opacity:1" height="1052.3622" width="744.09448" - transform="translate(3.0896657,785.1937)" + transform="translate(2.8965616,736.11909)" id="use4737" xlink:href="#path3116" y="0" @@ -402,7 +365,7 @@ + transform="matrix(0.25,0,0,0.25,138.77756,-30.4633)"> + - + style="opacity:0.92000002;color:#000000;fill:none;fill-opacity:1;fill-rule:nonzero;stroke:#000000;stroke-width:16;stroke-linecap:round;stroke-linejoin:round;marker:none;marker-start:none;marker-mid:none;marker-end:none;stroke-miterlimit:4;stroke-dasharray:none;stroke-dashoffset:0;stroke-opacity:1;visibility:visible;display:inline;overflow:visible;enable-background:accumulate" + sodipodi:type="arc" /> + transform="matrix(0.25,0,0,0.25,138.28096,82.1783)"> - + + sodipodi:cx="555.21912" + sodipodi:cy="401.18643" + sodipodi:rx="63.69397" + sodipodi:ry="63.69397" + d="M 618.91309 401.18643 A 63.69397 63.69397 0 1 1 491.52515,401.18643 A 63.69397 63.69397 0 1 1 618.91309 401.18643 z" + transform="matrix(1.0557928,0,0,1.0557928,-45.416178,125.97594)" /> + transform="matrix(0.25,0,0,0.25,138.75292,189.6693)"> + - + style="opacity:0.92000002;color:#000000;fill:none;fill-opacity:1;fill-rule:nonzero;stroke:#000000;stroke-width:16;stroke-linecap:round;stroke-linejoin:round;marker:none;marker-start:none;marker-mid:none;marker-end:none;stroke-miterlimit:4;stroke-dasharray:none;stroke-dashoffset:0;stroke-opacity:1;visibility:visible;display:inline;overflow:visible;enable-background:accumulate" + sodipodi:type="arc" /> + transform="matrix(0.25,0,0,0.25,94.10824,348.61862)"> + - + sodipodi:cx="555.21912" + sodipodi:cy="401.18643" + sodipodi:rx="63.69397" + sodipodi:ry="63.69397" + d="M 618.91309 401.18643 A 63.69397 63.69397 0 1 1 491.52515,401.18643 A 63.69397 63.69397 0 1 1 618.91309 401.18643 z" + transform="matrix(1.0557928,0,0,1.0557928,134.58383,285.97594)" /> + transform="matrix(0.25,0,0,0.25,54.07741,488.3172)"> - + + style="opacity:0.92000002;color:#000000;fill:none;fill-opacity:1;fill-rule:nonzero;stroke:#000000;stroke-width:16;stroke-linecap:round;stroke-linejoin:round;marker:none;marker-start:none;marker-mid:none;marker-end:none;stroke-miterlimit:4;stroke-dasharray:none;stroke-dashoffset:0;stroke-opacity:1;visibility:visible;display:inline;overflow:visible;enable-background:accumulate" + sodipodi:type="arc" /> + transform="matrix(0.25,0,0,0.25,54.06941,669.15053)"> + - + sodipodi:cx="555.21912" + sodipodi:cy="401.18643" + sodipodi:rx="63.69397" + sodipodi:ry="63.69397" + d="M 618.91309 401.18643 A 63.69397 63.69397 0 1 1 491.52515,401.18643 A 63.69397 63.69397 0 1 1 618.91309 401.18643 z" + transform="matrix(1.0557928,0,0,1.0557928,294.58383,125.97594)" /> diff --git a/share/examples/stars.svgz b/share/examples/stars.svgz index d6000f00e..5d5675229 100644 Binary files a/share/examples/stars.svgz and b/share/examples/stars.svgz differ diff --git a/share/examples/tesselation-P3.svg b/share/examples/tesselation-P3.svg index b78aa6a69..0d4603ec7 100644 --- a/share/examples/tesselation-P3.svg +++ b/share/examples/tesselation-P3.svg @@ -1,9 +1,8 @@ - + height="297mm" + width="210mm"> - - + + + cy="909.01093" + cx="198.96782" + gradientTransform="scale(1.547494,0.646206)" + gradientUnits="userSpaceOnUse" + id="radialGradient1195" + xlink:href="#linearGradient3508" + inkscape:collect="always" /> + id="base" /> - + - image/svg+xml + image/svg+xml - + rdf:resource="http://purl.org/dc/dcmitype/StillImage" + id="type9" /> + inkscape:label="Layer 1"> + - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - + inkscape:tile-cy="536.40016" + inkscape:tile-cx="336.93399" + inkscape:tile-h="30.283344" + inkscape:tile-w="80.925240" + id="g1290"> + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + diff --git a/share/examples/text-on-path.svg b/share/examples/text-on-path.svg index eed685302..c4742a24d 100644 --- a/share/examples/text-on-path.svg +++ b/share/examples/text-on-path.svg @@ -11,31 +11,31 @@ xmlns:sodipodi="http://sodipodi.sourceforge.net/DTD/sodipodi-0.dtd" xmlns:inkscape="http://www.inkscape.org/namespaces/inkscape" sodipodi:docname="text-on-path.svg" - inkscape:version="0.92.0 r15304" + inkscape:version="0.92" sodipodi:version="0.32" id="svg1" - height="216.33148mm" - width="208.59648mm" + height="297mm" + width="605.28000pt" version="1.1"> + inkscape:window-maximized="1" /> @@ -56,381 +52,330 @@ image/svg+xml - Several texts can be attached to the same path. An attached text can be freely moved and transformed without losing the link to its path. + d="M 333.04044,403.34989 C 368.87582,355.01473 431.18916,506.64755 569.82894,432.28197" + style="fill:none;fill-opacity:0.75000000;fill-rule:evenodd;stroke:#000000;stroke-width:1.2500005;stroke-linecap:butt;stroke-linejoin:miter;stroke-miterlimit:4.0000000;stroke-dasharray:2.5000010 1.2500005 ;stroke-dashoffset:0.0000000;stroke-opacity:1.0000000;" /> Text on path is fully editable, including kerning and letterspacing. + xlink:href="#path6098">Text on path is fully editable, including kerning and letterspacing. Horizontal kerning is often necessary to fix intervals in sharp bends: + xlink:href="#path6098"> Horizontal kerning is often necessary to fix intervals in sharp bends: Without kerning: too dense + xlink:href="#path8260"> too dense too sparse inkscape 0.40 + d="M 172.24629,567.04534 C 170.48282,568.99386 169.19421,571.36310 168.54883,573.91249 C 166.63401,581.47640 170.94179,589.90332 178.78126,591.69620 C 184.93079,593.10259 191.77674,589.51703 193.01227,583.07965 C 193.92037,578.34822 191.04825,573.05820 186.01160,572.40134 C 182.70732,571.97040 178.90962,574.15330 178.88598,577.78612" + style="color:#000000;fill:none;fill-opacity:1.0000000;fill-rule:evenodd;stroke:#000000;stroke-width:0.12645017;stroke-linecap:butt;stroke-linejoin:miter;stroke-miterlimit:4.0000000;stroke-dashoffset:0.0000000;stroke-opacity:1.0000000;marker:none;marker-start:none;marker-mid:none;marker-end:none;" /> inkscape 0.40 Text can be attached not only to a path but also to a shape (rectangle, ellipse, star, or spiral) without converting it to path. + xlink:href="#path1003">Text can be attached not only to a path but also to a shape (rectangle, ellipse, star, or spiral) without converting it to path. + d="M 97.779353,296.04205 C 78.724863,337.51182 121.67179,396.46467 168.31702,375.24296 C 203.99067,359.01287 247.38873,373.98831 270.05724,405.07379 C 290.93451,433.70293 334.33802,450.83431 357.35087,415.64853" + style="fill:none;fill-opacity:0.75000000;fill-rule:evenodd;stroke:none;stroke-width:1.0000000pt;stroke-linecap:butt;stroke-linejoin:miter;stroke-opacity:1.0000000;" /> (The path or shape is editable, too.) + xlink:href="#path6098"> (The path or shape is editable, too.) + d="M 140.53232,522.07148 C 145.62196,484.62150 161.39984,447.15425 170.05222,447.15425 C 178.70460,447.15425 178.19564,488.07182 196.51834,488.76534 C 214.84103,489.45885 214.84104,471.77414 260.13881,472.12091" + style="fill:none;fill-opacity:0.75000000;fill-rule:evenodd;stroke:#000000;stroke-width:0.24999990pt;stroke-linecap:butt;stroke-linejoin:miter;stroke-opacity:1.0000000;" /> With kerning: mollusca monoplacophora + d="M 152.63229,422.79345 C 159.48193,436.18607 177.22425,437.37729 185.43613,425.33828" + style="fill:none;fill-opacity:0.75000000;fill-rule:evenodd;stroke:none;stroke-width:0.99999981pt;stroke-linecap:butt;stroke-linejoin:miter;stroke-opacity:1.0000000;" /> + d="M 179.39748,509.72754 C 186.24712,496.33492 203.98944,495.14370 212.20132,507.18271" + style="fill:none;fill-opacity:0.75000000;fill-rule:evenodd;stroke:none;stroke-width:0.99999981pt;stroke-linecap:butt;stroke-linejoin:miter;stroke-opacity:1.0000000;" /> + d="M 140.53232,614.19745 C 145.62196,576.74747 161.39984,539.28022 170.05222,539.28022 C 178.70460,539.28022 178.19564,580.19779 196.51834,580.89131 C 214.84103,581.58482 214.84104,563.90011 260.13881,564.24688" + style="fill:none;fill-opacity:0.75000000;fill-rule:evenodd;stroke:#000000;stroke-width:0.24999990pt;stroke-linecap:butt;stroke-linejoin:miter;stroke-opacity:1.0000000;" /> mollusca monoplacophora Vertical kerning works, too. + d="M 324.22793,521.94662 C 414.58908,437.38499 478.30914,507.40301 515.07981,543.21492" + style="fill:none;fill-opacity:0.75000000;fill-rule:evenodd;stroke:#000000;stroke-width:0.81250221;stroke-linecap:butt;stroke-linejoin:miter;stroke-miterlimit:4.0000000;stroke-dasharray:0.81250232 2.4375070 ;stroke-dashoffset:0.0000000;stroke-opacity:1.0000000" /> + d="m 209.83484,598.81897 c 13.74455,20.89861 42.65523,30.30514 66.19763,18.16623 30.47309,-15.71251 40.291,-64.50559 67.64279,-87.72461 24.86622,-21.10901 57.79874,14.94706 74.61592,36.97384 11.67579,15.29269 25.93651,29.58581 45.57239,35.20965 25.08432,7.18432 58.16604,17.13695 77.8186,-4.46852 19.282,-21.19809 6.21971,-52.17695 10.6814,-77.96864 4.12456,-23.84285 25.1386,-42.88179 49.92018,-43.55849 21.62445,-0.59049 32.01792,-0.87237 55.1396,-6.00649 20.43885,-4.5384 67.3314,-37.39093 66.3682,-62.33103 -2.70163,-69.95286 -80.71331,-65.90486 -117.83194,-30.69956 -23.33867,22.13566 -15.05769,97.20285 62.47007,60.87241 22.14705,-10.37837 38.12318,-38.18473 18.90648,-57.80712 -25.26372,-25.79706 -118.06665,29.22733 -32.71646,44.10657" + style="fill:none;fill-opacity:0.75000000;fill-rule:evenodd;stroke:none;stroke-width:1.0000000pt;stroke-linecap:butt;stroke-linejoin:miter;stroke-opacity:1.0000000" /> Меня так просто не раздавишь, царицу санками не сдвинешь, и в доказательство мы ляжем с царицей прямо под трамвай. If your text is attached to an invisible path, select the text and press Shift+D to select the path. + xlink:href="#path10803">If your text is attached to an invisible path, select the text and press Shift+D to select the path. + d="M 326.52034,564.52062 C 363.87717,641.48970 547.84419,580.10822 739.90596,579.25664" + style="fill:none;fill-opacity:0.75000000;fill-rule:evenodd;stroke:none;stroke-width:1.0000000pt;stroke-linecap:butt;stroke-linejoin:miter;stroke-opacity:1.0000000;" /> Text put on an offset linked to a star. Editing the star updates both the offset and the text-on-path. If a path has several subpaths, text attached to it flows from one subpath to the next. + xlink:href="#path1255">If a path has several subpaths, text attached to it flows from one subpath to the next. + d="M 574.45650,189.86218 C 588.83319,248.99223 662.74876,236.14998 705.97823,225.18826 M 618.47823,282.79698 C 703.51603,318.10304 664.53955,258.10710 708.15218,253.99262 M 587.50000,253.44914 C 586.08597,382.25349 725.22040,319.74596 722.82608,264.31870" + style="fill:none;fill-opacity:0.75000000;fill-rule:evenodd;stroke:#000000;stroke-width:2.1250000;stroke-linecap:butt;stroke-linejoin:miter;stroke-opacity:1.0000000;opacity:0.23826715;stroke-miterlimit:4.0000000;stroke-dasharray:6.3750000,2.1250000;stroke-dashoffset:0.0000000;" /> glyph rotation (Alt+[, Alt+]) works in text-on-path too + xlink:href="#path10162"> glyph rotation (Alt+[, Alt+]) works in text-on-path too -- cgit v1.2.3 From e60c9f7fda5e5570881be7e8945ff5b4ec3a1e8a Mon Sep 17 00:00:00 2001 From: Alex Valavanis Date: Thu, 12 Jan 2017 10:18:56 +0000 Subject: Change search priority for newer Googletest releases (bzr r15412) --- CMakeLists.txt | 7 ++++--- 1 file changed, 4 insertions(+), 3 deletions(-) diff --git a/CMakeLists.txt b/CMakeLists.txt index e9f1986b4..92e650b26 100644 --- a/CMakeLists.txt +++ b/CMakeLists.txt @@ -79,11 +79,12 @@ include(CMakeScripts/ConfigPaths.cmake) # Installation Paths if(NOT GMOCK_DIR) find_path(GMOCK_DIR NAMES src/gmock.cc - PATHS "$ENV{GMOCK_DIR}" "/usr/src/gmock" "/usr/src/googletest/googlemock" "${CMAKE_SOURCE_DIR}/gtest/gmock-1.7.0" + PATHS "$ENV{GMOCK_DIR}" + "/usr/src/googletest/googlemock" + "/usr/src/gmock" + "${CMAKE_SOURCE_DIR}/gtest/gmock-1.7.0" ) endif(NOT GMOCK_DIR) -#set(GMOCK_DIR "${CMAKE_SOURCE_DIR}/gtest/gmock-1.7.0" -# CACHE PATH "The path to the GoogleMock test framework.") if(EXISTS "${GMOCK_DIR}" AND IS_DIRECTORY "${GMOCK_DIR}") set(GMOCK_PRESENT ON) -- cgit v1.2.3 From 0e4fb2baf3e4a0a17247df6d46f04c0b504ae4bd Mon Sep 17 00:00:00 2001 From: seahawk1986-hotmail <> Date: Thu, 12 Jan 2017 11:49:13 +0100 Subject: [Bug #1650480] pyserial errorhandling in plotter.py tries to iterate over wrong Exception attribute. Fixed bugs: - https://launchpad.net/bugs/1650480 (bzr r15413) --- share/extensions/plotter.py | 2 +- 1 file changed, 1 insertion(+), 1 deletion(-) diff --git a/share/extensions/plotter.py b/share/extensions/plotter.py index 8a14d55bc..800142bb2 100755 --- a/share/extensions/plotter.py +++ b/share/extensions/plotter.py @@ -196,7 +196,7 @@ class Plot(inkex.Effect): try: mySerial.open() except Exception as inst: - if 'ould not open port' in inst.args[0]: + if 'ould not open port' in inst.strerror: inkex.errormsg(_("Could not open port. Please check that your plotter is running, connected and the settings are correct.")) return else: -- cgit v1.2.3 From 00bf8be09a333bb7434eeba9e885e6089b6eb5fd Mon Sep 17 00:00:00 2001 From: Eduard Braun Date: Thu, 12 Jan 2017 22:45:33 +0100 Subject: Use GStatBuf where appropriate to ensure usage of the correct type (fixes compilation with i686-w64-mingw32) (bzr r15414) --- src/color-profile.cpp | 2 +- src/display/cairo-utils.cpp | 2 +- src/inkscape.cpp | 2 +- src/io/sys.cpp | 2 +- src/sp-image.cpp | 2 +- src/ui/dialog/filedialogimpl-gtkmm.cpp | 2 +- 6 files changed, 6 insertions(+), 6 deletions(-) diff --git a/src/color-profile.cpp b/src/color-profile.cpp index 7a4dcc1cd..cbd3475b4 100644 --- a/src/color-profile.cpp +++ b/src/color-profile.cpp @@ -781,7 +781,7 @@ std::vector > ColorProfile::getBaseProfileDirs() static bool isIccFile( gchar const *filepath ) { bool isIccFile = false; - struct stat st; + GStatBuf st; if ( g_stat(filepath, &st) == 0 && (st.st_size > 128) ) { //0-3 == size //36-39 == 'acsp' 0x61637370 diff --git a/src/display/cairo-utils.cpp b/src/display/cairo-utils.cpp index 01b0d807c..8045007e7 100644 --- a/src/display/cairo-utils.cpp +++ b/src/display/cairo-utils.cpp @@ -290,7 +290,7 @@ Pixbuf *Pixbuf::create_from_file(std::string const &fn) if (!g_file_test(fn.c_str(), G_FILE_TEST_EXISTS)) { return NULL; } - struct stat stdir; + GStatBuf stdir; int val = g_stat(fn.c_str(), &stdir); if (val == 0 && stdir.st_mode & S_IFDIR){ return NULL; diff --git a/src/inkscape.cpp b/src/inkscape.cpp index 2ba85026f..bf694ada7 100644 --- a/src/inkscape.cpp +++ b/src/inkscape.cpp @@ -274,7 +274,7 @@ int Application::autosave() if (doc->isModifiedSinceSave()) { gchar *oldest_autosave = 0; const gchar *filename = 0; - struct stat sb; + GStatBuf sb; time_t min_time = 0; gint count = 0; diff --git a/src/io/sys.cpp b/src/io/sys.cpp index 94175176a..61a6a96f4 100644 --- a/src/io/sys.cpp +++ b/src/io/sys.cpp @@ -226,7 +226,7 @@ bool Inkscape::IO::file_is_writable( char const *utf8name) filename = g_filename_from_utf8 ( utf8name, -1, NULL, NULL, NULL ); } if ( filename ) { - struct stat st; + GStatBuf st; if (g_file_test (filename, G_FILE_TEST_EXISTS)){ if (g_lstat (filename, &st) == 0) { success = ((st.st_mode & S_IWRITE) != 0); diff --git a/src/sp-image.cpp b/src/sp-image.cpp index aa1dbfe20..1961971cb 100644 --- a/src/sp-image.cpp +++ b/src/sp-image.cpp @@ -793,7 +793,7 @@ void sp_image_refresh_if_outdated( SPImage* image ) if ( image->href && image->pixbuf && image->pixbuf->modificationTime()) { // It *might* change - struct stat st; + GStatBuf st; memset(&st, 0, sizeof(st)); int val = 0; if (g_file_test (image->pixbuf->originalPath().c_str(), G_FILE_TEST_EXISTS)){ diff --git a/src/ui/dialog/filedialogimpl-gtkmm.cpp b/src/ui/dialog/filedialogimpl-gtkmm.cpp index f5450ac9a..92e9ce834 100644 --- a/src/ui/dialog/filedialogimpl-gtkmm.cpp +++ b/src/ui/dialog/filedialogimpl-gtkmm.cpp @@ -554,7 +554,7 @@ bool SVGPreview::set(Glib::ustring &fileName, int dialogType) Glib::ustring fileNameUtf8 = Glib::filename_to_utf8(fileName); gchar *fName = const_cast( fileNameUtf8.c_str()); // const-cast probably not necessary? (not necessary on Windows version of stat()) - struct stat info; + GStatBuf info; if (g_stat(fName, &info)) // stat returns 0 upon success { g_warning("SVGPreview::set() : %s : %s", fName, strerror(errno)); -- cgit v1.2.3 From d05d2ba65e40b1d4ed08e593d6e7384a150155e1 Mon Sep 17 00:00:00 2001 From: Eduard Braun Date: Thu, 12 Jan 2017 22:47:13 +0100 Subject: CMake: Detect architecture "i686-w64-mingw32" (used by MSYS2 x86) (bzr r15415) --- mingwenv.cmake | 3 +++ 1 file changed, 3 insertions(+) diff --git a/mingwenv.cmake b/mingwenv.cmake index df6131a16..99b50a6bf 100644 --- a/mingwenv.cmake +++ b/mingwenv.cmake @@ -101,6 +101,9 @@ set(HAVE_MINGW ON) if(EXISTS "${MINGW_PATH}/mingw32") set(HAVE_MINGW64 OFF) set(MINGW_ARCH mingw32) +elseif(EXISTS "${MINGW_PATH}/i686-w64-mingw32") + set(HAVE_MINGW64 OFF) + set(MINGW_ARCH i686-w64-mingw32) elseif(EXISTS "${MINGW_PATH}/x86_64-w64-mingw32") set(HAVE_MINGW64 ON) set(MINGW_ARCH x86_64-w64-mingw32) -- cgit v1.2.3 From 133a72577e6c4a479fc06d2086c33e1f09d40205 Mon Sep 17 00:00:00 2001 From: Nicolas Dufour Date: Fri, 13 Jan 2017 22:24:58 +0100 Subject: [Bug #1654892] Few typos in Calligraphy tutorial. Fixed bugs: - https://launchpad.net/bugs/1654892 (bzr r15416) --- share/tutorials/tutorial-calligraphy.be.svg | 624 +++++++++++----------- share/tutorials/tutorial-calligraphy.de.svg | 522 +++++++++---------- share/tutorials/tutorial-calligraphy.el.svg | 392 +++++++------- share/tutorials/tutorial-calligraphy.es.svg | 426 +++++++-------- share/tutorials/tutorial-calligraphy.eu.svg | 358 +++++++------ share/tutorials/tutorial-calligraphy.fa.svg | 308 +++++------ share/tutorials/tutorial-calligraphy.fr.svg | 484 +++++++++--------- share/tutorials/tutorial-calligraphy.hu.svg | 624 +++++++++++----------- share/tutorials/tutorial-calligraphy.id.svg | 624 +++++++++++----------- share/tutorials/tutorial-calligraphy.ja.svg | 662 ++++++++++++------------ share/tutorials/tutorial-calligraphy.nl.svg | 598 +++++++++++----------- share/tutorials/tutorial-calligraphy.pl.svg | 682 ++++++++++++------------- share/tutorials/tutorial-calligraphy.pt.svg | 550 ++++++++++---------- share/tutorials/tutorial-calligraphy.pt_BR.svg | 682 ++++++++++++------------- share/tutorials/tutorial-calligraphy.ru.svg | 624 +++++++++++----------- share/tutorials/tutorial-calligraphy.sk.svg | 530 +++++++++---------- share/tutorials/tutorial-calligraphy.sl.svg | 624 +++++++++++----------- share/tutorials/tutorial-calligraphy.svg | 308 +++++------ share/tutorials/tutorial-calligraphy.vi.svg | 624 +++++++++++----------- share/tutorials/tutorial-calligraphy.zh_TW.svg | 654 ++++++++++++------------ 20 files changed, 5406 insertions(+), 5494 deletions(-) diff --git a/share/tutorials/tutorial-calligraphy.be.svg b/share/tutorials/tutorial-calligraphy.be.svg index 9eebdb9fd..d56346cd3 100644 --- a/share/tutorials/tutorial-calligraphy.be.svg +++ b/share/tutorials/tutorial-calligraphy.be.svg @@ -142,53 +142,45 @@ - If you have a tablet and would like to utilize the sensitivity features, you will need -to configure your device. This configuration will only need to be performed once and -the settings are saved. To enable this support you must have the tablet plugged in -prior to starting inkscape and then proceed to open the Input Devices... -dialog through the Edit menu. With this dialog open you can choose the -preferred device and settings for your tablet pen. Lastly, after choosing those settings, switch -to the Calligraphy tool and toggle the toolbar buttons for pressure and tilt. From -now on, Inkscape will remember those settings on startup. - + Калі маеце пляншэт і хочаце карыстацца магчымасьцямі адчувальнасьці, то мусіце наставіць сваю прыладу. Гэтыя настаўленьні патрэбна зрабіць толькі аднойчы, і яны будуць захаваныя. Каб задзейнічаць падтрымку вы мусіце падлучыць пляншэт да запуску Inkscape, а потым адкрыць дыялёґ Прылады ўводжаньня… ў мэню Файл. З дапамогай гэтага дыялёґу можна выбраць пажаданую прыладу й настаўленьні пяра вашага пляншэту. Нарэшце, выбраўшы гэтыя настаўленьні, пераключыцеся на інструмэнт каліґрафіі й націсьніце на кіроўнай панэлі ґузікі націску й нахілу. З гэтага моманту Inkscape будзе памятаць гэтыя настаўленьні. - + Каліґрафічнае пяро Inkscape можа быць адчувальным да хуткасьці штрыхоў (гл. «Патанчэньне» ніжэй), таму, калі карыстаецеся мышай, лепей абнуліце гэты парамэтар. - - Выборы інструмэнту «Каліґрафія» + + Выборы інструмэнту «Каліґрафія» - + Пераключыценя на інструмэнт каліґрафіі, націснуўшы Ctrl+F6, клявішу C ці пстрыкнуўшы па ейным ґузіку на панэлі інструмэнтаў. На верхняй панэлі можаце заўважыць 8 выбораў: таўшчыня й патанчэньне, абмежаваньне, шапкі, дрыжэньне, гайданьне й маса. Таксама ёсьць два ґузікі, які ўключаюць ці выключаюць адчувальнасьць да націску й нахілу (пры працы з пляншэтамі). - - Таўшчыня й патанчэньне + + Таўшчыня й патанчэньне - + Гэтая пара выбораў кіруе таўшчынёй пяра. Яна можа зьмяняцца ад 1 да 100 і (прадвызначана) вымяраецца адзінкамі, прапарцыйнымі памеру вакна рысаваньня, але незалежнымі ад маштабу. Гэта мае сэнс, бо натуральная «адзінка вымярэньня» ў каліґрафіі — дыяпазон рухаў вашае рукі, а таму зручна мець таўшчыню пяра нязьменнай часткай памеру вашае «дошкі для рысаваньня», а ня ў нейкіх сапраўдных адзінках, якія зробяць яе залежнай ад маштабу. Аднак такія паводзіны неабавязковыя, і могуць быць зьмененыя тымі, хто аддае перавагу абсалютным адзінкам, не зьвяртаючы ўвагу на маштаб. Каб пераключыцца на такі рэжым, выкарыстоўвайце адпаведную «птушачку» на старонцы настаўленьняў інструмэнта (яе можна адкрыць падвойнай пстрычкай па ґузіку інструмэнту). - + Паколькі таўшчыня пяра часта зьмяняецца, яе можна папраўляць не пераходзяцы да кіроўнай панэлі, выкарыстоўваючы клявішы стрэлак управа й улева, ці з дапамогай пляншэта, які падтрымлівае функцыі адчувальнасьці да націску. Найлепшая рэч з гэтым клявішамі, што яны працуюць калі вы рысуеце, таму таўшчыню пяра можна зьмяняць у сярэдзіне штрыха: - таўшчыня=1, расьце… дасягае 47, зьмяншаецца… ізноў да 0 - - + таўшчыня=1, расьце… дасягае 47, зьмяншаецца… ізноў да 0 + + @@ -201,48 +193,48 @@ thinning of fast strokes. Here are a few examples, all drawn with width=20 and angle=90: - патанчэньне = 0 (нязьменная шырыня) - патанчэньне = 10 - патанчэньне = 40 - патанчэньне = -20 - патанчэньне = -60 - - - - - - - - - - - - - - - - - - - - - + патанчэньне = 0 (нязьменная шырыня) + патанчэньне = 10 + патанчэньне = 40 + патанчэньне = -20 + патанчэньне = -60 + + + + + + + + + + + + + + + + + + + + + Для пацехі задайце таўшчыню й патанчэньне роўнымі 100 (максымум) і рысуйце рэзкімі рыўкамі, каб атрымаць надзіва натуральныя, нэўронападобныя фіґуры: - - - - - - - - Вугал і абмежаваньне + + + + + + + + Вугал і абмежаваньне - + @@ -257,15 +249,15 @@ angle=90: - - - - вугал = 90 ґрад - вугал = 30 (прадвызначаны) - вугал = 0 - вугал = -90 ґрад - - + + + + вугал = 90 ґрад + вугал = 30 (прадвызначаны) + вугал = 0 + вугал = -90 ґрад + + @@ -274,34 +266,34 @@ angle=90: - - + + Кожны традыцыйны стыль каліґрафіі мае свай уласны пераважны вугал пяра. Напрыклад, унцыял выкарыстоўвае вугал 25 ґрадусаў. Больш складаныя шрыфты й больш вопытныя каліґрафы часта зьмяняюць вугал падчас рысаваньня, і Inkscape робіць гэта магчымым, ці праз націсканьне клявіш стрэлак уверх і ўніз, ці з пляншэтам, які патдрымлівае магчымасьць адчувальнасьці да нахілу. Для пачатковых урокаў каліґрафіі, аднак, найлепей трымаць вугал нязьменным. Вось прыклады штрыхоў, нарысаваных з рознымі вугламі (абмежаваньне=100): - вугал = 30 - вугал = 60 - вугал = 90 - вугал = 0 - вугал = 15 - вугал = -45 - - - - - - - + вугал = 30 + вугал = 60 + вугал = 90 + вугал = 0 + вугал = 15 + вугал = -45 + + + + + + + Як можаце заўважыць, штрых найтанчэйшы, калі рысуецца паралельна свайму вуглу, і найтаўсьцейшы, калі рысуецца прастастаўна. Дадатныя вуглы найбольш натуральныя й традыцыйныя для праварукай каліґрафіі. - + @@ -313,19 +305,19 @@ angle=90: - вугал = 30абмежаваньне = 100 - вугал = 30абмежаваньне = 80 - вугал = 30абмежаваньне = 0 - - - - - - - - - - + вугал = 30абмежаваньне = 100 + вугал = 30абмежаваньне = 80 + вугал = 30абмежаваньне = 0 + + + + + + + + + + @@ -334,7 +326,7 @@ angle=90: - + @@ -343,7 +335,7 @@ angle=90: - + @@ -352,7 +344,7 @@ angle=90: - + @@ -361,7 +353,7 @@ angle=90: - + @@ -370,7 +362,7 @@ angle=90: - + @@ -379,7 +371,7 @@ angle=90: - + @@ -388,7 +380,7 @@ angle=90: - + @@ -397,7 +389,7 @@ angle=90: - + @@ -406,7 +398,7 @@ angle=90: - + @@ -415,7 +407,7 @@ angle=90: - + @@ -424,7 +416,7 @@ angle=90: - + @@ -433,7 +425,7 @@ angle=90: - + @@ -442,7 +434,7 @@ angle=90: - + @@ -451,7 +443,7 @@ angle=90: - + @@ -460,7 +452,7 @@ angle=90: - + @@ -469,7 +461,7 @@ angle=90: - + @@ -478,17 +470,17 @@ angle=90: - + Кажучы па-друкарску, найбольшае абмежаваньне, а таму й найбольшы кантраст таўшчыні штрыха (уверсе зьлева) уласьцівы антычнай ґарнітуры з засечкамі, такой як Таймз ці Бадоні (бо гэтыя ґарнітуры гістарычна былі ўдаваньнем каліґрафіі з нязьменным пяром). Нулявое абмежаваньне й нулявы кантраст таўшчыні (уверсе справа), зь іншага боку, наводзяць на думку пра сучасныя ґарнітуры без засечак, такія як Гельвэтыка. - - Дрыжэньне + + Дрыжэньне - + @@ -499,7 +491,7 @@ affect your strokes producing anything from slight unevenness to wild blotches a splotches. This significantly expands the creative range of the tool. - + паволі сярэдне хутка @@ -513,289 +505,289 @@ splotches. This significantly expands the creative range of the tool. - дрыжэньне = 0 - дрыжэньне = 10 - дрыжэньне = 30 - дрыжэньне = 50 - дрыжэньне = 70 - дрыжэньне = 90 - дрыжэньне = 20 - дрыжэньне = 40 - дрыжэньне = 60 - дрыжэньне = 80 - дрыжэньне = 100 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Гайданьне й маса + дрыжэньне = 0 + дрыжэньне = 10 + дрыжэньне = 30 + дрыжэньне = 50 + дрыжэньне = 70 + дрыжэньне = 90 + дрыжэньне = 20 + дрыжэньне = 40 + дрыжэньне = 60 + дрыжэньне = 80 + дрыжэньне = 100 + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Гайданьне й маса - + У адрозьненьне ад таўшчыні й вугла, апошнія два парамэтры вызначаюць як інструмэнт «адчувае», а не ўплывае на візуальны вынік. Таму ў гэтым разьдзеле ня будзе аніякіх рысункаў, проста паспрабуйце іх уласнаручна, каб лепей зразумець. - + Гайданьне — гэта супраціўленьне паперы руху пяра. Прадвызначана найменшае (0), пры павелічэньні гэтага парамэтру папера робіцца «сьлізкай»: калі маса вялікая, пяро спрабуе ўцячы на рэзкіх паваротах, калі маса нулявая, высокае гайданьне прымушае пяро дзіка гайдацца. - + У фізыцы маса — гэта тое, што абумоўлівае інэрцыю, чым большую масу мае інструмэнт каліґрафіі Inkscape, тым больш ён адстае ад курсора мышы й больш згладжвае рэзкія павароты й хуткія штуршкі вашых штрыхоў. Прадвызначана гэтае значэньне даволі малое (2), таму інструмэнт хуткі й чуйны, але можна павялічыць масу каб атрымаць больш павольнае й гладкае пяро. - - Прыклады каліґрафіі + + Прыклады каліґрафіі - + Цяпер, ведаючы асноўныя магчымасьці інструмэнту, вы можаце паспрабаваць стварыць нейкую сапраўдную каліґрафію. Калі вы навічок у гэтым мастацтве, набыйце сабе добрую кніжку з каліґрафіі й вывучайце яе з дапамогай Inkscape. У гэтым разьдзеле вам будуць паказаныя некалькі простых прыкладаў. - + Найперш, каб рабіць літары, вам патрэбна стварыць пару лінеек, якія будуць накіроўваць вас. Калі вы зьбіраецеся пісаць нахіленым шрыфтам ці курсівам, таксама дадайце некалькі нахіленых накіроўных празь дзьве лінейкі, напрыклад: - - - - - - - - - + + + + + + + + + Пасьля наблізьце ці аддальце рысунак гэтак, каб вышыня між лінейкамі адпавядала вашаму самаму натуральнаму дыяпазону руху рукі, адрэґулюйце таўшчыню й вугал, і паехалі! - + Напэўна, першыя рэчы, якія вы мусіце зрабіць як пачатковец у каліґрафіі, — папрактыкавацца з асноўнымі элемэнтамі літар: вэртыкальнымі й гарызантальнымі, нахіленымі й скругленымі. Вось некалькі элемэнтаў літар Унцыялу: - - - - - - - - - - - - - - - - - - + + + + + + + + + + + + + + + + + + Колькі карысных парад: - - + + Калі вашая рука камфортна ляжыць на пляншэце, не перасоўвайце яе. Замест гэтага перасоўвайце палатно (клявішы Ctrl+стрэлкі) левай рукой, скончыўшы кожную літару. - - + + Калі апошні штрых кепскі, то проста адмяніце яго (Ctrl+Z). Аднак, калі ягоная форма добрая, але становішча ці памер небездакорныя, то лепей часова пераключыцца на «Вылучальнік» (Прабел) і пасунуць/зьмяніць памер/паварот як трэба, пасьля ізноў націсьніце Прабел і вярніцеся да інструмэнту каліґрафіі. - - + + Зрабіўшы слова, ізноў пераключыцеся на «Вылучальнік», каб паправіць аднастайнасьць асноўных штрыхоў і міжлітарныя інтэрвалы. Аднак не перастарайцеся, добрая каліґрафія мусіць захоўваць няправільны выгляд, нібы зроблены ўручную. Не паддавайцеся спакусе капіяваць літары ці іхныя элемэнты, кожны штрых мусіць быць арыґінальным. - + І вось некалькі прыкладаў напісаньня: - - - - - - - - - Унцыял - Каралінскі шрыфт - Ґатычны шрыфт - Бастарда - - - Пышны курсіў - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Высновы + + + + + + + + + Унцыял + Каралінскі шрыфт + Ґатычны шрыфт + Бастарда + + + Пышны курсіў + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Высновы - + Каліґрафія — гэта ня толькі забава, гэта глыбока духоўнае мастацтва, якое можа зьмяніць ваш погляд на ўсё, што вы робіце й бачыце. Інструмэнт каліґрафіі Inkscape можа служыць толькі сьціплымі ўводзінамі. Але, усё-ткі ён вельмі добры для забаў і можа прыдасца ў сапраўдным дызайне. Атрымоўвайце асалоду! - + diff --git a/share/tutorials/tutorial-calligraphy.de.svg b/share/tutorials/tutorial-calligraphy.de.svg index 4fd6590c3..795867348 100644 --- a/share/tutorials/tutorial-calligraphy.de.svg +++ b/share/tutorials/tutorial-calligraphy.de.svg @@ -161,8 +161,8 @@ Wechseln Sie durch Drücken von Strg+F6, indem Sie die Taste c drücken oder durch Klicken auf das entsprechende Icon in der Werkzeugleiste zum Kalligrafiewerkzeug. In der Werkzeugeinstellungsleiste sehen Sie jetzt 8 Einstellungsmöglichkeiten: Breite & Ausdünnung; Winkel & Fixierung; Linienenden; Zittern; und Wackeln & Masse. Es gibt auch zwei Knöpfe, die Drucksensitivität und Neigungssensitivität an- und ausschalten (für Grafiktabletts). - - Breite & Ausdünnung + + Breite & Ausdünnung @@ -212,21 +212,21 @@ - + Setzen Sie einmal zum Spaß die Breite und die Ausdünnung auf 1 (Maximum) und malen dann mit ruckartigen Bewegungen solche sonderbar natürlich wirkenden, nervenzellähnlichen Formen: - - - - - - - - Winkel & Fixierung + + + + + + + + Winkel & Fixierung @@ -261,33 +261,33 @@ - + Jeder traditionelle Kalligrafiestil hat seinen eigenen vorherrschenden Schriftwinkel. Zum Beispiel verwendet die Unzial-Handschrift einen Winkel von 25 Grad. Bei komplexeren Schriftstilen und bei erfahrenen Kalligrafen ändern sich oftmals der Schriftwinkel während des Schreibens. Bei Inkscape ist dies durch Drücken der Pfeiltasten hoch und runter sowie mit einem Grafiktablett, welches diese Funktionen unterstützt, möglich. Für den Anfang Ihrer kalligrafischen Übungen ist es jedoch sinnvoll, den Winkel zunächst konstant zu halten. Hier sind Beispiele von Strichen, die mit unterschiedlichen Winkeleinstellungen gezeichnet wurden (bei Fixierung = 100): - Winkel = 30° - Winkel = 60° - Winkel = 90° - Winkel = 0° - Winkel = 15° - Winkel = -45° - - - - - - - + Winkel = 30° + Winkel = 60° + Winkel = 90° + Winkel = 0° + Winkel = 15° + Winkel = -45° + + + + + + + Wie man sieht, ist der Strich am schmalsten, wenn er parallel zum eingestellten Winkel verläuft und am breitesten, wenn er senkrecht dazu verläuft. Positive Winkel wirken bei der Rechtshänder-Kalligrafie am natürlichsten und sind dabei die am häufigsten verwendeten Winkel. - + @@ -299,19 +299,19 @@ - Winkel = 30°Fixierung = 100 - Winkel = 30°Fixierung = 80 - Winkel = 30°Fixierung = 0 - - - - - - - - - - + Winkel = 30°Fixierung = 100 + Winkel = 30°Fixierung = 80 + Winkel = 30°Fixierung = 0 + + + + + + + + + + @@ -320,7 +320,7 @@ - + @@ -329,7 +329,7 @@ - + @@ -338,7 +338,7 @@ - + @@ -347,7 +347,7 @@ - + @@ -356,7 +356,7 @@ - + @@ -365,7 +365,7 @@ - + @@ -374,7 +374,7 @@ - + @@ -383,7 +383,7 @@ - + @@ -392,7 +392,7 @@ - + @@ -401,7 +401,7 @@ - + @@ -410,7 +410,7 @@ - + @@ -419,7 +419,7 @@ - + @@ -428,7 +428,7 @@ - + @@ -437,7 +437,7 @@ - + @@ -446,7 +446,7 @@ - + @@ -455,7 +455,7 @@ - + @@ -464,24 +464,24 @@ - + Typographisch gesprochen ist die maximale Fixierung und daher der maximale Strichbreitenkontrast (oben links) ein Kennzeichen der antiken Serifenschriftarten, so wie bei der Times oder der Bondi (da diese Schriftarten aus einer Imitation der Kalligrafie mit fixiertem Stift hervorgegangen sind). Null Fixierung in Verbindung mit null Breitenkonstrast (oben rechts) repräsentiert auf der anderen Seite moderne serifenlose Schriftarten wie die Helvetica. - - Tremor + + Tremor - + Tremor bzw. Zittern dient dazu, Ihren Strichen ein natürlicheres Aussehen zu verleihen. Der Tremor kann in der Einstellungsleiste von 0 bis 100 geändert werden. Er kann Ihre Striche ganz leicht uneben machen oder sie in wilde Kleckse verwandeln. Dies erweitert die kreativen Möglichkeiten des Werkzeuges beträchtlich. - + langsam mittel schnell @@ -495,74 +495,74 @@ - Zittern = 0 - Zittern = 10 - Zittern = 30 - Zittern = 50 - Zittern = 70 - Zittern = 90 - Zittern = 20 - Zittern = 40 - Zittern = 60 - Zittern = 80 - Zittern = 100 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Wackeln & Masse + Zittern = 0 + Zittern = 10 + Zittern = 30 + Zittern = 50 + Zittern = 70 + Zittern = 90 + Zittern = 20 + Zittern = 40 + Zittern = 60 + Zittern = 80 + Zittern = 100 + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Wackeln & Masse - + Anders als bei Breite und Winkel definieren diese Einstellungen eher, wie sich das Werkzeug »anfühlt«, als dass sie einen visuellen Effekt bewirken. Deshalb wird es in diesem Abschnitt keine Illustrationen geben, stattdessen versuchen Sie es am besten einmal selbst, um einen besseren Eindruck zu bekommen. - + Wackeln entspricht der Widerstandskraft des Papiers gegen die Bewegung des Stiftes dar. Die Vorgabe ist das Minimum (0) und bei Erhöhung dieses Wertes wird das Papier »rutschiger«: wenn die Masse groß ist, dann neigt der Stift dazu, bei scharfen Kurven auszubrechen; ist die Masse Null, dann bewirkt ein hoher Wert ein starkes Zittern des Stiftes. - + In der Physik verursacht Masse Trägheit; je höher die Masse des Kalligrafiewerkzeugs eingestellt wird, desto mehr verzögert sich der Mauszeiger und es glätten sich scharfe Wendungen und schnelle Zerrungen im Strich. Die Vorgabe des Wertes ist relativ klein (2), sodass das Werkzeug schnell anspricht, aber Sie können die Masse erhöhen, um einen langsamer reagierenden und weicheren Stift zu bekommen. - - Kalligrafiebeispiele + + Kalligrafiebeispiele @@ -571,213 +571,213 @@ Nun da Sie die grundlegenden Fähigkeiten dieses Werkzeugs kennen gelernt haben, können Sie versuchen, richtige Kalligrafie anzuwenden. Wenn Sie ein Neuling der Kalligrafiekunst sind, dann besorgen Sie sich ein gutes Kalligrafiebuch und versuchen Sie Ihre Erkenntnisse mit Inkscape umzusetzen. Dieser Abschnitt wird Ihnen ein paar einfache Beispiele aufzeigen. - + Zu allererst, wenn Sie Buchstaben erstellen wollen, brauchen Sie ein Hilfslinien-Paar. Wenn Sie geneigt oder kursiv schreiben wollen, so fügen Sie ein paar geneigte Linien hinzu, die das Hilfslinien-Paar kreuzen, zum Beispiel: - - - - - - - - - + + + + + + + + + Nun zoomen Sie soweit hinein, bis die Höhe zwischen den Hilfslinien den natürlichen Bereich ihrer Handbewegungen erreichen, dann passen Sie Breite und Winkel an und los geht's! - + Als Kalligrafieanfänger möchten Sie möglicherweise als erstes die Basiselemente der Buchstaben üben — vertikale und horizontale Stämme, runde Striche, geneigte Stämme. Hier sind einige Buchstabenelemente der für die Unzialschrift: - - - - - - - - - - - - - - - - - - + + + + + + + + + + + + + + + + + + Verschiedene hilfreiche Tipps: - - + + Wenn Ihre Hand komfortabel auf dem Tablet ruht, dann bewegen Sie sie nicht. Scrollen Sie nach dem Erstellen einzelner Buchstaben stattdessen das Dokumentenfenster (Strg+Pfeil-Tasten) mit Ihrer linken Hand. - - + + Wenn Ihr letzter Strich nicht gelungen ist, machen Sie ihn einfach rückgängig (Strg+Z). Wenn eine Form gelungen, aber die Position oder Größe ein wenig verrutscht ist, dann ist es besser, kurz zum Auswahlwerkzeug zu wechseln (Leertaste) und die Form nachträglich über bewegen/skalieren/rotieren zu korrigieren (mit Maus oder Tastatur). Anschließend wieder die Leertaste drücken, um zum Kalligrafiewerkzeug zurückzukehren. - - + + Wenn Sie ein Wort erstellt haben, wechseln Sie erneut zum Auswahlwerkzeug, um die Hauptlinie gleichmäßiger zu machen und den Abstand anzupassen. Übertreiben Sie es aber nicht, denn gute Kalligrafie sollte immer noch nach Handschrift aussehen. Geraten Sie nicht in Versuchung, einzelne Schriftelemente immer wieder zu kopieren; jeder Strich sollte ein Original sein. - + Hier finden Sie einige komplette Schriftzugbeispiele: - - - - - - - - - Unzialen - Karolingische Schrift - Gotische Schrift - Bâtarde - - - Kursivschrift mit Verzierungen - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Fazit + + + + + + + + + Unzialen + Karolingische Schrift + Gotische Schrift + Bâtarde + + + Kursivschrift mit Verzierungen + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Fazit - + Kalligrafie macht nicht nur Spaß; es ist eine tiefe, fast spirituelle Kunst, die Ihren Blick für alles, was Sie tun und sehen verändern kann. Inkscapes Kalligrafiewerkzeug kann nur als bescheidene Einleitung dienen. Es macht aber dennoch Spaß, damit herumzuspielen, und es kann sogar nützlich für wirkliches Design sein. Viel Spaß! - + diff --git a/share/tutorials/tutorial-calligraphy.el.svg b/share/tutorials/tutorial-calligraphy.el.svg index 136184be0..35ccf08b9 100644 --- a/share/tutorials/tutorial-calligraphy.el.svg +++ b/share/tutorials/tutorial-calligraphy.el.svg @@ -142,7 +142,7 @@ - Εάν έχετε μια πινακίδα και θα θέλατε να χρησιμοποιήσετε τα χαρακτηριστικά ευαισθησίας, θα χρειασθείτε να διαμορφώσετε την συσκευή σας. Αυτή η διαμόρφωση θα χρειασθεί να εκτελεσθεί μόνο μια φορά και οι ρυθμίσεις θα αποθηκευτούν. Για να ενεργοποιήσετε αυτήν την υποστήριξη, πρέπει η πινακίδα να είναι συνδεμένη πριν την εκκίνηση του inkscape και έπειτα να συνεχίσετε με το άνοιγμα του διαλόγου Συσκευές εισόδου... μέσα από το μενού Επεξεργασία. Με αυτόν τον διάλογο ανοικτό, μπορείτε να διαλέξετε την προτιμώμενη συσκευή και ρυθμίσεις για τη γραφίδα της πινακίδας σας. Τέλος, μετά την επιλογή αυτών των ρυθμίσεων, μετάβαση στο εργαλείο καλλιγραφίας και εναλλαγή των κουμπιών της εργαλειοθήκης για πίεση και κλίση. Από δω και πέρα, το Inkscape θα θυμάται αυτές τις ρυθμίσεις στην εκκίνηση. + Εάν έχετε μια πινακίδα και θα θέλατε να χρησιμοποιήσετε τα χαρακτηριστικά ευαισθησίας, θα χρειασθείτε να διαμορφώσετε την συσκευή σας. Αυτή η διαμόρφωση θα χρειασθεί να εκτελεσθεί μόνο μια φορά και οι ρυθμίσεις θα αποθηκευτούν. Για να ενεργοποιήσετε αυτήν την υποστήριξη, πρέπει η πινακίδα να είναι συνδεμένη πριν την εκκίνηση του Inkscape και έπειτα να συνεχίσετε με το άνοιγμα του διαλόγου Συσκευές εισόδου... μέσα από το μενού Επεξεργασία. Με αυτόν τον διάλογο ανοικτό, μπορείτε να διαλέξετε την προτιμώμενη συσκευή και ρυθμίσεις για τη γραφίδα της πινακίδας σας. Τέλος, μετά την επιλογή αυτών των ρυθμίσεων, μετάβαση στο εργαλείο καλλιγραφίας και εναλλαγή των κουμπιών της εργαλειοθήκης για πίεση και κλίση. Από δω και πέρα, το Inkscape θα θυμάται αυτές τις ρυθμίσεις στην εκκίνηση. @@ -161,10 +161,10 @@ Μετάβαση στο εργαλείο καλλιγραφίας πιέζοντας Ctrl+F6, ή το πλήκτρο C, ή πατώντας στο κουπί της γραμμής εργαλείων. Στην ανώτερη γραμμή εργαλείων, θα σημειώσετε ότι υπάρχουν 8 επιλογές: πλάτος & λέπτυνση; γωνία & Σταθεροποίηση; κεφαλαία; τρέμουλο, Ανατάραξη & μάζα. Υπάρχουν επίσης δύο κουμπιά για εναλλαγή ευαισθησίας πίεσης και κλίσης πινακίδας ενεργό και ανενεργό (για σχεδιαστικές πινακίδες). - - Πλάτος & λέπτυνση + + Πλάτος & λέπτυνση - + @@ -187,32 +187,32 @@ Το πλάτος της πένας μπορεί επίσης να εξαρτάται από την ταχύτητα, όπως ελέγχεται από την παράμετρο λέπτυνσης. Αυτή η παράμετρος μπορεί να πάρει τιμές από -100 έως 100. Μηδέν σημαίνει ότι το πλάτος είναι ανεξάρτητο από την ταχύτητα, θετικές τιμές κάνουν τις πιο γρήγορες πινελιές πιο λεπτές, αρνητικές τιμές κάνουν τις πιο γρήγορες πινελιές πιο πλατιές. Η προεπιλογή 10 σημαίνει μέτρια λέπτυνση των γρήγορων πινελιών. Ιδού μερικά παραδείγματα, όλα σχεδιασμένα με πλάτος=20 και γωνία=90: - λέπτυνση = 0 (ομοιόμορφο πλάτος) - λέπτυνση = 10 - λέπτυνση = 40 - λέπτυνση = -20 - λέπτυνση = -60 - - - - - - - - - - - - - - - - - - - - - + λέπτυνση = 0 (ομοιόμορφο πλάτος) + λέπτυνση = 10 + λέπτυνση = 40 + λέπτυνση = -20 + λέπτυνση = -60 + + + + + + + + + + + + + + + + + + + + + @@ -225,10 +225,10 @@ - - Γωνία & σταθεροποίηση + + Γωνία & σταθεροποίηση - + @@ -299,19 +299,19 @@ - γωνία = 30Σταθεροποίηση = 100 - γωνία = 30Σταθεροποίηση = 80 - γωνία = 30Σταθεροποίηση = 0 - - - - - - - - - - + γωνία = 30Σταθεροποίηση = 100 + γωνία = 30Σταθεροποίηση = 80 + γωνία = 30Σταθεροποίηση = 0 + + + + + + + + + + @@ -320,7 +320,7 @@ - + @@ -329,7 +329,7 @@ - + @@ -338,7 +338,7 @@ - + @@ -347,7 +347,7 @@ - + @@ -356,7 +356,7 @@ - + @@ -365,7 +365,7 @@ - + @@ -374,7 +374,7 @@ - + @@ -383,7 +383,7 @@ - + @@ -392,7 +392,7 @@ - + @@ -401,7 +401,7 @@ - + @@ -410,7 +410,7 @@ - + @@ -419,7 +419,7 @@ - + @@ -428,7 +428,7 @@ - + @@ -437,7 +437,7 @@ - + @@ -446,7 +446,7 @@ - + @@ -455,7 +455,7 @@ - + @@ -464,17 +464,17 @@ - + Μιλώντας τυπογραφικά, η μέγιστη σταθεροποίηση και συνεπώς μέγιστη αντίθεση πλάτους πινελιάς (πάνω αριστερά) είναι τα χαρακτηριστικά των παλιών οικογενειών χαρακτήρων με πατούρα, όπως Times ή Bodoni (επειδή αυτές οι οικογένειες χαρακτήρων ήταν ιστορικά μια απομίμηση των καλλιγραφιών σταθερής πένας). Από την άλλη πλευρά, μηδενική σταθεροποίηση και μηδενική αντίθεση πλάτους (πάνω δεξιά), προτείνουν σύγχρονες οικογένειες χαρακτήρων χωρίς πατούρα όπως η Helvetica. - - Τρέμουλο + + Τρέμουλο - + @@ -537,10 +537,10 @@ - - Ανατάραξη & μάζα + + Ανατάραξη & μάζα - + @@ -561,17 +561,17 @@ Στη φυσική, η μάζα προκαλεί αδράνεια. Όσο πιο μεγάλη η μάζα του εργαλείου καλλιγραφίας του Inkscape, τόσο περισσότερο καθυστερεί πίσω από το δείκτη του ποντικιού και τόσο περισσότερο εξομαλύνει απότομες στροφές και γρήγορα τραβήγματα στην πινελιά σου. Από προεπιλογή αυτή η τιμή είναι αρκετά μικρή (2), έτσι ώστε το εργαλείο να είναι γρήγορο και με ανταπόκριση, αλλά μπορείτε να αυξήσετε τη μάζα για να πάρετε πιο αργή και πιο μαλακή πένα. - - Παραδείγματα καλλιγραφίας + + Παραδείγματα καλλιγραφίας - + Τώρα που ξέρετε τις βασικές δυνατότητες του εργαλείου, μπορείτε να προσπαθήσετε να παράξετε αληθινή καλλιγραφία. Εάν είσθε νέος σε αυτήν την τέχνη, πάρτε ένα καλό βιβλίο καλλιγραφίας και μελετήστε το με το Inkscape. Αυτή η ενότητα θα σας δείξει μόνο μερικά απλά παραδείγματα. - + @@ -593,7 +593,7 @@ Έπειτα εστιάστε έτσι ώστε το ύψος μεταξύ των χαράκων να αντιστοιχεί στην πιο φυσική περιοχή κίνησης του χεριού, ρυθμίστε πλάτος και γωνία, και φύγαμε! - + @@ -617,7 +617,7 @@ - + @@ -632,152 +632,152 @@ Εάν το χέρι σας είναι άνετο στην πινακίδα, μην το μετακινήσετε. Αντίθετα, κυλίστε τον καμβά (πλήκτρα Ctrl+βέλος) με το αριστερό σας χέρι μετά το τέλος κάθε γράμματος. - - + + Εάν η τελευταία πινελιά ήταν κακή, απλά αναιρέστε την (Ctrl+Z). Όμως, εάν το σχήμα της είναι καλό, αλλά η θέση ή μέγεθος είναι ελαφρά εκτός, είναι καλύτερο να μεταβείτε στο επιλογέα προσωρινά (διάστημα) και ώθηση/κλιμάκωση/περιστροφή της όσο χρειάζεται (χρησιμοποιώντας ποντίκι ή πλήκτρα), έπειτα πιέστε διάστημα ξανά για να επιστρέψετε στο εργαλείο καλλιτεχνίας. - - + + Έχοντας γράψει μια λέξη, μεταβείτε στον επιλογέα πάλι για να ρυθμίσετε την ομοιομορφία του στελέχους και το διάκενο των γραμμάτων. Μην το παρακάνετε αυτό, όμως. Η καλή καλλιγραφία πρέπει να διατηρεί κάποια ακανόνιστη όψη χειρογραφής. Αντισταθείτε στον πειρασμό να αντιγράψετε ακριβώς γράμματα και στοιχεία γραμμάτων. Κάθε πινελιά πρέπει να είναι αυθεντική. - + Και να μερικά πλήρη παραδείγματα σχεδίασης γραμμάτων: - - - - - - - - - Unicial γραφή - Γραφή Καρολιδών (Carolingian) - Γοτθική γραφή - Ενδιάμεση (Bâtarde) γραφή - - - Διακοσμητική ιταλική γραφή - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Συμπέρασμα + + + + + + + + + Uncial γραφή + Γραφή Καρολιδών (Carolingian) + Γοτθική γραφή + Ενδιάμεση (Bâtarde) γραφή + + + Διακοσμητική ιταλική γραφή + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Συμπέρασμα - + Η καλλιγραφία δεν είναι μόνο διασκέδαση. Είναι βαθιά πνευματική τέχνη που μπορεί να μετασχηματίσει την στάση σας σε κάθε τι που κάνετε και βλέπετε. Το εργαλείο καλλιγραφίας του Inkscape μπορεί να χρησιμεύσει ως απλή εισαγωγή. Παρόλα αυτά είναι πολύ όμορφο να παίξετε με αυτό και ίσως χρήσιμο στην αληθινή σχεδίαση. Απολαύστε το! - + diff --git a/share/tutorials/tutorial-calligraphy.es.svg b/share/tutorials/tutorial-calligraphy.es.svg index 109b91584..6ac09752f 100644 --- a/share/tutorials/tutorial-calligraphy.es.svg +++ b/share/tutorials/tutorial-calligraphy.es.svg @@ -145,7 +145,7 @@ If you have a tablet and would like to utilize the sensitivity features, you will need to configure your device. This configuration will only need to be performed once and the settings are saved. To enable this support you must have the tablet plugged in -prior to starting inkscape and then proceed to open the Input Devices... +prior to starting Inkscape and then proceed to open the Input Devices... dialog through the Edit menu. With this dialog open you can choose the preferred device and settings for your tablet pen. Lastly, after choosing those settings, switch to the Calligraphy tool and toggle the toolbar buttons for pressure and tilt. From @@ -206,7 +206,7 @@ by double-clicking the tool button). width=1, growing.... reaching 47, decreasing... back to 0 - + @@ -253,10 +253,10 @@ jerky movements to get strangely naturalistic, neuron-like shapes: - - ángulo & Fijación + + ángulo & Fijación - + @@ -303,26 +303,26 @@ keeping the angle constant will work best. Here are examples of strokes drawn at different angles (fixation = 100): - angle = 30 - angle = 60 - angle = 90 - angle = 0 - angle = 15 - angle = -45 - - - - - - - + angle = 30 + angle = 60 + angle = 90 + angle = 0 + angle = 15 + angle = -45 + + + + + + + Como podemos observar, el trazo es más delgado cuando es dibujado paralelo a su ángulo y es más amplio cuando se dibuja perpendicular a este. ángulos posítivos son más naturales y tradicionales para caligrafía con dibujo hecho con mano derecha . - + @@ -511,10 +511,10 @@ perpendicular to the stroke, and Angle has no effect anymore: Hablando tipográficamente, la fijación máxima y por consiguiente el contraste del ancho máximo del trazo son las características (más adelante) de las fuentes antique serif, como las Times o Bodoni (por que estas fuentes son históricamente una imitación de la caligrafí de la pluma-arreglada). La fijación Cero y el ancho de contraste Cero (Arriba a la derecha), sobre la otra mano, sugiere la fuente actual Sans Serif, así como la Helvetica. - - Tremor + + Tremor - + @@ -525,7 +525,7 @@ affect your strokes producing anything from slight unevenness to wild blotches a splotches. This significantly expands the creative range of the tool. - + slow medium fast @@ -539,50 +539,50 @@ splotches. This significantly expands the creative range of the tool. - tremor = 0 - tremor = 10 - tremor = 30 - tremor = 50 - tremor = 70 - tremor = 90 - tremor = 20 - tremor = 40 - tremor = 60 - tremor = 80 - tremor = 100 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Wiggle & Mass + tremor = 0 + tremor = 10 + tremor = 30 + tremor = 50 + tremor = 70 + tremor = 90 + tremor = 20 + tremor = 40 + tremor = 60 + tremor = 80 + tremor = 100 + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Wiggle & Mass @@ -614,17 +614,17 @@ quite small (2) so that the tool is fast and responsive, but you can increase ma get slower and smoother pen. - - Ejemplos de caligrafía + + Ejemplos de caligrafía - + Ahora que ya posee las capacidades básicas de la herramienta, puede intentar producir algunas caligrafís reales. Si es usted nuevo en este arte, adquiera un buen libro de caligrafía y estudielo junto con el Inkscape. Esta sección le mostrará unos pocos ejemplos. - + @@ -646,7 +646,7 @@ get slower and smoother pen. Entonces haga zoom de tal manera que la longitud entre las reglas corresponda al rango natural de su escritura, ajuste el ancho y el ángulo, y ¡aquí vamos! - + @@ -656,184 +656,184 @@ elements of letters — vertical and horizontal stems, round strokes, slanted stems. Here are some letter elements for the Uncial hand: - - - - - - - - - - - - - - - - - - + + + + + + + + + + + + + + + + + + Algunos trucos interesantes: - - + + Si siente comodidad sobre la tabla, no la mueva. En vez de eso, acomode la pizarra (Ctrl+tecla de flecha) con su mano izquierda después de finalizar cada letra. - - + + Si su último contorno no está bien, tan sólo deshágalo (Ctrl+Z). Sin embargo, si una forma es buena pero la posición o el tamaóo no son correctos, es mejor utilizar temporalmente el Selector (Barra Espaceadora) y perfile/escale/rote de ser necesario (usando el ratón o las teclas), luego presione Barra Espaceadora de nuevo para retornar a la herramienta Caligrafía. - - + + Habiendo realizado una palabra, cambie al selector de nuevo para ajustar las barras y espaceado entre letras uniformemente. No exagere con esto, sin embargo; la buena caligrafía debe conservar un éstilo similar. Resista la tentación de copiar letras y sus elementos; cada contorno debe ser original. - + Y aquí podemos observar alguno ejemplos completos: - - - - - - - - - Unicial hand - Carolingian hand - Gothic hand - Bâtarde hand - - - Flourished Italic hand - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Conclusión + + + + + + + + + Uncial hand + Carolingian hand + Gothic hand + Bâtarde hand + + + Flourished Italic hand + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Conclusión - + La caligrafía no es sólo divertida; es además un arte espiritual que puede transformar su visión sobre todo lo que hace y puede ver. La herramienta de caligrafía de Inkscape puede servirle como una modesta introducción para este arte. Y aún es muy divertido jugar jugar con ella y puede ser muy útil en el diseño real. ¡Disfrutela! - + diff --git a/share/tutorials/tutorial-calligraphy.eu.svg b/share/tutorials/tutorial-calligraphy.eu.svg index ceefe54c2..a90c61745 100644 --- a/share/tutorials/tutorial-calligraphy.eu.svg +++ b/share/tutorials/tutorial-calligraphy.eu.svg @@ -142,15 +142,7 @@ - If you have a tablet and would like to utilize the sensitivity features, you will need -to configure your device. This configuration will only need to be performed once and -the settings are saved. To enable this support you must have the tablet plugged in -prior to starting inkscape and then proceed to open the Input Devices... -dialog through the Edit menu. With this dialog open you can choose the -preferred device and settings for your tablet pen. Lastly, after choosing those settings, switch -to the Calligraphy tool and toggle the toolbar buttons for pressure and tilt. From -now on, Inkscape will remember those settings on startup. - + Tablet bat izanik sentikortasun gaitasunak erabili nahi izanez gero, dispositiboa konfiguratu beharko duzu. Konfigurazio hau behin bakarrik burutu behar da, eta ezarpenak gordetzen dira. Tableta konektatuta izan behar duzu Inkscape abiatu baino lehen, ondoren Fitxategia menuan dagoen Sarrerako gailuak... dialogoa irekiz. Dialogo honen bidez zure tablet-lumaren gustuko dispositiboa eta ezarpenak zehaz ditzakezu. Azkenik, ezarpen hauek zehaztu ondoren, ireki Kaligrafia tresna eta tresna barran presio eta okerdurarentzako botoiak gaitu. Hemendik aurrera Inkscape-k hobespen hauek gogoratuko ditu abiaraztean. @@ -191,8 +183,8 @@ drawing tablets). Lumaren zabalera askotan aldatzen denez, balioa aldatzeko tresna-barrara joan ordez ezker eta eskubi geziak erabil ditzakezu edo presio sentikortasuna duen tablet batekin. Tekla hauen gauzarik hoberena marrazten zauden bitartean erabil daitezkeela da, trazu baten erdian lumaren zabalera gradualki alda dezakezularik: - width=1, growing.... reaching 47, decreasing... back to 0 - + width=1, growing.... reaching 47, decreasing... back to 0 + @@ -225,7 +217,7 @@ drawing tablets). - + @@ -240,8 +232,8 @@ jerky movements to get strangely naturalistic, neuron-like shapes: - - Angelua eta Orientazioa + + Angelua eta Orientazioa @@ -302,7 +294,7 @@ different angles (fixation = 100): - + @@ -326,19 +318,19 @@ perpendicular to the stroke, and Angle has no effect anymore: - angelua = 30fixation = 100 - angelua = 30fixation = 80 - angelua = 30orientazioa = 0 - - - - - - - - - - + angelua = 30fixation = 100 + angelua = 30fixation = 80 + angelua = 30orientazioa = 0 + + + + + + + + + + @@ -347,7 +339,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -356,7 +348,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -365,7 +357,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -374,7 +366,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -383,7 +375,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -392,7 +384,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -401,7 +393,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -410,7 +402,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -419,7 +411,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -428,7 +420,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -437,7 +429,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -446,7 +438,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -455,7 +447,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -464,7 +456,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -473,7 +465,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -482,7 +474,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -491,17 +483,17 @@ perpendicular to the stroke, and Angle has no effect anymore: - + Tipografiaren ikuspegitik, orientazio maximoa eta beraz trazuaren zabalera kontrasterik handiena (goian ezkerrean) aintzinako serif letra-moldeen ezaugarria da, Times edo Bodoni adibidez (letra-molde hauek historikoki luma finkoko kaligrafiaren kopia bat zirelako). Zero orientazioa eta zabalera kontrasterik gabe (goian eskuinean), bestalde, Helvetica bezalako san serif letra-molde modernoak gogorarazten ditu. - - Dardara + + Dardara - + @@ -568,8 +560,8 @@ splotches. This significantly expands the creative range of the tool. - - Wiggle & Mass + + Wiggle & Mass @@ -589,7 +581,7 @@ if the mass is big, the pen tends to run away on sharp turns; if the mass is zer wiggle makes the pen to wiggle wildly. - + @@ -601,8 +593,8 @@ quite small (2) so that the tool is fast and responsive, but you can increase ma get slower and smoother pen. - - Kaligrafia adibideak + + Kaligrafia adibideak @@ -611,22 +603,22 @@ get slower and smoother pen. Jadanik tresnaren oinarrizko ezaugarriak ezagutzen dituzunez, benetako kaligrafia sortzeko momentua heldu da. Arte honetan berria bazara, kaligrafiari buruzko liburu on bat bilatu eta ikasi Inkscape-rekin. Atal honek adibide xume batzuk bakarrik erakusten ditu. - + Lehengo eta behin, hizkiak egiteko, gida pare bat sortu beharko dituzu. Estilo oker edo etzanean idaztera bazoaz, okertutako gida batzuk gehitu aurreko bi gidei, adibidez: - - - - - - - - - + + + + + + + + + @@ -660,7 +652,7 @@ stems. Here are some letter elements for the Uncial hand: - + @@ -683,144 +675,144 @@ stems. Here are some letter elements for the Uncial hand: Zure azken trazua txarra baldin bada, desegin ezazu (Ktrl+Z). Hala ere, forma egokia bada baina posizioa edo tamaina apur bat tokiz kanpo badaude, hobe da momentu batean Hautatzaile tresna erabiltzea (Zuriunea) eta behar beste mugitze/eskalatzea/biratzea (sagua edo teklatua erabiliz). Bukatzean Zuriunea sakatu berriro Kaligrafia tresnara itzultzeko. - - + + Hitz bat bukatzean, Hautatzaile tresnara joan berriro eta enborren berdintasuna eta hizkien arteko tartea findu. Ez gehiegi landu, hala ere; kaligrafia onek eskuzko idazkeraren irregulartasun apur bat mantentzen dute. Sahiestu hizkiak eta hizkien elementuak kopiatzeko tentazioa; trazu bakoitza originala izan behar du. - + Eta hemen dituzu hizki oso batzuen adibideak: - - - - - - - - - Unicial estiloa - Estilo Karolingioa - Estilo gotikoa - Bâtarde estiloa - - - Italiar estilo loratua - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Ondorioak + + + + + + + + + Uncial estiloa + Estilo Karolingioa + Estilo gotikoa + Bâtarde estiloa + + + Italiar estilo loratua + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Ondorioak - + Kaligrafia ez da jostagarria bakarrik, espiritualtasun handiko arte bat da, ikusi eta egiten duzun guztiaren ikuspegia alda dezake. Inkscape-ren kaligrafia tresna sarrera xume bat baino ez da. Hala ere jolasteko aproposa da eta benetako diseinuetan erabilgarria izan daiteke. Gozatu! - + diff --git a/share/tutorials/tutorial-calligraphy.fa.svg b/share/tutorials/tutorial-calligraphy.fa.svg index a3f9a4acd..1a3f47c59 100644 --- a/share/tutorials/tutorial-calligraphy.fa.svg +++ b/share/tutorials/tutorial-calligraphy.fa.svg @@ -181,7 +181,7 @@ quill or pen with nib are also not very sensitive to pressure, unlike a brush. If you have a tablet and would like to utilize the sensitivity features, you will need to configure your device. This configuration will only need to be performed once and the settings are saved. To enable this support you must have the tablet plugged in -prior to starting inkscape and then proceed to open the Input Devices... +prior to starting Inkscape and then proceed to open the Input Devices... dialog through the Edit menu. With this dialog open you can choose the preferred device and settings for your tablet pen. Lastly, after choosing those settings, switch to the Calligraphy tool and toggle the toolbar buttons for pressure and tilt. From @@ -294,14 +294,14 @@ angle=90: jerky movements to get strangely naturalistic, neuron-like shapes: - - - - - - - - Angle & Fixation + + + + + + + + Angle & Fixation @@ -341,7 +341,7 @@ the angle is determined by the tilt of the pen. - + @@ -377,7 +377,7 @@ and at its broadest when drawn perpendicular. Positive angles are the most natural and traditional for right-handed calligraphy. - + @@ -571,10 +571,10 @@ fixation and zero width contrast (above right), on the other hand, suggest moder serif typefaces such as Helvetica. - - Tremor + + Tremor - + @@ -641,8 +641,8 @@ splotches. This significantly expands the creative range of the tool. - - Wiggle & Mass + + Wiggle & Mass @@ -654,7 +654,7 @@ than affect its visual output. So there won't be any illustrations in this instead just try them yourself to get a better idea. - + @@ -677,10 +677,10 @@ quite small (2) so that the tool is fast and responsive, but you can increase ma get slower and smoother pen. - - Calligraphy examples + + Calligraphy examples - + @@ -690,7 +690,7 @@ calligraphy. If you are new to this art, get yourself a good calligraphy book an it with Inkscape. This section will show you just a few simple examples. - + @@ -700,15 +700,15 @@ going to write in a slanted or cursive hand, add some slanted guides across the rulers as well, for example: - - - - - - - - - + + + + + + + + + @@ -744,7 +744,7 @@ stems. Here are some letter elements for the Uncial hand: - + @@ -752,8 +752,8 @@ stems. Here are some letter elements for the Uncial hand: Several useful tips: - - + + @@ -762,8 +762,8 @@ stems. Here are some letter elements for the Uncial hand: scroll the canvas (Ctrl+arrow keys) with your left hand after finishing each letter. - - + + @@ -775,8 +775,8 @@ nudge/scale/rotate it as needed (using mouse or keys), then press - - + + @@ -787,7 +787,7 @@ irregular handwritten look. Resist the temptation to copy over letters and lett elements; each stroke must be original. - + @@ -795,122 +795,122 @@ elements; each stroke must be original. And here are some complete lettering examples: - - - - - - - - - Unicial hand - Carolingian hand - Gothic hand - Bâtarde hand - - - Flourished Italic hand - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Conclusion + + + + + + + + + Uncial hand + Carolingian hand + Gothic hand + Bâtarde hand + + + Flourished Italic hand + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Conclusion - + @@ -921,7 +921,7 @@ calligraphy tool can only serve as a modest introduction. And yet it is very nice to play with and may be useful in real design. Enjoy! - + diff --git a/share/tutorials/tutorial-calligraphy.fr.svg b/share/tutorials/tutorial-calligraphy.fr.svg index 645ab175c..ff8da63c9 100644 --- a/share/tutorials/tutorial-calligraphy.fr.svg +++ b/share/tutorials/tutorial-calligraphy.fr.svg @@ -161,8 +161,8 @@ Passez à l'outil Calligraphie en appuyant sur Ctrl+F6 ou sur C, ou encore en cliquant sur son bouton dans la barre d'outils. Vous remarquerez alors, dans la barre d'outils du haut, huit options : largeur & amincissement ; angle & fixité ; terminaisons ; tremblement, agitation & inertie. Il y a également deux autres boutons pour activer ou désactiver la pression de la tablette et la sensibilité à l'inclinaison (pour les tablettes graphiques). - - Largeur et amincissement + + Largeur et amincissement @@ -178,9 +178,9 @@ Comme la largeur de plume varie souvent, vous pouvez l'ajuster sans avoir à retourner à la barre d'outils, en utilisant les touches fléchées gauche et droite ou avec une tablette qui supporte la sensibilité à la pression. L'avantage de ces raccourcis est qu'ils fonctionnent même pendant que vous dessinez, de sorte que vous pouvez faire varier la largeur de votre plume progressivement pendant un tracé : - largeur=1, augmentant… atteignant 47, diminuant… de nouveau à 0 - - + largeur=1, augmentant… atteignant 47, diminuant… de nouveau à 0 + + @@ -212,7 +212,7 @@ - + @@ -225,10 +225,10 @@ - - Angle et fixité + + Angle et fixité - + @@ -299,19 +299,19 @@ - angle = 30°fixité = 100 - angle = 30°fixité = 80 - angle = 30°fixité = 0 - - - - - - - - - - + angle = 30°fixité = 100 + angle = 30°fixité = 80 + angle = 30°fixité = 0 + + + + + + + + + + @@ -320,7 +320,7 @@ - + @@ -329,7 +329,7 @@ - + @@ -338,7 +338,7 @@ - + @@ -347,7 +347,7 @@ - + @@ -356,7 +356,7 @@ - + @@ -365,7 +365,7 @@ - + @@ -374,7 +374,7 @@ - + @@ -383,7 +383,7 @@ - + @@ -392,7 +392,7 @@ - + @@ -401,7 +401,7 @@ - + @@ -410,7 +410,7 @@ - + @@ -419,7 +419,7 @@ - + @@ -428,7 +428,7 @@ - + @@ -437,7 +437,7 @@ - + @@ -446,7 +446,7 @@ - + @@ -455,7 +455,7 @@ - + @@ -464,15 +464,15 @@ - + Typographiquement parlant, une fixité maximale et donc un contraste maximal de largeur de tracé (ci-dessus à gauche) sont les caractéristiques des antiques fontes serif, comme Times ou Bodoni (parce que ces fontes étaient historiquement une imitation d'une calligraphie effectuée avec une plume orientée de façon fixe). D'un autre côté, une fixité nulle et donc un contraste de largeur nulle (ci-dessus à droite) font plutôt penser à une fonte sans serif moderne, comme Helvetica. - - Tremblement + + Tremblement @@ -481,7 +481,7 @@ Le tremblement est conçu pour donner une apparence plus naturelle aux tracés calligraphiques. Le tremblement est ajustable dans la barre de contrôle, avec des valeurs comprises entre 0 et 100. Ceci influencera vos tracés, produisant différents effets pouvant aller des légères inégalités aux bavures et tâches. Cela augmente significativement les possibilités de l'outil. - + lent moyen rapide @@ -495,50 +495,50 @@ - tremblement = 0 - tremblement = 10 - tremblement = 30 - tremblement = 50 - tremblement = 70 - tremblement = 90 - tremblement = 20 - tremblement = 40 - tremblement = 60 - tremblement = 80 - tremblement = 100 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Agitation et inertie + tremblement = 0 + tremblement = 10 + tremblement = 30 + tremblement = 50 + tremblement = 70 + tremblement = 90 + tremblement = 20 + tremblement = 40 + tremblement = 60 + tremblement = 80 + tremblement = 100 + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Agitation et inertie @@ -547,46 +547,46 @@ Contrairement à la largeur et à l'angle, ces deux derniers paramètres définissent la « sensation » laissée par l'outil plutôt qu'affecter son rendu visuel. Il n'y aura donc pas d'illustration dans cette section ; à la place, effectuez simplement des tests par vous-même pour vous faire une idée du fonctionnement. - + L'agitation est la résistance du papier au mouvement de la plume. La valeur par défaut est au minimum (0), et augmenter ce paramètre rend le papier glissant : si la masse est forte, la plume a tendance à partir dans des changements de directions brusques ; si la masse est nulle, une agitation forte provoquera des tortillements incontrôlables de la plume. - + En physique, la masse est ce qui génère l'inertie ; plus la masse de l'outil Calligraphie d'Inkscape est importante, et plus celui-ci traîne derrière votre stylet (ou pointeur de souris) et lisse les changements de direction et mouvements brusques de votre tracé. Par défaut cette valeur est assez faible (2) de façon à ce que l'outil soit rapide et réactif, mais vous pouvez augmenter la masse pour obtenir une plume plus lente et douce. - - Exemples de calligraphies + + Exemples de calligraphies - + Maintenant que vous connaissez les possibilités de base de l'outil, vous pouvez essayer de produire de vraies calligraphies. Si vous êtes débutant dans cette discipline, procurez-vous un bon livre sur la calligraphie et étudiez-le avec Inkscape. Cette section vous montrera juste quelques exemples simples. - + Tout d'abord pour tracer des lettres, vous avez besoin d'une paire de règles pour vous guider. Si vous devez avoir une écriture inclinée ou cursive, ajoutez aussi des guides inclinés en travers des deux règles horizontales. Par exemple : - - - - - - - - - + + + + + + + + + @@ -600,184 +600,184 @@ La première chose que vous devriez faire en tant que calligraphe débutant est probablement de vous entraîner à dessiner les éléments de base des lettres — des traits horizontaux et verticaux, des tracés ronds et des traits inclinés. Voici quelques éléments de lettres pour l'écriture onciale : - - - - - - - - - - - - - - - - - - + + + + + + + + + + + + + + + + + + Plusieurs astuces utiles : - - + + Si votre main est confortablement installée sur la tablette, ne la déplacez pas. Faites plutôt défiler le canevas (touches Ctrl+flèche) avec votre main gauche après avoir fini chaque lettre. - - + + Si votre dernier coup de plume est mauvais, annulez-le (Ctrl+Z). Cependant, si sa forme est bonne, mais que la position et la taille doivent être légèrement rectifiées, il vaut mieux utiliser le Sélecteur temporairement (espace) et opérer les déplacement/redimensionnement/rotation nécessaires (en utilisant la souris ou le clavier), puis appuyer sur espace de nouveau pour reprendre l'outil Calligraphie. - - + + Quand vous avez fini un mot, passez de nouveau au Sélecteur pour ajuster l'uniformité des traits et l'inter-lettrage. N'en faites pas trop cependant ; une belle calligraphie doit garder le côté légèrement irrégulier d'une écriture manuscrite. Résistez à la tentation de dupliquer des lettres et des morceaux de lettres ; chaque coup de plume doit être original. - + Et voici quelques exemples de lettrages complets : - - - - - - - - - Écriture onciale - Écriture carolingienne (minuscule Caroline) - Écriture gothique - Écriture bâtarde - - - Écriture italique florissante - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Conclusion + + + + + + + + + Écriture onciale + Écriture carolingienne (minuscule Caroline) + Écriture gothique + Écriture bâtarde + + + Écriture italique florissante + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Conclusion - + La calligraphie n'est pas seulement amusante ; c'est un art profondément spirituel qui peut transformer votre regard sur tout ce que vous faites et voyez. L'outil Calligraphie d'Inkscape ne peut servir que d'introduction modeste. Et pourtant, il est très amusant de jouer avec et il peut servir à des travaux concrets. Faites-vous plaisir ! - + diff --git a/share/tutorials/tutorial-calligraphy.hu.svg b/share/tutorials/tutorial-calligraphy.hu.svg index 469fe8b86..4470d331c 100644 --- a/share/tutorials/tutorial-calligraphy.hu.svg +++ b/share/tutorials/tutorial-calligraphy.hu.svg @@ -142,101 +142,93 @@ - If you have a tablet and would like to utilize the sensitivity features, you will need -to configure your device. This configuration will only need to be performed once and -the settings are saved. To enable this support you must have the tablet plugged in -prior to starting inkscape and then proceed to open the Input Devices... -dialog through the Edit menu. With this dialog open you can choose the -preferred device and settings for your tablet pen. Lastly, after choosing those settings, switch -to the Calligraphy tool and toggle the toolbar buttons for pressure and tilt. From -now on, Inkscape will remember those settings on startup. - + Ha van digitális táblája, és ki szeretné használni ezeket az érzékenységi információk adta lehetőségeket, akkor tehát megfelelően be kell állítania az eszközét. Ezt a beállítást csak egyszer kell elvégezni, a program elmenti a beállításokat. Először, még az Inkscape indítása előtt csatlakoztassa a digitális táblát, majd nyissa meg a Fájl menüből a Beviteli eszközök… párbeszédablakot. Itt ki tudja választani, és be is állíthatja az eszközét. Végül, miután mindent beállított, váltson a Művészi toll eszközre, és az Eszközvezérlősávon a megfelelő gombokkal kapcsolja be a nyomás- és dőlésérzékelést. Az Inkscape ezután már emlékezni fog a beállításokra. - + A Művészi toll a rajzolás sebességét is érzékelni tudja (további információ a „Keskenyítés”-nél később), ezért ha egeret használ, akkor ez a paraméter valószínűleg nullára állítva felel majd meg Önnek. - - A Művészi toll beállításai + + A Művészi toll beállításai - + Váltson a Művészi toll eszközre a Ctrl+F6 vagy a C megnyomásával, esetleg az ikonjára kattintva az Eszköztáron. Az Eszközvezérlősávon 8 beállítást láthat: Szélesség és Keskenyítés; Szög és Rögzítettség; Vonalvég; Remegés; Tekeredés és Tömeg. Szintén itt található az a két gomb, melyekkel a nyomás- és dőlésérzékelés be- és kikapcsolható (digitális táblákhoz). - - Szélesség és Keskenyítés + + Szélesség és Keskenyítés - + Ez a két beállítás vezérli a tollhegy szélességét. A szélesség értéke 1 és 100 között lehet, a mértékegysége pedig (alapértelmezetten) a rajzablak méretétől függően változik, de a nagyítástól független. Ez azért van, mert a természetes „mértékegység” a kalligráfiában a kézmozgáshoz igazodik. Ez a módszer biztosítja, hogy a tollhegy szélessége állandó arányban maradjon a „rajztáblával”, szemben egy tényleges mértékegységgel, amely a tollhegyszélességet a nagyítástól tenné függővé. Mindazonáltal ez a viselkedés nem kötelező, így meg is változtatható. Ha valaki a nagyítástól eltekintve abszolút mértékegységet szeretne, ezt az Inkscape-beállítások ablakban (megnyitható dupla kattintással az eszköz gombján) tudathatja a programmal. - + Mivel a tollhegy szélességét gyakran szokás változtatni, erre az Eszközvezérlősávon kívül más mód is van. Használhatja a bal vagy a jobb kurzormozgató billentyűt, megfelelő digitális táblával pedig a nyomásérzékenységet. Az a legjobb ezekben a billentyűkben, hogy rajzolás közben is működnek, így fokozatosan változtathatja a tollhegy szélességét egy tollvonás közbenső részén is: - szélesség=1, növelés… 47-ig, csökkentés… egészen 0-ig - - + szélesség=1, növelés… 47-ig, csökkentés… egészen 0-ig + + A tollhegy szélessége a keskenyítés által a tollvonás sebességétől is függ. Ennek a paraméternek −100 és 100 között lehet az értéke; nulla esetén a szélesség független a sebességtől, pozitív érték esetén a gyorsulás vékonyít, negatív értéknél vastagít. Az alapértelmezett 10 gyors tollvonásoknál mérsékelt vékonyítást okoz. Bemutatunk néhány példát, mindegyiknél 20 volt a Szélesség értéke, a Szögé pedig 90: - keskenyítés = 0 (állandó szélesség) - keskenyítés = 10 - keskenyítés = 40 - keskenyítés = −20 - keskenyítés = −60 - - - - - - - - - - - - - - - - - - - - - + keskenyítés = 0 (állandó szélesség) + keskenyítés = 10 + keskenyítés = 40 + keskenyítés = −20 + keskenyítés = −60 + + + + + + + + + + + + + + + + + + + + + Szórakozásképpen beállíthatja a Szélességet és a Keskenyítést is 100-ra (a maximumra), és hirtelen mozdulatokkal rajzolva ilyen különösképpen természetesnek tűnő, neuronszerű formákhoz juthat: - - - - - - - - Szög és Rögzítettség + + + + + + + + Szög és Rögzítettség - + @@ -251,15 +243,15 @@ now on, Inkscape will remember those settings on startup. - - - - szög = 90° - szög = 30 (alapértelmezett) - szög = 0 - szög = −90° - - + + + + szög = 90° + szög = 30 (alapértelmezett) + szög = 0 + szög = −90° + + @@ -268,8 +260,8 @@ now on, Inkscape will remember those settings on startup. - - + + @@ -283,26 +275,26 @@ keeping the angle constant will work best. Here are examples of strokes drawn at different angles (fixation = 100): - szög = 30 - szög = 60 - szög = 90 - szög = 0 - szög = 15 - szög = −45 - - - - - - - + szög = 30 + szög = 60 + szög = 90 + szög = 0 + szög = 15 + szög = −45 + + + + + + + Amint láthatja, a vonal ott a legvékonyabb, ahol a toll szögével párhuzamosan fut, és ott a legvastagabb, ahol a toll szögére merőlegesen. A pozitív szögek természetesebb hatást keltenek, és a jobbkezes kalligráfiában hagyományosan ezek fordulnak elő. - + @@ -319,19 +311,19 @@ perpendicular to the stroke, and Angle has no effect anymore: - szög = 30rögzítettség = 100 - szög = 30rögzítettség = 80 - szög = 30rögzítettség = 0 - - - - - - - - - - + szög = 30rögzítettség = 100 + szög = 30rögzítettség = 80 + szög = 30rögzítettség = 0 + + + + + + + + + + @@ -340,7 +332,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -349,7 +341,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -358,7 +350,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -367,7 +359,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -376,7 +368,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -385,7 +377,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -394,7 +386,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -403,7 +395,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -412,7 +404,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -421,7 +413,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -430,7 +422,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -439,7 +431,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -448,7 +440,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -457,7 +449,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -466,7 +458,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -475,7 +467,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -484,17 +476,17 @@ perpendicular to the stroke, and Angle has no effect anymore: - + Tipográfiai szempontból a legnagyobb rögzítettségből adódó legnagyobb szélességeltérés (fent balra) az antik, talpas betűképekre jellemző, mint például a Times vagy a Bodoni (mivel ezek történetileg a rögzített tollszögű kalligráfia utánzásából jöttek létre). A nulla rögzítettség és nulla eltérés (jobbra fent) pedig a modern, groteszk betűképekkel azonosítható, mint például a Helvetica. - - Remegés + + Remegés - + @@ -505,7 +497,7 @@ affect your strokes producing anything from slight unevenness to wild blotches a splotches. This significantly expands the creative range of the tool. - + lassú közepes gyors @@ -519,105 +511,105 @@ splotches. This significantly expands the creative range of the tool. - remegés = 0 - remegés = 10 - remegés = 30 - remegés = 50 - remegés = 70 - remegés = 90 - remegés = 20 - remegés = 40 - remegés = 60 - remegés = 80 - remegés = 100 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Tekeredés és Tömeg + remegés = 0 + remegés = 10 + remegés = 30 + remegés = 50 + remegés = 70 + remegés = 90 + remegés = 20 + remegés = 40 + remegés = 60 + remegés = 80 + remegés = 100 + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Tekeredés és Tömeg - + A szélességgel és a szöggel szemben ez a két paraméter a látható hatás helyett az eszköz „érzetkeltését” alakítja. Ezért nem is talál illusztrációt ebben a részben; inkább próbálja ki, hogy jobban megértse. - + A Tekeredés a papír tollra gyakorolt ellenállását szabályozza. Alapértelmezett értéke egyben a lehető legkisebb (0), növelve a papír „csúszósabb” lesz: nagy tömegnél a toll hajlamos lesz éles fordulóknál túlcsúszni; magas tekeredés mellett nulla tömeg a toll tekergőzését vadabbá teszi. - + A fizikában a tömeg a tehetetlenség oka; az Inkscape Művészi tolla esetében a tömeget növelve a toll egyre inkább lemarad az egérmutató mozgásáról, illetve egyre simábbak lesznek a tollvonások éles fordulói és hirtelen megugrásai. Alapesetben a Tömeg nagyon kicsi (2), így az eszköz gyors és érzékeny, de növelheti az értéket, ha lassabb és egyenletesebb működést szeretne. - - Kalligráfia a gyakorlatban + + Kalligráfia a gyakorlatban - + Most, hogy megismerte az eszköz alapvető képességeit, megpróbálhat elkészíteni néhány valódi kalligráfiát. Ha még csak most kezdett ezzel a művészettel foglalkozni, szerezzen egy jó könyvet a témáról, és tanuljon az Inkscape segítségével. Ez a rész csak néhány egyszerű példát fog bemutatni: - + Mindenekelőtt készítenie kell egy vezetővonalpárt, ami segít a betűk elkészítésében. Ha döntött vagy dőlt betűs írásra gondol, akkor néhány ferde vezetővonalra is szüksége lesz, keresztben a két vízszintessel, valahogy így: - - - - - - - - - + + + + + + + + + Ezután a nagyítást állítsa olyanra, hogy a vezetők közötti magasság megfeleljen a természetes kézmozgásának. Adja meg a Szélességet és a Szöget, és már neki is foghat a rajzolásnak. - + @@ -627,184 +619,184 @@ elements of letters — vertical and horizontal stems, round strokes, slanted stems. Here are some letter elements for the Uncial hand: - - - - - - - - - - - - - - - - - - + + + + + + + + + + + + + + + + + + Hasznos tanácsok: - - + + Ha a digitális táblával megtalálta a kényelmes kézpozíciót, akkor egy-egy betű elkészültekor ne ezt a kezét mozgassa, inkább a vásznat görgesse (a Ctrl+nyíl billentyűkkel). - - + + Ha a legutóbbi tollvonása nem sikerült, akkor egyszerűen vonja vissza (Ctrl+Z). Viszont ha a vonás alakja jó, csak a pozíciója vagy a mérete lett kissé elhibázott, akkor célszerűbb ideiglenesen a Kijelölő eszközre váltva (Szóköz) a szükséges mértékben mozgatni, átméretezni vagy forgatni. Ezután a Szóköz ismételt megnyomásával újra a Művészi tollat használhatja. - - + + Ha elkészült egy szó, váltson ismét a Kijelölő eszközre, és igazítsa egyenletesre a betűszárakat és a betűközöket. De ne essen túlzásokba; a jó kalligráfiának meg kell őriznie valamit az eredeti kézírások szabálytalanságaiból. Álljon ellen a kísértésnek, hogy másolással jusson újabb betűkhöz vagy betűrészekhez; az a jó, ha minden tollvonás egyedi. - + És végül álljon itt néhány példa kész betűkre: - - - - - - - - - Unciális írás - Karoling írás - Gótikus írás - Basztard írás - - - Cifrázott, dőlt betűs írás - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Zárszó + + + + + + + + + Unciális írás + Karoling írás + Gótikus írás + Basztard írás + + + Cifrázott, dőlt betűs írás + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Zárszó - + A kalligráfia nem csupán szórakoztató; mélyen spirituális művészet, mely formálhatja a szemléletmódját bármivel kapcsolatban, amit tesz vagy lát. Az Inkscape Művészi tolla csak szerény bevezetést adhat ebbe a művészetbe. De mégis nagyon jó vele eljátszani, és hasznára lehet a munkában is. Kellemes időtöltést! - + diff --git a/share/tutorials/tutorial-calligraphy.id.svg b/share/tutorials/tutorial-calligraphy.id.svg index 80c344719..2165048b4 100644 --- a/share/tutorials/tutorial-calligraphy.id.svg +++ b/share/tutorials/tutorial-calligraphy.id.svg @@ -142,101 +142,93 @@ - If you have a tablet and would like to utilize the sensitivity features, you will need -to configure your device. This configuration will only need to be performed once and -the settings are saved. To enable this support you must have the tablet plugged in -prior to starting inkscape and then proceed to open the Input Devices... -dialog through the Edit menu. With this dialog open you can choose the -preferred device and settings for your tablet pen. Lastly, after choosing those settings, switch -to the Calligraphy tool and toggle the toolbar buttons for pressure and tilt. From -now on, Inkscape will remember those settings on startup. - + Jika anda memiliki tablet dan ingin menggunakan fitur tersebut, anda perlu mengkonfigurasi alat anda. Konfigurasi ini hanya dilakukan sekali dan penataannya disimpan. Untuk mengaktifkannya, anda harus memasang tablet tersebut sebelum menjalankan Inkscape kemudian membuka dialog Input Devices... lewat menu File. Setelah dialog ini dibuka, anda bisa memilih alat dan tata untuk pen tablet anda. Terakhir, setelah memilih penataannya, berpindahlah ke Calligraphy tool dan nyalakan tombol pressure and tilt. Seterusnya, Inkscape akan selalu mengingat penataan tersebut setiap memulai. - + Pena kaligrafi inkscape bisa diatur untuk sensitif terhadap velocity dari sapuan (lihat “thinning-perampingan” dibawah), jadi, jika anda menggunakan tetikus, kemungkinan anda ingin menggunakan nol untuk parameter ini. - - Opsi Calligraphy Tool + + Opsi Calligraphy Tool - + Berpindahlah ke Calligraphy Tool dengan menekan Ctrl+F6, tombol C, atau dengan klik pada tombol toolbarnya. Pada toolbar atas, anda bisa melihat bahwa terdapat 8 opsi/pilihan: Width & Thinning; Angle & Fixation; Caps; Tremor, Wiggle & Mass. Terdapat juga dua tombol untuk menyalakan sensitivitas Pressure dan Tilt pada tablet (untuk tablet gambar). - - Width & Thinning + + Width & Thinning - + Sepasang pilihan ini mengatur width (lebar) dari pena anda. Lebar ini bisa bervariasi dari 1 hingga 100 (standar) dan ukurannya dalam satuan relatif terhadap besar dari jendela editan anda, tetapi independen terhadap zum. Ini dikarenakan “satuan dari pengukuran“ dalam kaligrafi adalah daerah pergerakan tangan anda, dengan demikian, akan lebih baik jika lebar ujung pena anda rasionya konstan terhadap ukuran dari “papan gambar“ dan bukannya ukuran nyata yang berpatokan pada zum. Meskipun begitu, perlakuan ini adalah opsional, jadi bisa saja dirubah untuk mereka yang lebih memilih berpatokan pada zum. Untuk berpindah ke mode ini, gunakan kotak centang pada halaman Preferences tool yang bersangkutan (buka dengan klik ganda pada tombol tool). - + Dikarenakan lebar pena sering berubah, anda bisa mengaturnya tanpa harus lewat toolbar, dengan tombol panah kiri dan panah kanan atau lewat tablet yang mendukung fungsi pressure sensitivity. Hal paling bagus dari tombol ini adalah mereka bisa digunakan saat bekerja, jadi anda bisa merubah lebar pena anda saat anda membuat sapuan: - lebar=1, membesar.... menuju 47, mengecil... kembali ke 0 - - + lebar=1, membesar.... menuju 47, mengecil... kembali ke 0 + + Lebar pena juga bisa bergantung pada velositas, yang dikontrol oleh parameter thinning (perampingan). Parameter ini bisa bernilai -100 sampai dengan 100; nol berarti lebarnya akan tetap pada velositas, positif membuat semakin cepat sapuan dilakukan hasilnya semakin ramping, negatif akan membuatnya lebih lebar. Nilai bawaannya yaitu 10 berarti sedikit perampingan pada sapuan cepat. Berikut adalah beberapa contoh, semua digambar dengan lebar=20 dan sudut=90: - perampingan = 0 (lebar seragam) - perampingan = 10 - perampingan = 40 - perampingan = -20 - perampingan = -60 - - - - - - - - - - - - - - - - - - - - - + perampingan = 0 (lebar seragam) + perampingan = 10 + perampingan = 40 + perampingan = -20 + perampingan = -60 + + + + + + + + + + + + + + + + + + + + + Untuk bersenang-senang, aturlah Width (lebar) dan Thinning (perampingan) masing masing 100 (maksimum) dan cobalah menggambar dengan gerakan mengocok untuk mendapatkan bentuk serupa neuron yang tampak aneh tapi terlihat natural: - - - - - - - - Sudut & Fixation + + + + + + + + Sudut & Fixation - + @@ -251,15 +243,15 @@ now on, Inkscape will remember those settings on startup. - - - - sudut = 90 derajat - sudut = 30 (bawaan) - sudut = 0 - sudut = -90 derajat - - + + + + sudut = 90 derajat + sudut = 30 (bawaan) + sudut = 0 + sudut = -90 derajat + + @@ -268,8 +260,8 @@ now on, Inkscape will remember those settings on startup. - - + + @@ -283,26 +275,26 @@ keeping the angle constant will work best. Here are examples of strokes drawn at different angles (fixation = 100): - sudut = 30 - sudut = 60 - sudut = 90 - sudut = 0 - sudut = 15 - sudut = -45 - - - - - - - + sudut = 30 + sudut = 60 + sudut = 90 + sudut = 0 + sudut = 15 + sudut = -45 + + + + + + + Seperti yang bisa anda lihat, sapuan paling ramping adalah jika digambar paralel terhadap sudutnya, dan lebar jika sebaliknya. Sudut positif adalah yang paling natural dan tradisional untuk kaligrafi tangan kanan. - + @@ -319,19 +311,19 @@ perpendicular to the stroke, and Angle has no effect anymore: - sudut = 30fixation = 100 - sudut = 30fixation = 80 - sudut = 30fixation = 0 - - - - - - - - - - + sudut = 30fixation = 100 + sudut = 30fixation = 80 + sudut = 30fixation = 0 + + + + + + + + + + @@ -340,7 +332,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -349,7 +341,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -358,7 +350,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -367,7 +359,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -376,7 +368,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -385,7 +377,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -394,7 +386,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -403,7 +395,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -412,7 +404,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -421,7 +413,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -430,7 +422,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -439,7 +431,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -448,7 +440,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -457,7 +449,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -466,7 +458,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -475,7 +467,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -484,17 +476,17 @@ perpendicular to the stroke, and Angle has no effect anymore: - + Mudahnya, fixation maksimum dan stroke width (lebar) maksimum (kiri atas) adalah fitur dari typefaces antique serif, seperti Times atau Bodoni (dikarenakan sejarahnya mereka adalah imitasi dari kaligrafi pena tetap). Fixation nol dan kontras lebar nol (kanan atas), sebaliknya, lebih berupa sans serif moderen seperti Helvatica. - - Tremor + + Tremor - + @@ -505,7 +497,7 @@ affect your strokes producing anything from slight unevenness to wild blotches a splotches. This significantly expands the creative range of the tool. - + pelan sedang cepat @@ -519,105 +511,105 @@ splotches. This significantly expands the creative range of the tool. - tremor = 0 - tremor = 10 - tremor = 30 - tremor = 50 - tremor = 70 - tremor = 90 - tremor = 20 - tremor = 40 - tremor = 60 - tremor = 80 - tremor = 100 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Wiggle & Mass + tremor = 0 + tremor = 10 + tremor = 30 + tremor = 50 + tremor = 70 + tremor = 90 + tremor = 20 + tremor = 40 + tremor = 60 + tremor = 80 + tremor = 100 + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Wiggle & Mass - + Tidak seperti lebar dan sudut, dua parameter terakhir ini mendefinisikan bagaimana tool tersebut “lebih berasa“. Dengan demikian, tidak akan ada ilustrasi pada bagian ini; cobalah sendiri untuk memahami. - + Wiggle adalah resistan kertas terhadap pergerakan pena. Bawaannya adalah minimum (0), dan menaikkan parameter ini membuat kertas semakin “licin“: jika massnya besar, pena akan lebih sering selip pada tikungan tajam; jika mass nol, wiggle yang tinggi akan membuat pena bergerak lebih liar. - + Dalam fisika, mass adalah penyebab inertia; semakin besar mass dari tool tersebut, semakin lambar responnya terhadap tetikus dan semakin halus tikungan dan sapuan kasar yang anda buat. Nilai bawaanya cukup kecil (2) sehingga tool lebih cepat dan responsif, tapi tentu anda bisa menaikkannya untuk mendapatkan pen yang lebih halus dan lambat. - - Contoh kaligrafi + + Contoh kaligrafi - + Kini anda telah mengetahui kemampuan dasar dari tool tersebut, anda bisa mencoba membuat kaligrafi. Jika anda baru terhadap seni ini, carilah buku kaligrafi yang bagus dan pelajarilah dengan Inkscape. Bagian ini akan menampilkan beberapa contoh sederhana. - + Pertama, anda perlu membuat sepasang penggaris sebagai penunjuk. Jika anda akan menulis dengan gaya tulisan indah misalnya, tambahkan beberapa guide slanted diantara dua penggaris itu, contohnya: - - - - - - - - - + + + + + + + + + Kemudian zum sehingga tinggi diantara penggaris tersebut sesuai dengan daerah pergerakan tangan natural, atur lebar dan sudutnya, dan silahkan! - + @@ -627,184 +619,184 @@ elements of letters — vertical and horizontal stems, round strokes, slanted stems. Here are some letter elements for the Uncial hand: - - - - - - - - - - - - - - - - - - + + + + + + + + + + + + + + + + + + Beberapa tips berguna: - - + + Jika tangan anda sudah nyaman pada tablet, jangan gerakkan lagi. Gulung saja kanvasnya (Ctrl+panah) dengan tangan kiri anda setiap menyelesaikan tiap huruf. - - + + Jika sapuan terakhir anda jelek, undo saja (Ctrl+Z). Meskipun demikian, jika bentuknya bagus tetapi posisi atau ukurannya salah, akan lebih baik untuk pindah ke Selector (Spasi) dan atur ulang dengan menggunakan tetikus atau tombol, kemudian tekan lagi Spasi untuk kembali ke tool Calligraphy. - - + + Setelah menyelesaikan sehuruf, berpindahlah ke Selector lagi dan atur keseragaman batangnya dan jarak perhurufnya. Jangan berlebihan; kaligrafi yang baik harus memiliki tampilan yang menyerupai tulisan tangan. Kalau bisa jangan menggandakan kemudian menempel huruf atau elemen huruf; setiap sapuan haruslah asli. - + Dan berikut adalah beberapa contoh: - - - - - - - - - Unicial hand - Carolingian hand - Gothic hand - Bâtarde hand - - - Flourished Italic hand - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Akhir + + + + + + + + + Uncial hand + Carolingian hand + Gothic hand + Bâtarde hand + + + Flourished Italic hand + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Akhir - + Kaligrafi bukan hanya untuk bersenang-senang; Ia adalah seni spiritual yang dalam dan bisa merubah cara pandang anda. Tool kaligrafi inkscape hanyalah perkenalan awal. Meskipun begitu, ia sangat bagus untuk bermain dan tetap berguna pada desain nyata. Selamat menikmati! - + diff --git a/share/tutorials/tutorial-calligraphy.ja.svg b/share/tutorials/tutorial-calligraphy.ja.svg index 28cc6c098..16247abf1 100644 --- a/share/tutorials/tutorial-calligraphy.ja.svg +++ b/share/tutorials/tutorial-calligraphy.ja.svg @@ -51,192 +51,184 @@ Inkscape で使えるもっとも素晴らしいツールの一つがカリグラフィです。このチュートリアルではカリグラフィがどのように動くかについて説明し、カリグラフィアートの基本的なテクニックを紹介します。 - + Ctrl+矢印、マウスホイール、または 中央ボタンを押しながらドラッグ を使ってページをスクロールすることができます。基本的なオブジェクトの作成、選択、変形については、 ヘルプ > チュートリアル から基本チュートリアルをご覧ください。 - - 歴史と様式 + + 歴史と様式 - + 辞書によると、カリグラフィ とは「美しい文字」あるいは「美しく気品ある書法」を意味します。本来カリグラフィとは、美しい、あるいは気品ある手書き筆跡を作成する芸術のことです。それは少々堅苦しそうな響きに聞こえるかもしれませんが、少しの練習で誰でもこの芸術の基本を習得することができます。 - + 最古のカリグラフィといえば洞窟画にまで遡ります。印刷機が登場する以前、おおよそ紀元 1440 年頃まで、カリグラフィは書籍やその他の出版物を作成する手段でした。写字生はすべての書籍あるいは出版物の、すべての複製をそれぞれ手書きで作成しなければなりませんでした。手書きは羊皮紙やベラムの上に羽ペンとインクを使用して行われました。時代を経て使用されている書体には、ラスティック体、カロリング体、ブラックレター体などがあります。おそらく、こんにち一般の人々がカリグラフィを目にする最も一般的なものと言えば結婚式の招待状でしょうか。 - + カリグラフィには、主に 3 つのスタイルがあります: - - + + 西洋またはローマ風 - - + + アラビア風 - - + + 中国または東洋風 - + このチュートリアルでは主に西洋風カリグラフィに焦点を当てています。他の 2 つについては、現在のカリグラフィツールの機能よりも、どちらかといえば (ペンではなく) ブラシを使うべきでしょう。 - + 過去の写字生たちに対し私たちがもつ圧倒的なアドバンテージが 元に戻す コマンドの存在です。もし書き損じたとしてもそのページが台無しになったりしません。Inkscape のカリグラフィツールはまた、古典的なペンとインクでは不可能なテクニックも使えます。 - - ハードウェア + + ハードウェア - + たとえば Wacom などの ペンタブレット を使えば最もよい結果が得られるでしょう。このツールには柔軟性があるので、マウスだけでも、素早く曲線を引くことには若干の困難がありますが、かなり複雑なカリグラフィを書くことができます。 - + Inkscape はタブレットペンがサポートする 筆圧検知 や 傾き検知 機能に対応しています。設定が必要であるため、検知機能はデフォルトでは無効になっています。また、ペンでのカリグラフィは、ブラシとは異なり筆圧検知に敏感ではないことも覚えておいてください。 - + - If you have a tablet and would like to utilize the sensitivity features, you will need -to configure your device. This configuration will only need to be performed once and -the settings are saved. To enable this support you must have the tablet plugged in -prior to starting inkscape and then proceed to open the Input Devices... -dialog through the Edit menu. With this dialog open you can choose the -preferred device and settings for your tablet pen. Lastly, after choosing those settings, switch -to the Calligraphy tool and toggle the toolbar buttons for pressure and tilt. From -now on, Inkscape will remember those settings on startup. - + タブレットで検知機能を使いたい場合はデバイスの設定が必要になります。設定は一度行えばそれが保存されます。この機能を有効にするには、まず Inkscape を起動する前にタブレットを接続しておいてください。起動後、ファイル メニューの 入力デバイス... コマンドを選択してください。ダイアログが表示され、既定のデバイスおよびタブレットペンの設定が行えます。設定を保存したら、カリグラフィツールに切り替え、ツールバー上の筆圧および傾き検知ボタンを押してください。以降、Inkscape は起動時にそれら設定を復元します。 - + Inkscape カリグラフィペンは、ペンの動く 速度 を検知できます (後述の「幅変化」を参照してください)。マウスを使用している場合はこのパラメーターをゼロにした方がいいかもしれません。 - - カリグラフィツールオプション + + カリグラフィツールオプション - + Ctrl+F6 キーを押す、C キーを押す、もしくはツールバーボタンを押してカリグラフィツールに切り替えてください。上のツールコントロールバーには 7 つのオプション (幅と幅変化、角度と固定度、震え、およびうねりと質量) があります。またタブレットでの描画用に、タブレットの筆圧および傾き検知をオン/オフする 2 つのボタンがあります。 - - 幅と幅変化 + + 幅と幅変化 - + このオプションのペアは、ペンの 幅 を制御します。幅の値は 1 から 100 が指定できます。単位はデフォルトでは編集ウインドウサイズとの相対値となりますが、ズームレベルには影響されません。これには理由があり、カリグラフィにおける自然な「測定単位」は書き手の手の動きの範囲であり、ペン先の幅は書き手の「画板」に対する一定比である方が、ズームレベルに依存した現実の単位よりも便利だからです。 - + ペン幅はちょくちょく変更されるものなので、ツールバーを使わずに調整することができます。左 および 右 矢印キーか、タブレットの筆圧検知機能を使います。これらキーのもっとも優れている点は描画中にも動作するということです。つまり、書いている最中に徐々にペンの幅を変更することができます。 - 幅=1, 増加.... 幅=47, 減少... 幅=0 に戻る - - + 幅=1, 増加.... 幅=47, 減少... 幅=0 に戻る + + 幅変化 パラメーターによって、ペンの幅は速度にも依存します。このパラメーターは -100 から 100 までの値をとり、ゼロにすると幅は速度の影響を受けずに一定になり、正数なら速度に比例して細くなり、負数なら速度に比例して太くなります。デフォルトの 10 は速い筆の動きで穏やかに細くなります。以下にいくつかの例をあげます。すべて幅=20、角度=90で描画されています: - 幅変化 = 0 (一定幅) - 幅変化 = 10 - 幅変化 = 40 - 幅変化 = -20 - 幅変化 = -60 - - - - - - - - - - - - - - - - - - - - - + 幅変化 = 0 (一定幅) + 幅変化 = 10 + 幅変化 = 40 + 幅変化 = -20 + 幅変化 = -60 + + + + + + + + + + + + + + + + + + + + + 面白半分に、幅と幅変化の両方を 100 (最大) に設定し、きまぐれにペンを動かし描いてみると、妙に自然な、神経細胞のようなシェイプができあがりました: - - - - - - - - 角度と固定度 + + + + + + + + 角度と固定度 - + @@ -251,15 +243,15 @@ now on, Inkscape will remember those settings on startup. - - - - 角度 = 90° - 角度 = 30 (デフォルト) - 角度 = 0 - 角度 = -90° - - + + + + 角度 = 90° + 角度 = 30 (デフォルト) + 角度 = 0 + 角度 = -90° + + @@ -268,34 +260,34 @@ now on, Inkscape will remember those settings on startup. - - + + 古典的なカリグラフィ書体はそれぞれ自身のペン角度を持っていました。例えば、アンシャル体では角度 25°を採用しています。より複雑な書体やより熟練した書家はしばしば描画中に角度を変えますが、Inkscape はこれを 上 および 下 矢印キーまたはタブレットの傾き検知機能で実現しています。ただし、カリグラフィの練習を始めたばかりのころは角度を一定に保つ方がよいでしょう。以下に様々な角度で描かれた例を示します (固定度 = 100): - 角度 = 30 - 角度 = 60 - 角度 = 90 - 角度 = 0 - 角度 = 15 - 角度 = -45 - - - - - - - + 角度 = 30 + 角度 = 60 + 角度 = 90 + 角度 = 0 + 角度 = 15 + 角度 = -45 + + + + + + + ご覧のように、ストロークはその角度に平行に描くと細くなり、垂直に描くと太くなります。右手書きのカリグラフィでは、正の角度がもっとも自然で一般的です。 - + @@ -307,19 +299,19 @@ now on, Inkscape will remember those settings on startup. - 角度 = 30固定度 = 100 - 角度 = 30固定度 = 80 - 角度 = 30固定度 = 0 - - - - - - - - - - + 角度 = 30固定度 = 100 + 角度 = 30固定度 = 80 + 角度 = 30固定度 = 0 + + + + + + + + + + @@ -328,7 +320,7 @@ now on, Inkscape will remember those settings on startup. - + @@ -337,7 +329,7 @@ now on, Inkscape will remember those settings on startup. - + @@ -346,7 +338,7 @@ now on, Inkscape will remember those settings on startup. - + @@ -355,7 +347,7 @@ now on, Inkscape will remember those settings on startup. - + @@ -364,7 +356,7 @@ now on, Inkscape will remember those settings on startup. - + @@ -373,7 +365,7 @@ now on, Inkscape will remember those settings on startup. - + @@ -382,7 +374,7 @@ now on, Inkscape will remember those settings on startup. - + @@ -391,7 +383,7 @@ now on, Inkscape will remember those settings on startup. - + @@ -400,7 +392,7 @@ now on, Inkscape will remember those settings on startup. - + @@ -409,7 +401,7 @@ now on, Inkscape will remember those settings on startup. - + @@ -418,7 +410,7 @@ now on, Inkscape will remember those settings on startup. - + @@ -427,7 +419,7 @@ now on, Inkscape will remember those settings on startup. - + @@ -436,7 +428,7 @@ now on, Inkscape will remember those settings on startup. - + @@ -445,7 +437,7 @@ now on, Inkscape will remember those settings on startup. - + @@ -454,7 +446,7 @@ now on, Inkscape will remember those settings on startup. - + @@ -463,7 +455,7 @@ now on, Inkscape will remember those settings on startup. - + @@ -472,17 +464,17 @@ now on, Inkscape will remember those settings on startup. - + タイポグラフィ上の話では、最大固定度すなわち幅の対比が最大のストローク (上図左) が Times や Bodoni のようなアンティークなセリフ書体の特徴になっています (なぜならこれら書体は歴史的に固定ペンカリグラフィを模倣しているからです)。 - - 震え + + 震え - + @@ -493,7 +485,7 @@ affect your strokes producing anything from slight unevenness to wild blotches a splotches. This significantly expands the creative range of the tool. - + ゆっくり 普通 速く @@ -507,289 +499,289 @@ splotches. This significantly expands the creative range of the tool. - 震え = 0 - 震え = 10 - 震え = 30 - 震え = 50 - 震え = 70 - 震え = 90 - 震え = 20 - 震え = 40 - 震え = 60 - 震え = 80 - 震え = 100 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - うねりと質量 + 震え = 0 + 震え = 10 + 震え = 30 + 震え = 50 + 震え = 70 + 震え = 90 + 震え = 20 + 震え = 40 + 震え = 60 + 震え = 80 + 震え = 100 + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + うねりと質量 - + 幅や角度と違い、この 2 つのパラメーターは視覚効果に作用すると言うより、ツールの「感触」を定義します。そのため、この節ではイラストは一切ありません。あなた自ら試してみてください。 - + うねり はペンを走らせる時の紙の抵抗です。値が小さいほど紙は「滑りやすく」なります。質量を大きくした場合、ペンは急な方向転換をしなくなります。質量がゼロの場合、低いうねりはペンを大胆にうねらせます。 - + 物理学では 質量 は慣性の要因です。Inkscape のカリグラフィツールにおいては、質量を大きくするとマウスポインターに追随するペンの遅れがより大きくなり、きびきび動かず、ストロークがよりスムーズな形状になります。デフォルトではこの値は小さく (2) になっていますので素早く反応しますが、質量を増やせば、ゆっくりと、スムーズなペンになります。 - - カリグラフィの例 + + カリグラフィの例 - + ここまででカリグラフィツールの基本が分かったと思いますので、実際にいくつかカリグラフィを描いてみましょう。 - + まず最初に、ガイドとなるルーラーのペアを作成しましょう。もし斜体や草書体を書こうとしているのであれば、2 つのルーラーと交差するいくつかの斜線のガイドも加えます。以下に例を示します: - - - - - - - - - + + + + + + + + + そして、ルーラー間が自然に手を動かすのに最も適した高さになるようにズームしてやってみましょう。 - + おそらく、ビギナーカリグラファーのあなたは最初に文字の基本要素を練習するのがいいでしょう。すなわち、垂直および水平のステム、丸いストローク、斜めのステムです。以下にアンシャル体におけるいくつかの文字の要素を示します: - - - - - - - - - - - - - - - - - - + + + + + + + + + + + + + + + + + + 役に立つコツ: - - + + 手をタブレットの上でくつろいだ状態にしたら、そこから動かさないでください。代わりに、文字を書くごとに左手でキャンバスを (Ctrl+矢印 キーで) スクロールさせましょう。 - - + + 最後のストロークに失敗したら、元に戻しましょう (Ctrl+Z)。ただし、シェイプはうまく書けたけれども位置や大きさが少しずれていたなどの場合は、一時的に選択ツールに切り替え(スペース キー)、マウスやキーボードから移動/拡大縮小/回転などして修正しましょう。その後再び スペース キーを押せばカリグラフィツールに戻ります。 - - + + 語句を書いたら、選択ツールに切り替え、ステムの均一性や字間を調整しましょう。でもやりすぎないでください。よいカリグラフィには多少の不規則な手書き感を残さなければなりません。文字や文字要素をコピーしたいという誘惑に負けないでください。筆跡はそれぞれがオリジナルでなければなりません。 - + さらに、ここでいくつかの完全なレタリングの例をあげておきます: - - - - - - - - - アンシャル体 - カロリング体 - ゴシック体 - バタード体 - - - フラリッシュイタリック体 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 最後に + + + + + + + + + アンシャル体 + カロリング体 + ゴシック体 + バタード体 + + + フラリッシュイタリック体 + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 最後に - + カリグラフィはただ楽しいだけではありません。それは、あなたが見たり行ったりするすべての物の見方を変えてしまうかもしれないくらい、深く精神的な芸術なのです。Inkscape のカリグラフィツールは、そのさわりの部分程度に用いることができるだけですが、それを遊ぶには十分で、本当のデザインに役立つかもしれません。楽しんでください! - + diff --git a/share/tutorials/tutorial-calligraphy.nl.svg b/share/tutorials/tutorial-calligraphy.nl.svg index 47ebaa12c..515dff5e9 100644 --- a/share/tutorials/tutorial-calligraphy.nl.svg +++ b/share/tutorials/tutorial-calligraphy.nl.svg @@ -142,15 +142,7 @@ - If you have a tablet and would like to utilize the sensitivity features, you will need -to configure your device. This configuration will only need to be performed once and -the settings are saved. To enable this support you must have the tablet plugged in -prior to starting inkscape and then proceed to open the Input Devices... -dialog through the Edit menu. With this dialog open you can choose the -preferred device and settings for your tablet pen. Lastly, after choosing those settings, switch -to the Calligraphy tool and toggle the toolbar buttons for pressure and tilt. From -now on, Inkscape will remember those settings on startup. - + Indien je een tablet hebt en de gevoeligheidsfunctionaliteit wil gebruiken, moet je het toestel configureren. Deze configuratie is slechts éénmalig nodig; de instellingen worden bewaard. Voor het inschakelen van de ondersteuning moet het tablet ingeplugd zijn voor het starten van Inkscape en ga dan naar Invoerapparaten... in het menu Bestand. Met dit dialoogvenster kan je het voorkeursinstellingen voor het toestel en tablet pen kiezen. Schakel vervolgens over naar het kalligrafiegereedschap en verschakel de knoppen voor druk en hoek in de knoppenbalk. Vanaf nu zal Inkscape deze instellingen onthouden. @@ -169,10 +161,10 @@ now on, Inkscape will remember those settings on startup. Schakel over naar het kalligrafiegereedschap door te drukken op Ctrl+F6, op C, of door te klikken op de knoppenbalk. Op de gereedschapsdetailsbalk zijn er 8 opties zichtbaar: Breedte & Versmalling & Hoek & Oriëntatie & Kapje & Beving & Wegglijden & Massa. Er zijn ook nog twee knoppen voor het inschakelen van druk- en hoekgevoeligheid (voor tekentabletten). - - Breeedte & versmalling + + Breeedte & versmalling - + @@ -195,31 +187,31 @@ now on, Inkscape will remember those settings on startup. De penbreedte kan ook afhankelijk zijn van de snelheid, bepaald door de parameter Versmalling. Deze parameter kan waarden aannemen van -100 tot 100. Nul betekent dat de breedte onafhankelijk is van de snelheid, positieve waarden maakt snelle pennentrekken smaller, terwijl negatieve waarden snelle pennentrekken breder maakt. De standaardwaarde van 10 zorgt voor middelmatige verdunning van snelle pennentrekken. Hier zijn enekel voorbeelden getekent met breedte=20 en hoek=90: - versmalling = 0 (uniforme breedte) - versmalling = 10 - versmalling = 40 - versmalling = -20 - versmalling = -60 - - - - - - - - - - - - - - - - - - - - + versmalling = 0 (uniforme breedte) + versmalling = 10 + versmalling = 40 + versmalling = -20 + versmalling = -60 + + + + + + + + + + + + + + + + + + + + @@ -227,14 +219,14 @@ now on, Inkscape will remember those settings on startup. Voor de fun, stel breedte en verdunning beide in op 100 (maximum) en teken met schokkerige bewegingen om rare natuurlijk neuron-achtige vormen te krijgen: - - - - - - - - Hoek & fixatie + + + + + + + + Hoek & fixatie @@ -251,15 +243,15 @@ now on, Inkscape will remember those settings on startup. - - - - hoek = 90 gr - hoek = 30 (standaard) - hoek = 0 - hoek = -90 gr - - + + + + hoek = 90 gr + hoek = 30 (standaard) + hoek = 0 + hoek = -90 gr + + @@ -268,7 +260,7 @@ now on, Inkscape will remember those settings on startup. - + @@ -276,19 +268,19 @@ now on, Inkscape will remember those settings on startup. Elke traditionele kalligrafiestijl heeft zijn eigen standaard penhoek. Bijvoorbeeld, het Unciaal handschrift gebruikt een hoek van 25 graden. Bij meer gecompliceerde handschriften en bij gevorderde kalligrafen zal de hoek variëren tijdens het tekenen. Inkscape maakt dit mogelijk door het drukken op de pijltjestoetsen omhoog en omlaag of met een tablet dat hoekgevoeligheid ondersteunt. Voor kalligrafielessen voor beginners werkt het constant van de hoek het beste. Hier zijn voorbeelden van pennentrekken getekend met verschillende hoeken (fixatie=100): - hoek = 30 - hoek = 60 - hoek = 90 - hoek = 0 - hoek = 15 - hoek = -45 - - - - - - - + hoek = 30 + hoek = 60 + hoek = 90 + hoek = 0 + hoek = 15 + hoek = -45 + + + + + + + @@ -307,19 +299,19 @@ now on, Inkscape will remember those settings on startup. - hoek = 30fixatie = 100 - hoek = 30fixatie = 80 - hoek = 30fixatie = 0 - - - - - - - - - - + hoek = 30fixatie = 100 + hoek = 30fixatie = 80 + hoek = 30fixatie = 0 + + + + + + + + + + @@ -328,7 +320,7 @@ now on, Inkscape will remember those settings on startup. - + @@ -337,7 +329,7 @@ now on, Inkscape will remember those settings on startup. - + @@ -346,7 +338,7 @@ now on, Inkscape will remember those settings on startup. - + @@ -355,7 +347,7 @@ now on, Inkscape will remember those settings on startup. - + @@ -364,7 +356,7 @@ now on, Inkscape will remember those settings on startup. - + @@ -373,7 +365,7 @@ now on, Inkscape will remember those settings on startup. - + @@ -382,7 +374,7 @@ now on, Inkscape will remember those settings on startup. - + @@ -391,7 +383,7 @@ now on, Inkscape will remember those settings on startup. - + @@ -400,7 +392,7 @@ now on, Inkscape will remember those settings on startup. - + @@ -409,7 +401,7 @@ now on, Inkscape will remember those settings on startup. - + @@ -418,7 +410,7 @@ now on, Inkscape will remember those settings on startup. - + @@ -427,7 +419,7 @@ now on, Inkscape will remember those settings on startup. - + @@ -436,7 +428,7 @@ now on, Inkscape will remember those settings on startup. - + @@ -445,7 +437,7 @@ now on, Inkscape will remember those settings on startup. - + @@ -454,7 +446,7 @@ now on, Inkscape will remember those settings on startup. - + @@ -463,7 +455,7 @@ now on, Inkscape will remember those settings on startup. - + @@ -472,17 +464,17 @@ now on, Inkscape will remember those settings on startup. - + Vanuit typografisch standpunt zijn maximum fixatie en bijgevolg maximum lijnbreedtecontrast (boven links) de kenmerken van de oude serif lettertypen, zoals Times of Bodoni, omdat deze lettertypen historisch een imitatie waren van vaste-pen-kalligrafie. Nul fixatie en nul breedtecontrast (boven rechts) aan de andere kant, suggereren moderne sans serif lettertypen zoals Helvetica. - - Beving + + Beving - + @@ -493,7 +485,7 @@ affect your strokes producing anything from slight unevenness to wild blotches a splotches. This significantly expands the creative range of the tool. - + traag gemiddeld snel @@ -507,52 +499,52 @@ splotches. This significantly expands the creative range of the tool. - beving = 0 - beving = 10 - beving = 30 - beving = 50 - beving = 70 - beving = 90 - beving = 20 - beving = 40 - beving = 60 - beving = 80 - beving = 100 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Wegglijden & Massa + beving = 0 + beving = 10 + beving = 30 + beving = 50 + beving = 70 + beving = 90 + beving = 20 + beving = 40 + beving = 60 + beving = 80 + beving = 100 + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Wegglijden & Massa - + @@ -566,230 +558,230 @@ splotches. This significantly expands the creative range of the tool. Wegglijden is de weerstand van het papier tegen de beweging van de pen. Standaard staat deze op het minimum (0). Deze parameter vergroten maakt het papier “slipperig”: indien de massa groot is, heeft de pen de neiging om weg te glijden bij scherpe bochten; indien de massa nul is, zorgt een hoge waarde voor wegglijden dat de pen wild wiebelt. - + In de natuurkunde is massa datgene wat traagheid veroorzaakt. Hoe hoger de massa van het Inkscape kalligrafiegereedschap, hoe meer het achterblijft op je muispointer en hoe meer het scherpe bochten en snelle trekken in je lijn afvlakt. Standaard is deze waarde vrij klein (2) zodat het gereedschap snel en responsief is, maar je kan de massa verhogen om een tragere en effenere pen te krijgen. - - Kalligrafievoorbeelden + + Kalligrafievoorbeelden - + Nu dat je de basismogelijkheden van het gereedschap kent, kan je proberen om enige echte kalligrafie te maken. Indien je nieuw in deze kunst bent, haal een goed kalligrafieboek en bestudeer het met Inkscape. Deze sectie zal je enkele eenvoudige voorbeelden tonen. - + Om letter te maken moet je eerst en vooral een aantal linialen maken om je te helpen. Indien je in cursief schrijft, voeg enkele schuine hulplijnen toe tussen de twee linialen, bijvoorbeeld: - - - - - - - - - + + + + + + + + + Zoom vervolgens in zodat de hoogte tussen de linialen overeenkomt met je meest natuurlijke range van handbewegingen, pas de breedte en hoek aan en schrijven maar! - + Wellicht is het eerste ding dat je als beginnende kalligraaf wil doen, de basiselementen van letters oefenen — verticale en horizontale lijnen, ronde lijnen en cursieve lijnen. Hier zijn enkele letteronderdelen van het Unciaal handschrift: - - - - - - - - - - - - - - - - - - + + + + + + + + + + + + + + + + + + Enkele bruikbare tips: - - + + Indien je hand confortabel zit op het tablet, verplaats het niet. Scroll in plaats daarvan het canvas (Ctrl+pijltjestoetsen) met je linkerhand na het beëindigen van elke letter. - - + + Indien je laatste lijn slecht is, maak deze gewoon ongedaan (Ctrl+Z). Echter, indien de vorm goed is, maar de positie of grootte is niet perfect, is het beter om tijdelijk naar het selectiegereedschap over te schakelen (Spatie) en verplaats/schaal/roteer zoals gewenst (met de muis of het toetsenbord), druk dan opnieuw op Spatie om naar het kalligrafiegereedschap terug te gaan. - - + + Schakel na het beëindigen terug over naar het selectiegereedschap om uniformiteit en letterspatiëring aan te passen. Overdrijf hier echter niet mee: goede kalligrafie moet een wat onregelmatig uitzicht behouden. Weersta de drang om letters en letteronderdelen te kopiëren; elke lijn moet origineel zijn. - + Hier zijn nog enkele lettervoorbeelden: - - - - - - - - - Unciaal - Karolingisch - Gotisch - Bastarda - - - Vloeiend cursief - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Conclusie + + + + + + + + + Unciaal + Karolingisch + Gotisch + Bastarda + + + Vloeiend cursief + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Conclusie - + Kalligrafie is niet alleen fun. Het is een diep spirituele kunst die je zicht op alles wat je doet en ziet, kan beïnvloeden. Inkscape's kalligrafiegereedschap kan alleen dienen als een bescheiden introductie. En toch is het leuk om mee te spelen en kan het bruikbaar zijn in echte ontwerpen. Veel plezier! - + diff --git a/share/tutorials/tutorial-calligraphy.pl.svg b/share/tutorials/tutorial-calligraphy.pl.svg index 41503708a..6c14357f8 100644 --- a/share/tutorials/tutorial-calligraphy.pl.svg +++ b/share/tutorials/tutorial-calligraphy.pl.svg @@ -142,104 +142,96 @@ - If you have a tablet and would like to utilize the sensitivity features, you will need -to configure your device. This configuration will only need to be performed once and -the settings are saved. To enable this support you must have the tablet plugged in -prior to starting inkscape and then proceed to open the Input Devices... -dialog through the Edit menu. With this dialog open you can choose the -preferred device and settings for your tablet pen. Lastly, after choosing those settings, switch -to the Calligraphy tool and toggle the toolbar buttons for pressure and tilt. From -now on, Inkscape will remember those settings on startup. - + Jeżeli masz tablet i chcesz wykorzystać funkcje czułości, musisz skonfigurować to urządzenie. Wystarczy zrobić to raz, a ustawienia zostaną zachowane. Aby uaktywnić funkcję tabletu, musisz podłączyć tablet do komputera przed uruchomieniem Inkscape'a. Po uruchomieniu Inkscape'a otwórz okno dialogowe „Urządzenia wejściowe…Plik - + - + Narzędzie „Kaligrafia” potrafi być czułe na szybkość ruchu (zobacz „Pocienianie” poniżej), więc jeżeli używasz myszy, prawdopodobnie zechcesz wyzerować ten parametr. - - Opcje narzędzia „Kaligrafia” + + Opcje narzędzia „Kaligrafia” - + - + Włącz narzędzie „Kaligrafia”, używając skrótu [ Ctrl+F6 ], naciskając klawisz [ C ] bądź klikając ikonę kaligrafii w przyborniku. Na pasku narzędzi zauważysz kilka opcji: Szerokość, Pocienianie, Kąt, Ułożenie, Zakończenie, Drżenie i Masa. Znajdują się tam również dwa przyciski do przełączania siły nacisku tabletu oraz włączenia/wyłączenia czułości nachylenia tabletów do rysowania. - - Szerokość i pocienianie + + Szerokość i pocienianie - + - + Ta para opcji kontroluje szerokość pióra. Może ona mieć wartość od 1 do 100 i domyślnie jest mierzona w jednostkach relatywnie do wielkości okna edycji, lecz niezależnie od skali przybliżenia. Ma to sens, ponieważ w kaligrafii naturalną „jednostką miary” jest zasięg ruchu ręki i dlatego wygodnie jest mieć szerokość stalówki pióra w stałym stosunku do rozmiaru „obszaru roboczego rysunku”, a nie w rzeczywistych jednostkach, które byłyby zależne od skali przybliżenia. To ustawienie jest opcjonalne i osoby, które wolałyby pracować na jednostkach bezwzględnych niezależnie od skali przybliżenia, mogą je zmienić w oknie preferencji globalnych Inkscape'a, które można otworzyć klikając dwukrotnie ikonę narzędzia „Kaligrafia” znajdującą się w przyborniku. - + - + Ponieważ szerokość pióra jest często zmieniana, można ją dostosowywać bez pomocy paska narzędzi, używając klawiszy [ strzałka w lewo ] i [ strzałka w prawo ] lub za pomocą tabletu, który obsługuje funkcję siły nacisku. Najlepsze jest to, że klawisze te działają podczas rysowania, a więc można zmieniać szerokość pióra stopniowo w trakcie ruchu: - szerokość = 1, rośnie.... osiąga 47, maleje... powraca do 0 - - + szerokość = 1, rośnie.... osiąga 47, maleje... powraca do 0 + + - + Szerokość pióra może również zależeć od szybkości pociągnięcia kontrolowanej za pomocą parametru „pocienianie”. Może on przyjmować wartości od -100 do 100. Zero oznacza, że szerokość linii jest niezależna od szybkości, z jaką jest rysowana. Dodatnie wartości powodują, że szybsze pociągnięcia tworzą cieńsze linie, a ujemne odwrotnie – grubsze. Domyślna wartość 10 oznacza umiarkowane pocienianie szybkich pociągnięć. Oto parę przykładów, wszystkie narysowane z szerokością równą 20 i kątem 90 stopni: - pocienianie = 0 (jednolita szerokość) - pocienianie = 10 - pocienianie = 04. - pocienianie = -20 - pocienianie = -60 - - - - - - - - - - - - - - - - - - - - - - - - + pocienianie = 0 (jednolita szerokość) + pocienianie = 10 + pocienianie = 04. + pocienianie = -20 + pocienianie = -60 + + + + + + + + + + + + + + + + + + + + + + + + Dla zabawy ustaw zarówno szerokość, jak i pocienienie na 100 (maksimum) i gwałtownymi ruchami wykonaj rysunek, a uzyskach naturalistyczne, podobne do neuronów kształty: - - - - - - - - Kąt i ułożenie + + + + + + + + Kąt i ułożenie - + - + Kąt, to najważniejszy po szerokości parametr kaligrafii. Jest to kąt stalówki pióra podany w stopniach, w zakresie zmian od 0 (poziomo) do 90 (pionowo, przeciwnie do kierunku ruchu wskazówek zegara) lub do -90 (pionowo, zgodnie z ruchem wskazówek zegara). Zauważ, że jeżeli dla tabletu zostanie włączona wrażliwość na nachylenie, parametr „Kąt” stanie się nieaktywny, a kąt będzie określany przez nachylenie pióra. @@ -251,15 +243,15 @@ now on, Inkscape will remember those settings on startup. - - - - kąt = 90 stopni - kąt = 30 (domyślny) - kąt = 0 - kąt = -90 stopni - - + + + + kąt = 90 stopni + kąt = 30 (domyślny) + kąt = 0 + kąt = -90 stopni + + @@ -268,11 +260,11 @@ now on, Inkscape will remember those settings on startup. - - + + - + Each traditional calligraphy style has its own prevalent pen angle. For example, the Uncial hand uses the angle of 25 degrees. More complex hands and more experienced @@ -283,29 +275,29 @@ keeping the angle constant will work best. Here are examples of strokes drawn at different angles (fixation = 100): - kąt = 30 - kąt = 60 - kąt = 90 - kąt = 0 - kąt = 15 - kąt = -45 - - - - - - - + kąt = 30 + kąt = 60 + kąt = 90 + kąt = 0 + kąt = 15 + kąt = -45 + + + + + + + - + Jak widać, linia jest najcieńsza, kiedy rysuje się ją równolegle do kąta i najszersza, kiedy jest rysowana prostopadle. W przypadku kaligrafii praworęcznej najbardziej naturalne i tradycyjne są dodatnie ustawienia kąta. - + - + The level of contrast between the thinnest and the thickest is controlled by the fixation parameter. The value of 100 means that the angle is always @@ -319,19 +311,19 @@ perpendicular to the stroke, and Angle has no effect anymore: - kąt = 30ułożenie = 100 - kąt = 30ułożenie = 80 - kąt = 30ułożenie = 0 - - - - - - - - - - + kąt = 30ułożenie = 100 + kąt = 30ułożenie = 80 + kąt = 30ułożenie = 0 + + + + + + + + + + @@ -340,7 +332,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -349,7 +341,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -358,7 +350,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -367,7 +359,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -376,7 +368,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -385,7 +377,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -394,7 +386,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -403,7 +395,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -412,7 +404,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -421,7 +413,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -430,7 +422,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -439,7 +431,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -448,7 +440,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -457,7 +449,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -466,7 +458,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -475,7 +467,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -484,20 +476,20 @@ perpendicular to the stroke, and Angle has no effect anymore: - + - + Określając to typograficznie, maksymalne ułożenie i tym samym maksymalny kontrast szerokości linii (powyżej, po lewej stronie) są cechami antycznych, szeryfowych krojów pisma takich jak Times lub Bodoni, ponieważ te kroje pism, były historycznie naśladownictwem kaligrafii piórem o stałym kącie ustawienia, a ułożenie i kontrast wynoszący 0 (powyżej, po prawej stronie) sugeruje nowoczesne kroje bezszeryfowe takie jak Helvetica. - - Drżenie + + Drżenie - + - + Tremor is intended to give a more natural look to the calligraphy strokes. Tremor is adjustable in the Controls bar with values ranging from 0 to 100. It will @@ -505,7 +497,7 @@ affect your strokes producing anything from slight unevenness to wild blotches a splotches. This significantly expands the creative range of the tool. - + wolno średnio szybko @@ -519,292 +511,292 @@ splotches. This significantly expands the creative range of the tool. - drżenie = 0 - drżenie = 10 - drżenie = 30 - drżenie = 50 - drżenie = 70 - drżenie = 90 - drżenie = 20 - drżenie =4 0 - drżenie = 60 - drżenie = 80 - drżenie = 100 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Drżenie i Masa + drżenie = 0 + drżenie = 10 + drżenie = 30 + drżenie = 50 + drżenie = 70 + drżenie = 90 + drżenie = 20 + drżenie =4 0 + drżenie = 60 + drżenie = 80 + drżenie = 100 + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Drżenie i Masa - + - + W przeciwieństwie do szerokości i kąta, te dwa ostatnie parametry definiują sposób prowadzenia narzędzia, a nie właściwości wizualne. Tym razem nie przedstawimy żadnych ilustracji. Zamiast tego po prostu wypróbuj sam te parametry czynników, by lepiej je zrozumieć. - + - + Poślizg to opór, jaki stawia papier podczas ruchu pióra. Domyślnie ustawiona jest minimalna wartość – 0. Zwiększanie tego parametru sprawia, że papier staje się bardziej śliski. Jeśli masa jest duża, pióro przy gwałtownych ruchach ma tendencję do „uciekania”. Jeśli parametr masy jest ustawiony na 0, duży poślizg sprawia, że linia jest pokręcona. - + - + W fizyce masa jest elementem powodującym inercję. Im wyższa masa narzędzia „Kaligrafia”, tym wolniej porusza się ono za kursorem myszy oraz bardziej wygładza ostre skręty i nagłe szarpnięcia. Domyślnie wartość ta jest dość mała – 2, więc narzędzie jest szybkie i szybko reaguje, ale można zwiększyć masę, by pióro stało się wolniejsze i „gładsze”. - - Przykłady kaligrafii + + Przykłady kaligrafii - + - + Teraz gdy znasz już podstawowe możliwościami narzędzia „Kaligrafia”, możesz spróbować tej sztuki i utworzyć kilka obiektów kaligraficznych. Jeżeli jednak jesteś nowicjuszem w tej sztuce, zakup dobrą książkę o kaligrafii i studiuj ją z Inkscape'em. W tej części zobaczysz jedynie kilka prostych przykładów. - + - + Przede wszystkim, aby tworzyć litery, należy wprowadzić dwie linijki, które będą prowadnicami. Jeśli chcesz tworzyć pismo pochyłe lub kursywę, dodaj pochylone prowadnice przecinające wprowadzone już linijki, na przykład: - - - - - - - - - + + + + + + + + + - + Teraz ustaw tak skalę przybliżenia, aby odległość pomiędzy linijkami odpowiadała twojemu najbardziej naturalnemu zakresowi ruchów ręki, dostosuj szerokość i kąt, i startuj! - + - + Probably the first thing you would do as a beginner calligrapher is practice the basic elements of letters — vertical and horizontal stems, round strokes, slanted stems. Here are some letter elements for the Uncial hand: - - - - - - - - - - - - - - - - - - - - - + + + + + + + + + + + + + + + + + + + + + Kilka użytecznych wskazówek: - - + + - + Jeżeli prawa ręka spoczywa wygodnie na tablecie, nie przemieszczaj jej. Do przewinięcia obszaru roboczego po skończeniu litery, użyj lewej ręki, wybierając nią skrót [ Ctrl+strzałki ]. - - + + - + Jeśli twoje ostatnie pociągnięcie okazało się złe, po prostu cofnij je za pomocą skrótu [ Ctrl+Z ]. Jednak jeśli jego kształt jest dobry, a tylko pozycja czy wielkość są nieznacznie wadliwe, lepiej będzie chwilowo przełączyć się na narzędzie „Wskaźnik” [ Spacja ] i za pomocą myszy lub klawiszy – w zależności od potrzeby – popchnąć/przeskalować/obrócić obiekt, a następnie ponownie nacisnąć [ Spację ], by powrócić do narzędzia „Kaligrafia”. - - + + - + Kiedy utworzysz słowo, włącz ponownie narzędzie „Wskaźnik”, aby wyregulować jednolitość osi i odległości między literami. Nie należy z tym przesadzać - dobra kaligrafia musi zachować w wyglądzie nieco nieregularności odręcznego pisma. Oprzyj się pokusie kopiowania liter i ich elementów - każda kreska musi być autentyczna. - + - + A oto kilka przykładów liternictwa: - - - - - - - - - Odręczne pismo uncjalne - Odręczne pismo karolińskie - Odręczne pismo gotyckie - Odręczne pismo Bâtarde (francuski gotyk) - - - Odręczne pochyłe pismo ornamentowe - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Podsumowanie + + + + + + + + + Odręczne pismo uncjalne + Odręczne pismo karolińskie + Odręczne pismo gotyckie + Odręczne pismo Bâtarde (francuski gotyk) + + + Odręczne pochyłe pismo ornamentowe + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Podsumowanie - + - + Kaligrafia nie jest tylko zabawą. To głęboko uduchowiona sztuka, która może zmienić twój pogląd na wszystko, co robisz i widzisz. Narzędzie kaligrafii Inkscape'a może ci posłużyć tylko jako skromne wprowadzenie. Poza tym to przecież bardzo przyjemne pobawić się nim, a może być użyteczne w rzeczywistym projekcie. Miłej zabawy! - + diff --git a/share/tutorials/tutorial-calligraphy.pt.svg b/share/tutorials/tutorial-calligraphy.pt.svg index da76f65c2..9b424335b 100644 --- a/share/tutorials/tutorial-calligraphy.pt.svg +++ b/share/tutorials/tutorial-calligraphy.pt.svg @@ -161,10 +161,10 @@ Pode-se mudar para a ferramenta de Caligrafia pressionando Ctrl+F6, pressionando a tecla C ou clicando no botão na Barra de Ferramentas. Na barra de Controlos da Ferramenta existem 7 opções: Largura, Estreitamento, Ângulo, Fixação, Pontas, Tremido, Ondulado e Inércia. Também existem 2 botões para ativar e desativar a sensibilidade à pressão e inclinação da caneta (para a mesa digitalizadora). - - Largura e Estreitamento + + Largura e Estreitamento - + @@ -180,38 +180,38 @@ largura=1 a crescer... atingindo 47 e a diminuir... para 0 - + A largura do traço da caneta pode também depender da velocidade, controlada pelo parâmetro Estreitamento. Este parâmetro pode ter valores entre -100 e 100; 0 significa que a largura é independente da velocidade, valores positivos fazem traços rápidos mais finos, valores negativos fazem traços rápidos mais amplos. O valor padrão de 10 significa finura moderada de traços rápidos. Aqui estão alguns exemplos, todos desenhados com largura=20 e ângulo=90: - estreitamento = 0 (largura uniforme) - estreitamento = 10 - estreitamento = 40 - estreitamento = -20 - estreitamento = -60 - - - - - - - - - - - - - - - - - - - - + estreitamento = 0 (largura uniforme) + estreitamento = 10 + estreitamento = 40 + estreitamento = -20 + estreitamento = -60 + + + + + + + + + + + + + + + + + + + + @@ -219,14 +219,14 @@ Por diversão, configure tanto a Largura como o Estreitamento com o valor 100 (máximo) e desenhe com movimentos bruscos para obter formas estranhamente naturais, parecidas com neurónios: - - - - - - - - Ângulo e Fixação + + + + + + + + Ângulo e Fixação @@ -261,7 +261,7 @@ - + @@ -280,7 +280,7 @@ - + @@ -299,19 +299,19 @@ - ângulo = 30fixação = 100 - ângulo = 30fixação = 80 - ângulo = 30fixação = 0 - - - - - - - - - - + ângulo = 30fixação = 100 + ângulo = 30fixação = 80 + ângulo = 30fixação = 0 + + + + + + + + + + @@ -320,7 +320,7 @@ - + @@ -329,7 +329,7 @@ - + @@ -338,7 +338,7 @@ - + @@ -347,7 +347,7 @@ - + @@ -356,7 +356,7 @@ - + @@ -365,7 +365,7 @@ - + @@ -374,7 +374,7 @@ - + @@ -383,7 +383,7 @@ - + @@ -392,7 +392,7 @@ - + @@ -401,7 +401,7 @@ - + @@ -410,7 +410,7 @@ - + @@ -419,7 +419,7 @@ - + @@ -428,7 +428,7 @@ - + @@ -437,7 +437,7 @@ - + @@ -446,7 +446,7 @@ - + @@ -455,7 +455,7 @@ - + @@ -464,24 +464,24 @@ - + Tipograficamente falando, fixação máxima, e por sua vez, contraste da largura do traço máximo (acima à esquerda) são as características de antigas fontes serifadas, tais como a Times ou Bodoni (porque estas fontes são historicamente uma imitação da caligrafia com caneta fixa). A fixação a zero e contraste da largura também a zero (acima à direita), por outro lado, sugere fontes sem serifas modernas como a Helvetica. - - Tremido + + Tremido - + Tremido tem como função dar um visual mais natural aos traços caligráficos. O Tremido é ajustável na barra Controlos da Ferramenta com valores que variam de 0 até 100. Isto afeta os traços produzindo coisas como uma leve irregularidade até manchas e marcas violentas. Isto expande significativamente a variedade criativa da ferramenta. - + lento médio rápido @@ -495,289 +495,289 @@ - tremido = 0 - tremido = 10 - tremido = 30 - tremido = 50 - tremido = 70 - tremido = 90 - tremido = 20 - tremido = 40 - tremido = 60 - tremido = 80 - tremido = 100 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Ondulado e Inércia + tremido = 0 + tremido = 10 + tremido = 30 + tremido = 50 + tremido = 70 + tremido = 90 + tremido = 20 + tremido = 40 + tremido = 60 + tremido = 80 + tremido = 100 + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Ondulado e Inércia - + Ao contrário da largura e do ângulo, estes dois últimos parâmetros definem como a ferramenta "sente" em vez de afetar a sua saída visual. Por isso não haverá ilustrações nesta secção; em substituição, teste-os para ter uma ideia melhor como funciona. - + Ondulado é a resistência do papel ao movimento da caneta. O valor padrão está no mínimo (0) e aumentar este parâmetro torna o papel "escorregadio": se a inércia é grande, a caneta tende a fugir em viragens bruscas; se a inércia for 0, um valor alto de Ondulado faz a caneta mover-se violentamente. - + Em física, massa é o que causa inércia; quanto maior a inércia da ferramenta de caligrafia do Inkscape, maior a demora do traço que segue o cursor do rato e maior é a suavização das viragens bruscas do traço. Por padrão este valor é bastante pequeno (2), o suficiente para que a ferramenta seja rápida e sensível, mas pode-se aumentar a inércia para obter uma caneta mais lenta e suave. - - Exemplos de Caligrafia + + Exemplos de Caligrafia - + Agora que conhece as capacidades básicas da ferramenta, pode tentar criar alguma caligrafia. Se é novo nesta arte, adquira um bom livro de caligrafia e estude-o aplicando os conhecimentos no Inkscape. Esta secção mostra apenas alguns exemplos simples. - + Antes de mais, para fazer letras é necessário criar um par de guias para servirem de orientação. Se quiser escrever uma caligrafia inclinada ou cursiva, acrescente também algumas guias inclinadas através das réguas, por exemplo: - - - - - - - - - + + + + + + + + + Então aproxime a vista de modo que a altura entre as guias corresponda ao alcance mais natural do movimento da sua mão, ajuste a largura e o ângulo e estará pronto para começar! - + Provavelmente a primeira coisa que pode fazer como um calígrafo iniciante é praticar os elementos básicos das letras — barras verticais e horizontais, traços redondos e barras inclinadas. Aqui estão alguns elementos das letras da caligrafia Uncial: - - - - - - - - - - - - - - - - - - + + + + + + + + + + + + + + + + + + Várias dicas úteis: - - + + Se a sua mão está confortável na mesa digitalizadora, não a movimente. Em vez disso, desloque a área de desenho (Ctrl+setas) com a sua mão esquerda depois de terminar cada letra. - - + + Se o seu último traço não foi bom, apenas desfaça-o (Ctrl+Z). Caso a forma tenha ficado boa mas a posição ou tamanho estão ligeiramente diferentes, é melhor usar a ferramenta de Selecionar temporariamente (Barra de espaço) e então mova-a levemente/amplie/rode-a conforme necessário (usando o rato ou o teclado) e depois pressione a tecla Barra de espaço novamente para retornar à ferramenta de Caligrafia. - - + + Após terminar uma palavra, mude para a ferramenta de Selecionar novamente para ajustar a uniformidade das barras e o espaçamento entre as letras. Porém não exagere. Uma boa caligrafia deve conservar um visual manuscrito um pouco irregular. Resista à tentação de copiar as letras e seus elementos, cada traço deve ser original. - + E aqui estão alguns exemplos completos de letras: - - - - - - - - - Caligrafia Uncial - Caligrafia Carolíngia - Caligrafia Gótica - Caligrafia Bastarda - - - Caligrafia Itálica Floreada - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Conclusão + + + + + + + + + Caligrafia Uncial + Caligrafia Carolíngia + Caligrafia Gótica + Caligrafia Bastarda + + + Caligrafia Itálica Floreada + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Conclusão - + A caligrafia não é apenas divertida, é uma arte profundamente espiritual que pode transformar a sua visão sobre tudo o que faz e vê. A ferramenta de caligrafia do Inkscape pode servir apenas como uma modesta introdução a esta arte. E ainda assim é muito agradável utilizá-la e pode ser útil na criação de desenhos profissionais. Divirta-se! - + diff --git a/share/tutorials/tutorial-calligraphy.pt_BR.svg b/share/tutorials/tutorial-calligraphy.pt_BR.svg index aee830df5..ae3f33974 100644 --- a/share/tutorials/tutorial-calligraphy.pt_BR.svg +++ b/share/tutorials/tutorial-calligraphy.pt_BR.svg @@ -142,30 +142,22 @@ - If you have a tablet and would like to utilize the sensitivity features, you will need -to configure your device. This configuration will only need to be performed once and -the settings are saved. To enable this support you must have the tablet plugged in -prior to starting inkscape and then proceed to open the Input Devices... -dialog through the Edit menu. With this dialog open you can choose the -preferred device and settings for your tablet pen. Lastly, after choosing those settings, switch -to the Calligraphy tool and toggle the toolbar buttons for pressure and tilt. From -now on, Inkscape will remember those settings on startup. - + Se você tem uma mesa digitalizadora e gostaria de utilizar os recursos de sensibilidade, você vai ter que configurar seu dispositivo. Esta configuração precisará ser feita apenas uma vez para ser gravada. Para ativar este suporte você tem que conectar a mesa digitalizadora antes de iniciar o Inkscape e então abrir a caixa de diálogos Dispositivos de Entrada através do menu Arquivo. Com a caixa de diálogos aberta você pode escolher o dispositivo e configurações preferíveis para sua mesa digitalizadora. Finalmente, depois de escolher estas configurações, mude para a ferramenta de Caligrafia e ative os botões de pressão e inclinação na barra Controle de Ferramentas. A partir de agora, o Inkscape gravará estas configurações toda vez que iniciar. - + - + A caneta de caligrafia do Inkscape pode ser sensível à velocidade do traço (veja "Sinuoso" abaixo), então, se você estiver usando um mouse, você provavelmente vai querer zerar este parâmetro. - - Opções da ferramenta de Caligrafia + + Opções da ferramenta de Caligrafia - + - + Switch to the Calligraphy tool by pressing Ctrl+F6, pressing the C key, or by clicking on its toolbar button. On the top toolbar, you will @@ -174,79 +166,79 @@ There are also two buttons to toggle tablet Pressure and Tilt sensitivity on and drawing tablets). - - Largura & Sinuoso + + Largura & Sinuoso - + - + Este par de opções controla a largura de sua caneta. A largura pode variar de 1 a 100 e (por padrão) é medida em unidades relativas ao tamanho de sua janela de edição, independente do zoom. Isto faz sentido, porque a "unidade de medida" natural em caligrafia é o alcance do movimento de sua mão, e portanto é conveniente ter a largura da ponta de sua caneta em constante proporção ao tamanho de sua "tábua de desenho" e não em alguma unidade real a qual poderia depender do zoom. Entretanto este comportamento é opcional, de modo que ele pode ser alterado para quem prefere unidades absolutas qualquer que seja o zoom. Para mudar para esta configuração, use a caixa de verificação (checkbox) na página Preferências da ferramenta (você pode abri-la com clique duplo no botão da ferramenta). - + - + Uma vez que a largura da caneta é alterada com freqüência, você pode ajustá-la sem ter que ir à barra Controles de Ferramenta, usando as setas esquerda e direita ou com uma mesa digitalizadora que suporte a função de sensibilidade à pressão. A melhor coisa sobre estas teclas é que elas funcionam enquanto você desenha, de modo que você pode mudar a largura de sua caneta gradualmente no meio do traço: - width=1, growing.... reaching 47, decreasing... back to 0 - - + width=1, growing.... reaching 47, decreasing... back to 0 + + - + A largura do traço da caneta pode também depender da velocidade, controlada pelo parâmetro Sinuoso. Este parâmetro pode tomar valores entre -100 e 100; zero significa que a largura é independente da velocidade, valores positivos fazem traços rápidos mais finos, valores negativos fazem traços rápidos mais amplos. O padrão de 10 significa finura moderada de traços rápidos. Aqui estão alguns exemplos, todos desenhados com largura=20 e ângulo=90: - sinuoso = 0 (largura uniforme) - thinning = 10 - thinning = 40 - thinning = -20 - thinning = -60 - - - - - - - - - - - - - - - - - - - - - - - - + sinuoso = 0 (largura uniforme) + thinning = 10 + thinning = 40 + thinning = -20 + thinning = -60 + + + + + + + + + + + + + + + + + + + + + + + + For fun, set Width and Thinning both to 100 (maximum) and draw with jerky movements to get strangely naturalistic, neuron-like shapes: - - - - - - - - Ângulo & Fixação + + + + + + + + Ângulo & Fixação - + - + Depois da largura, Ângulo é o parâmetro mais importante da caligrafia. É o ângulo de sua caneta em graus, que muda de 0 (horizontal) até 90 (vertical em sentido anti-horário) ou para -90 (vertical em sentido horário). Note que se você ativar a sensibilidade à inclinação para uma mesa digitalizadora, o parâmetro Ângulo é marcado e o ângulo é determinado pela inclinação da caneta. @@ -258,15 +250,15 @@ jerky movements to get strangely naturalistic, neuron-like shapes: - - - - ângulo = 90 graus - ângulo = 30 (padrão) - ângulo = 0 - ângulo = -90 graus - - + + + + ângulo = 90 graus + ângulo = 30 (padrão) + ângulo = 0 + ângulo = -90 graus + + @@ -275,11 +267,11 @@ jerky movements to get strangely naturalistic, neuron-like shapes: - - + + - + Each traditional calligraphy style has its own prevalent pen angle. For example, the Uncial hand uses the angle of 25 degrees. More complex hands and more experienced @@ -290,29 +282,29 @@ keeping the angle constant will work best. Here are examples of strokes drawn at different angles (fixation = 100): - ângulo = 30 - ângulo = 60 - ângulo = 90 - ângulo = 0 - ângulo = 15 - ângulo = -45 - - - - - - - + ângulo = 30 + ângulo = 60 + ângulo = 90 + ângulo = 0 + ângulo = 15 + ângulo = -45 + + + + + + + - + Como você pode observar, o traço é o mais fino possível quando é desenhado paralelo ao seu ângulo, e mais amplo quando desenhado perpendicular. Ângulos positivos são os mais naturais e tradicionais para caligrafia feita com a mão direita. - + - + The level of contrast between the thinnest and the thickest is controlled by the fixation parameter. The value of 100 means that the angle is always @@ -326,19 +318,19 @@ perpendicular to the stroke, and Angle has no effect anymore: - ângulo = 30fixation = 100 - ângulo = 30fixation = 80 - ângulo = 30fixação = 0 - - - - - - - - - - + ângulo = 30fixation = 100 + ângulo = 30fixation = 80 + ângulo = 30fixação = 0 + + + + + + + + + + @@ -347,7 +339,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -356,7 +348,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -365,7 +357,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -374,7 +366,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -383,7 +375,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -392,7 +384,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -401,7 +393,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -410,7 +402,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -419,7 +411,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -428,7 +420,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -437,7 +429,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -446,7 +438,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -455,7 +447,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -464,7 +456,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -473,7 +465,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -482,7 +474,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -491,20 +483,20 @@ perpendicular to the stroke, and Angle has no effect anymore: - + - + Tipograficamente falando, fixação máxima, e por sua vez, contraste de largura do traço máximo (acima à esquerda) são as características de antigas fontes serif, tais como Times ou Bodoni (porque estas fontes foram historicamente uma imitação de caligrafia com caneta fixa). Fixação zero e contraste da largura zero (acima à direita), por outro lado, sugere modernas fontes sans serif como a Helvetica. - - Tremor + + Tremor - + - + Tremor is intended to give a more natural look to the calligraphy strokes. Tremor is adjustable in the Controls bar with values ranging from 0 to 100. It will @@ -512,7 +504,7 @@ affect your strokes producing anything from slight unevenness to wild blotches a splotches. This significantly expands the creative range of the tool. - + lento médio rápido @@ -526,62 +518,62 @@ splotches. This significantly expands the creative range of the tool. - tremor = 0 - tremor = 10 - tremor = 30 - tremor = 50 - tremor = 70 - tremor = 90 - tremor = 20 - tremor = 40 - tremor = 60 - tremor = 80 - tremor = 100 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Wiggle & Mass + tremor = 0 + tremor = 10 + tremor = 30 + tremor = 50 + tremor = 70 + tremor = 90 + tremor = 20 + tremor = 40 + tremor = 60 + tremor = 80 + tremor = 100 + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Wiggle & Mass - + - + Ao contrário da largura e do ângulo, estes dois últimos parâmetros definem como a ferramenta "sente" em vez de afetar sua saída visual. Em razão disso não haverá ilustrações nesta seção; em substituição, apenas teste-os você mesmo para ter uma idéia melhor. - + - + Wiggle is the resistance of the paper to the movement of the pen. The default is at minimum (0), and increasing this parameter makes paper “slippery”: @@ -589,10 +581,10 @@ if the mass is big, the pen tends to run away on sharp turns; if the mass is zer wiggle makes the pen to wiggle wildly. - + - + In physics, mass is what causes inertia; the higher the mass of the Inkscape calligraphy tool, the more it lags behind your mouse pointer and the more @@ -601,226 +593,226 @@ quite small (2) so that the tool is fast and responsive, but you can increase ma get slower and smoother pen. - - Exemplos de Caligrafia + + Exemplos de Caligrafia - + - + Agora que você conhece as capacidades básicas da ferramenta, você pode tentar produzir, de fato, alguma caligrafia. Se você é novo nesta arte, adquira um bom livro de caligrafia e estude-o com o Inkscape. Esta seção te mostrará apenas alguns simples exemplos. - + - + Antes de tudo, para fazer letras, você precisa criar um par de réguas para se guiar. Se você vai escrever em uma caligrafia inclinada ou cursiva, acrescente também algumas guias inclinadas através das réguas, por exemplo: - - - - - - - - - + + + + + + + + + - + Então dê um zoom de modo que a altura entre as réguas corresponda ao alcance mais natural do movimento de sua mão, ajuste a largura e o ângulo, e você estará pronto pra começar! - + - + Probably the first thing you would do as a beginner calligrapher is practice the basic elements of letters — vertical and horizontal stems, round strokes, slanted stems. Here are some letter elements for the Uncial hand: - - - - - - - - - - - - - - - - - - - - - + + + + + + + + + + + + + + + + + + + + + Várias dicas úteis: - - + + - + Se sua mão está confortável na mesa digitalizadora, não a movimente. Em vez disso, role a tela (Ctrl+setas) com sua mão esquerda depois de terminar cada letra. - - + + - + Se seu último traço não foi bom, apenas desfaça-o (Ctrl+Z). Entretanto, se a forma ficou boa mas a posição ou tamanho, levemente diferentes, é melhor usar a ferramenta de seleção temporariamente (Barra de espaço) e então mova-a levemente/amplie/gire-a o necessário (usando o mouse ou o teclado), e depois pressione Barra de espaço novamente para retornar à ferramenta de caligrafia. - - + + - + Terminado uma palavra, mude para a ferramenta de seleção novamente para ajustar a uniformidade das barras e o espaçamento entre as letras. Porém, não exagere; boa caligrafia deve conservar um visual manuscrito um pouco irregular. Resista a tentação de copiar as letras e seus elementos; cada traço deve ser original. - + - + E aqui estão alguns exemplos completos de letras: - - - - - - - - - Caligrafia Unicial - Caligrafia Carolíngia - Caligrafia Gótica - Caligrafia Bâtarde - - - Caligrafia Itálica Floreada - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Conclusão + + + + + + + + + Caligrafia Uncial + Caligrafia Carolíngia + Caligrafia Gótica + Caligrafia Bâtarde + + + Caligrafia Itálica Floreada + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Conclusão - + - + Caligrafia não é apenas divertida; é uma arte profundamente espiritual que pode transformar sua visão sobre tudo o que faz e vê. A ferramenta de caligrafia do Inkscape pode servir apenas como uma modesta introdução à esta arte. E ainda assim é muito agradável utilizá-la e pode ser útil na criação de desenhos profissionais. Divirta-se! - + diff --git a/share/tutorials/tutorial-calligraphy.ru.svg b/share/tutorials/tutorial-calligraphy.ru.svg index ab4997eb5..6d007e1a2 100644 --- a/share/tutorials/tutorial-calligraphy.ru.svg +++ b/share/tutorials/tutorial-calligraphy.ru.svg @@ -142,101 +142,93 @@ - If you have a tablet and would like to utilize the sensitivity features, you will need -to configure your device. This configuration will only need to be performed once and -the settings are saved. To enable this support you must have the tablet plugged in -prior to starting inkscape and then proceed to open the Input Devices... -dialog through the Edit menu. With this dialog open you can choose the -preferred device and settings for your tablet pen. Lastly, after choosing those settings, switch -to the Calligraphy tool and toggle the toolbar buttons for pressure and tilt. From -now on, Inkscape will remember those settings on startup. - + Если у вас есть планшет, и вы хотели бы использовать упомянутые выше возможности, вам придётся настроить его для работы. Эта настройка делается лишь раз. Для начала необходимо подключить сам планшет перед запуском Inkscape, а затем из меню Файл открыть диалог Устройства ввода.... В этом диалоге выбирается предпочитаемое устройство и настройки пера планшета. После этого переключитесь на каллиграфическое перо и в панели параметров включите распознавание силы нажатия и угла. Теперь Inkscape будет загружать эти настройки при каждом запуске. - + Каллиграфическое перо в Inkscape может быть чувствительным к скорости написания (см. далее «Сужение»), так что если вы используете мышь, то, вероятно, захотите обнулить этот параметр. - - Параметры инструмента каллиграфии + + Параметры инструмента каллиграфии - + Переключитесь на инструмент каллиграфии, нажав Ctrl+F6, клавишу C или нажав кнопку Рисовать каллиграфическим пером на Панели инструментов. На верхней панели расположены 8 параметров: Ширина; Сужение; Угол; Фиксация; Дрожание штриха; Масса пера; Концы и Виляние пером. Здесь же расположены кнопки для переключения: Нажим (pressure) и Толщина линии пера. - - Ширина и Сужение + + Ширина и Сужение - + Эта пара настроек отвечает за ширину вашего пера. Значение ширины может составлять от 1 до 100 и измеряется в единицах относительно размера окна программы, но независимо от масштаба. Это важно, поскольку настоящая «единица измерения» в каллиграфии — это диапазон движения вашей руки, и, следовательно, удобно, когда ширина кончика пера является константой по отношению к размеру вашего «холста», а не какими-нибудь настоящими единицами, зависящими от масштаба. Тем не менее, это поведение опционально и может быть изменено, если вы предпочитаете абсолютные единицы, не зависящие от масштаба. Для переключения типа поведения используйте переключатель на странице инструмента Каллиграфическое перо в диалоге настройки программы, которую можно открыть двойным щелчком по значку инструмента. - + Так как ширина пера часто меняется, вы можете менять её не только в панели настроек инструмента, но и при помощи левой и правой стрелок клавиатуры, либо с помощью пера планшета, поддерживающего распознавание силы нажатия. Главное качество этой функции состоит в том, что она работает в момент рисования, поэтому вы можете менять ширину пера постепенно по ходу действия: - ширина=1, увеличивается... достигает 47, уменьшается... снова 0 - - + ширина=1, увеличивается... достигает 47, уменьшается... снова 0 + + Ширина пера также может зависеть от скорости письма, что контролируется параметром Сужение. Значение этого параметра может быть от -100 до 100; ноль означает, что ширина не зависит от скорости написания, положительное значение сужает быстро начерченные линии, отрицательное — расширяет. Начальное значение 10 придаёт линиям умеренное сужение при быстром письме. Ниже приведены некоторые примеры изложенного. Все штрихи нарисованы со значением ширины=20 и углом=90: - сужение = 0 (одинаковая ширина) - сужение = 10 - сужение = 40 - сужение = -20 - сужение = -60 - - - - - - - - - - - - - - - - - - - - - + сужение = 0 (одинаковая ширина) + сужение = 10 + сужение = 40 + сужение = -20 + сужение = -60 + + + + + + + + + + + + + + + + + + + + + Для развлечения установите значения ширины и сужения равным 100 (максимальное) и порисуйте резкими движениями. Получаются странные фигуры, похожие на нейроны: - - - - - - - - Угол и Фиксация + + + + + + + + Угол и Фиксация - + @@ -251,15 +243,15 @@ now on, Inkscape will remember those settings on startup. - - - - угол = 90 - угол = 30 (по умолчанию) - угол = 0 - угол = -90 - - + + + + угол = 90 + угол = 30 (по умолчанию) + угол = 0 + угол = -90 + + @@ -268,34 +260,34 @@ now on, Inkscape will remember those settings on startup. - - + + Каждый традиционный каллиграфический стиль имеет свой превалирующий угол пера. Например, унцианский шрифт использует угол в 25 градусов. Более сложные стили и более опытные каллиграфы часто меняют угол во время работы, и Inkscape позволяет делать это с помощью клавиатурных стрелок вверх и вниз . Для начала каллиграфических занятий предустановленное значение прекрасно подойдёт. На примерах ниже, штрихи имеют разный угол (фиксация = 100): - угол = 30 - угол = 60 - угол = 90 - угол = 0 - угол = 15 - угол = -45 - - - - - - - + угол = 30 + угол = 60 + угол = 90 + угол = 0 + угол = 15 + угол = -45 + + + + + + + Как видно на примере, штрих тоньше, когда идёт параллельно своему углу, и шире, когда идёт перпендикулярно ему. Положительные значения параметра Угол соответствуют более традиционной каллиграфии для правой руки. - + @@ -307,19 +299,19 @@ now on, Inkscape will remember those settings on startup. - угол = 30фиксация = 100 - угол = 30фиксация = 80 - угол = 30фиксация = 0 - - - - - - - - - - + угол = 30фиксация = 100 + угол = 30фиксация = 80 + угол = 30фиксация = 0 + + + + + + + + + + @@ -328,7 +320,7 @@ now on, Inkscape will remember those settings on startup. - + @@ -337,7 +329,7 @@ now on, Inkscape will remember those settings on startup. - + @@ -346,7 +338,7 @@ now on, Inkscape will remember those settings on startup. - + @@ -355,7 +347,7 @@ now on, Inkscape will remember those settings on startup. - + @@ -364,7 +356,7 @@ now on, Inkscape will remember those settings on startup. - + @@ -373,7 +365,7 @@ now on, Inkscape will remember those settings on startup. - + @@ -382,7 +374,7 @@ now on, Inkscape will remember those settings on startup. - + @@ -391,7 +383,7 @@ now on, Inkscape will remember those settings on startup. - + @@ -400,7 +392,7 @@ now on, Inkscape will remember those settings on startup. - + @@ -409,7 +401,7 @@ now on, Inkscape will remember those settings on startup. - + @@ -418,7 +410,7 @@ now on, Inkscape will remember those settings on startup. - + @@ -427,7 +419,7 @@ now on, Inkscape will remember those settings on startup. - + @@ -436,7 +428,7 @@ now on, Inkscape will remember those settings on startup. - + @@ -445,7 +437,7 @@ now on, Inkscape will remember those settings on startup. - + @@ -454,7 +446,7 @@ now on, Inkscape will remember those settings on startup. - + @@ -463,7 +455,7 @@ now on, Inkscape will remember those settings on startup. - + @@ -472,17 +464,17 @@ now on, Inkscape will remember those settings on startup. - + Говоря языком типографов, максимальная фиксация, а следовательно максимальная ширина (верхний левый пример) — характерная черта старинных шрифтов, таких как Times или Bodoni (исторически сложилось что эти шрифты копируют каллиграфию фиксированного пера). С другой стороны, нулевую фиксация и нулевую ширину (верхний правый пример) мы можем увидеть в современных шрифтах без засечек, таких как Helvetica. - - Дрожание + + Дрожание - + @@ -493,7 +485,7 @@ affect your strokes producing anything from slight unevenness to wild blotches a splotches. This significantly expands the creative range of the tool. - + медленно средне быстро @@ -507,289 +499,289 @@ splotches. This significantly expands the creative range of the tool. - дрожание = 0 - дрожание = 10 - дрожание = 30 - дрожание = 50 - дрожание = 70 - дрожание = 90 - дрожание = 20 - дрожание = 40 - дрожание = 60 - дрожание = 80 - дрожание = 100 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Масса и Торможение + дрожание = 0 + дрожание = 10 + дрожание = 30 + дрожание = 50 + дрожание = 70 + дрожание = 90 + дрожание = 20 + дрожание = 40 + дрожание = 60 + дрожание = 80 + дрожание = 100 + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Масса и Торможение - + В отличие от ширины и угла, эти два параметра определяют «чувствительность» инструмента, а не внешний вид штрихов. Так что в этом разделе не будет никаких примеров. Просто попробуйте рисовать, меняя значения, чтобы понять смысл этих настроек. - + Торможение — это сопротивление бумаги движению пера. Изначально установлено максимальное значение (0), и уменьшение этого параметра делает бумагу «скользкой». Если масса большая, перо уходит в сторону при резких поворотах, а если масса нулевая, то от коротких движений перо дико ёрзает. - + В физике масса — причина инерции. Чем больше значение массы, тем больше задержка между движением вашей мыши и тем больше смягчаются резкие повороты штриха. Изначально это значение очень мало (2), поэтому инструмент реагирует быстро. Но массу можно увеличить для получения замедленного пера и гладких линий. - - Примеры каллиграфии + + Примеры каллиграфии - + Ознакомившись с возможностями инструмента, можно начать практиковаться в настоящей каллиграфии. Если вы новичок в этом деле, найдите хорошую книгу по каллиграфии (например, «Творческая каллиграфия» Малькольма Кауча) и занимайтесь по ней, используя Inkscape. В этом разделе приведено несколько простых примеров. - + Для того чтобы начать писать буквы, нужно усвоить некоторые правила. Если вы собрались писать наклонным или рукописным шрифтом, то удобно использовать направляющие линейки (как в школьных тетрадках): - - - - - - - - - + + + + + + + + + Потом следует подобрать масштаб так, чтобы расстояние между линейками соответствовало вашему обычному размаху. Настройте ширину, угол — и вперёд! - + Вероятно, первое, что вам захочется сделать как начинающему писцу — это попрактиковаться в написании элементов букв — вертикальных и горизонтальных линий, круглых и наклонных штрихов. Ниже изображены некоторые элементы букв унциального (Unicial) шрифта: - - - - - - - - - - - - - - - - - - + + + + + + + + + + + + + + + + + + Несколько полезных советов: - - + + Если ваша рука удобно лежит на планшете, двигайте холст не ей, а другой рукой Ctrl+стрелки. - - + + Если штрих получился неудачным, просто избавьтесь от него (Ctrl+Z). Если же фигура хороша, но немного не к месту или размер не тот, проще временно переключиться на инструмент выделения (Space) и подправить размер/форму/местоположение по необходимости (используя мышь и клавиши клавиатуры), а затем снова вернуться к каллиграфическому перу (ещё раз нажав Space). - - + + Закончив с написанием слова, снова включите инструмент выделения, чтобы избавиться от неточностей и неровностей, но не перестарайтесь: хорошая каллиграфия должна быть не совсем точной, чтобы быть похожей на рукописную. Удерживайте себя от искушения копировать буквы и элементы букв: каждая линия должна быть оригинальной. - + Ниже приведены готовые примеры: - - - - - - - - - Унциальный шрифт - Каролингский шрифт - Готический шрифт - Рукописный готический шрифт - - - Размашистый готический почерк - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Заключение + + + + + + + + + Унциальный шрифт + Каролингский шрифт + Готический шрифт + Рукописный готический шрифт + + + Размашистый готический почерк + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Заключение - + Каллиграфия — не просто забава, это возвышенное искусство. Она может изменить ваш взгляд на всё, что вы делаете и видите. Инструмент каллиграфии в Inkscape предлагает только скромное введение в увлекательный мир каллиграфии. И всё же, с этим пером приятно работать и оно более чем пригодно для серьёзных дизайнерских работ. Рисуйте и получайте удовольствие! - + diff --git a/share/tutorials/tutorial-calligraphy.sk.svg b/share/tutorials/tutorial-calligraphy.sk.svg index 23cbe2418..0d827f166 100644 --- a/share/tutorials/tutorial-calligraphy.sk.svg +++ b/share/tutorials/tutorial-calligraphy.sk.svg @@ -161,17 +161,17 @@ Kaligrafický nástroj zapnete stlačením Ctrl+F6, tiež stlačením klávesy C alebo kliknutím na jeho ikonu na nástrojovej lište. Na hornej lište si môžete všimnúť 7 volieb: Šírka a Stenčovanie; Uhol a Fixácia; Zakončenie; Chvenie a Hmotnosť a odpor. Sú tu tiež dve tlačidlá na zapnutie citlivosti na tlak a sklon pera tabletu. - - Šírka a stenčovanie + + Šírka a stenčovanie - + Táto dvojica ovláda šírku vášho pera. Hrúbka sa môže meniť od 1 do 100 a (v predvolenom nastavení) meria sa v jednotkách v pomere k veľkosti okna úprav, ale nezávisle na mierke zobrazenia. Táto jednotka bola zvolená, pretože fyzická „merná jednotka“ v kaligrafii je podľa rozsahu pohybu vašej ruky a preto je vhodné mať hrúbku hrotu vášho pera v konštantnom pomere k veľkosti „kresliacej plochy“ a nie od skutočných jednotiek, ktoré by boli závislé na mierke zobrazenia. Toto správanie je voliteľné a tí, ktorí chcú miesto neho používať absolútne jednotky bez ohľadu na mierku zobrazenia, si ho môžu zmeniť. Ak sa chcete prepnúť do tohto režimu, použite zaškrtávacie pole na stránke s nastaveniami nástroja (môžete ju otvoriť dvojitým kliknutím na tlačidlo nástroja). - + @@ -180,7 +180,7 @@ šírka=0.01, rastie.... dosahuje 0.47, klesá... späť na 0 - + @@ -225,10 +225,10 @@ - - Uhol a fixácia + + Uhol a fixácia - + @@ -243,15 +243,15 @@ - - - - uhol = 90 stupňov - uhol = 30 (predvolené) - uhol = 0 - uhol = -90 stupňov - - + + + + uhol = 90 stupňov + uhol = 30 (predvolené) + uhol = 0 + uhol = -90 stupňov + + @@ -260,7 +260,7 @@ - + @@ -268,18 +268,18 @@ Každý tradičný kaligrafický štýl používa svoj vlastný uhol otočenia pera. Napríklad Unical používa uhol 25 stupňov. Zložitejšie rukopisy a zručnejší kaligrafi často menia uhol počas písania, a preto to Inkscape umožňuje pomocou šípok klávesnice hore a dole alebo tabletu, ktorý podporuje detekciu sklonu pera. Pri prvých pokusoch s kaligrafiou však radšej nechajte uhol konštantný. Tu sú príklady ťahov nakreslených s rôznym uhlom (fixácia=100): - uhol = 30 - uhol = 60 - uhol =90 - uhol = 0 - uhol = 15 - uhol = -45 - - - - - - + uhol = 30 + uhol = 60 + uhol =90 + uhol = 0 + uhol = 15 + uhol = -45 + + + + + + @@ -287,7 +287,7 @@ Ako môžete vidieť, ťah je tenší, ak je kreslený rovnobežne s otočením pera a hrubší, ak je kreslený kolmo. Kladné uhly sú prirodzenejšie pre kaligrafiu písanú pravákmi. - + @@ -299,19 +299,19 @@ - uhol = 30fixácia = 100 - uhol = 30fixácia = 80 - uhol = 30fixácia = 0 - - - - - - - - - - + uhol = 30fixácia = 100 + uhol = 30fixácia = 80 + uhol = 30fixácia = 0 + + + + + + + + + + @@ -320,7 +320,7 @@ - + @@ -329,7 +329,7 @@ - + @@ -338,7 +338,7 @@ - + @@ -347,7 +347,7 @@ - + @@ -356,7 +356,7 @@ - + @@ -365,7 +365,7 @@ - + @@ -374,7 +374,7 @@ - + @@ -383,7 +383,7 @@ - + @@ -392,7 +392,7 @@ - + @@ -401,7 +401,7 @@ - + @@ -410,7 +410,7 @@ - + @@ -419,7 +419,7 @@ - + @@ -428,7 +428,7 @@ - + @@ -437,7 +437,7 @@ - + @@ -446,7 +446,7 @@ - + @@ -455,7 +455,7 @@ - + @@ -464,15 +464,15 @@ - + V typografickej reči maximálna fixácia, teda maximálny kontrast šírky (hore vľavo), predstavuje antický rukopis ako napríklad Times alebo Bodoni (pretože ich vzhľad je napodobeninou historických kaligrafov). Nulová fixácia, teda nulový kontrast (hore vpravo), na druhej strane pripomína moderný rukopis ako napríklad Helvetica. - - Chvenie + + Chvenie @@ -481,7 +481,7 @@ Chvenie slúži na to, aby dodalo kaligrafickým ťahom realistickejší vzhľad. Chvenie sa dá nastaviť v hornej lište pomocou hodnôt v rozsahu od 0 do 100. Prejaviť sa môže od vytvorenia jemných nerovností až po vytvorenie divokých škvŕn a machúľ, čo podstatne rozširuje tvorivý rozsah tohto nástroja. - + pomaly stredne rýchlo @@ -495,59 +495,59 @@ - chvenie = 0 - chvenie = 10 - chvenie = 30 - chvenie = 50 - chvenie = 70 - chvenie = 90 - chvenie = 20 - chvenie = 40 - chvenie = 60 - chvenie = 80 - chvenie = 100 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Chvenie a hmotnosť + chvenie = 0 + chvenie = 10 + chvenie = 30 + chvenie = 50 + chvenie = 70 + chvenie = 90 + chvenie = 20 + chvenie = 40 + chvenie = 60 + chvenie = 80 + chvenie = 100 + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Chvenie a hmotnosť - + Na rozdiel od šírky a uhla tieto dva posledné parametre definujú „pocit“ z nástroja miesto vzhľadu, preto sa nedajú v tomto návode ilustrovať. Aby ste o nich získali predstavu, bude najlepšie, ak si ich sami vyskúšate. - + @@ -561,223 +561,223 @@ Vo fyzike je hmotnosť to, čo spôsobuje zotrvačnosť. Väčšia hmotnosť pri kaligrafickom nástroji programu Inkscape spôsobí väčšie oneskorenie za kurzorom myši a tým sa v ťahu vyhladzujú ostré prudké zmeny pohybu a trhnutia. Predvolená hodnota tohto nastavenia je malá (2), preto je nástroj rýchly a reaktívny. Ak chcete pero spomaliť a dosiahnuť plynulejšie ťahy, zvýšte túto hodnotu. - - Príklady kaligrafie + + Príklady kaligrafie - + Teraz, keď už poznáte základné možnosti nástroja, môžete sa pokúsiť vytvoriť naozajstnú kaligrafiu. Ak toto umenie ešte nepoznáte, vezmite si nejakú dobrú knihu a študujte ju spolu s programom Inkscape. V tejto časti si ukážeme niekoľko jednoduchých príkladov. - + Predtým, než začnete kresliť písmená, vytvorte si dve vodiace čiary. Ak chcete písať so sklonom, vytvorte si dve šikmé vodiace čiary, napríklad takto: - - - - - - - - - + + + + + + + + + Potom zvoľte mierku zobrazenia tak, aby vodiace čiary čo najviac zodpovedali vášmu prirodzenému pohybu ruky, nastavte šírku a uhol a môžte ísť na to! - + Pravdepodobne prvou vecou, ktorú by ste sa ako začínajúci kaligrafi mali naučiť, je písanie základných prvkov písmen — vodorovných, zvislých, zaoblených a šikmých ťahov. Tu je niekoľko prvkov písmen z rukopisu Unicial: - - - - - - - - - - - - - - - - - - + + + + + + + + + + + + + + + + + + Niekoľko užitočných rád: - - + + Ak máte ruku pohodlne položenú na tablete, nehýbte ňou. Miesto toho po dokončení písmena radšej posuňte plátno (Ctrl+šípka) vašou ľavou rukou. - - + + Ak je váš posledný ťah zlý, tak ho vráťte (Ctrl+Z). Keď je tvar správny, ale umiestnenie alebo veľkosť je trochu odlišná, je dobré prepnúť na nástroj Výber (medzera) a posunúť, natiahnuť alebo otočiť útvar podľa potreby (pomocou myši alebo klávesnice). Potom znova stlačte medzeru, ktorá opäť zapne kaligrafický nástroj. - - + + Po dokončení slova sa prepnite opäť na nástroj Výber, nastavte pravidelnosť paličiek a rozostup písmen. Nepreháňajte to však. Dobrá kaligrafia musí vyzerať ako niečo napísané rukou. Vyhnite sa kopírovaniu písmen a ich jednotlivých prvkov. Každý ťah musí byť jedinečný. - + Tu je niekoľko ukážok hotových písmen: - - - - - - - - - rukopis Unicial - rukopis Carolingian - rukopis Gothic - rukopis Bâtarde - - - rukopis Flourished Italic - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Zhrnutie + + + + + + + + + rukopis Unicial + rukopis Carolingian + rukopis Gothic + rukopis Bâtarde + + + rukopis Flourished Italic + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Zhrnutie - + Kaligrafia nie je len zábava, je to hlboko duchovné umenie, ktoré môže zmeniť váš pohľad na všetko, čo robíte a vidíte. Kaligrafický nástroj programu Inkscape môže slúžiť len ako skromný úvod. Aj napriek tomu je veľmi príjemný na hranie a môže byť užitočný aj v reálnom prevedení. Užite si ho! - + diff --git a/share/tutorials/tutorial-calligraphy.sl.svg b/share/tutorials/tutorial-calligraphy.sl.svg index 548860d65..e3ac2e37e 100644 --- a/share/tutorials/tutorial-calligraphy.sl.svg +++ b/share/tutorials/tutorial-calligraphy.sl.svg @@ -142,27 +142,19 @@ - If you have a tablet and would like to utilize the sensitivity features, you will need -to configure your device. This configuration will only need to be performed once and -the settings are saved. To enable this support you must have the tablet plugged in -prior to starting inkscape and then proceed to open the Input Devices... -dialog through the Edit menu. With this dialog open you can choose the -preferred device and settings for your tablet pen. Lastly, after choosing those settings, switch -to the Calligraphy tool and toggle the toolbar buttons for pressure and tilt. From -now on, Inkscape will remember those settings on startup. - + Če imate grafično tablico in bi radi izkoristili možnosti občutljivosti, morate svojo napravo ustrezno nastaviti. Tovrstno konfiguracijo je potrebno izvesti le enkrat, potem se nastavitve shranijo. Da bi omogočili tovrstno podporo, morate priklopiti grafično tablico pred zagonom Inkscapa, nato pa odprite pogovorno okno Vhodne naprave ... prek menija Datoteka. V tem odprtem pogovornem oknu izberite priljubljeno napravo in nastavitve za pisalo tablice. Na koncu, ko izberete želene nastavitve, preklopite na orodje Kaligrafija in preklopite gumbe orodne vrstice za pritisk in nagnjenost. Odtlej si bo Inkscape te nastavitve zapomnil. - + Inkscapovo kaligrafsko pero je lahko občutljivo na hitrost poteze (glejte Tanjšanje spodaj), zaradi česar boste ob uporabi miške ta parameter verjetno želeli zmanjšati na ničelno vrednost. - - Kaligrafsko orodje - opcije + + Kaligrafsko orodje - opcije - + @@ -174,58 +166,58 @@ There are also two buttons to toggle tablet Pressure and Tilt sensitivity on and drawing tablets). - - Širina in tanjšanje + + Širina in tanjšanje - + Ti možnosti nadzirata širino vašega peresa. Širina lahko variira od 1 do 100 in se (privzeto) meri v enotah, ki so relativne glede na velikost vašega delovnega okna, vendar neodvisne od povečave. Ker je v kaligrafiji naravna "merska enota" obseg premika roke, je smiselno in pripravno imeti širino peresa v konstantnem razmerju do velikosti vaše "risarske deske" in ne v kaki realni enoti, ki bi bila odvisna od povečave. Vendar pa je to vedenje na voljo kot dodatna izbira in ga je mogoče spremeniti, če imate raje absolutne enote ne glede na povečavo. Za preklop v ta način uporabite potrditveno polje na strani Možnosti tega orodja (odprete jo lahko z dvoklikom na gumb orodja). - + Ker se širino peresa pogosto spreminja, jo lahko spremenite brez uporabe orodne vrstice in sicer z uporabo desne in leve smerne tipke. Najboljše pri teh tipkah je, da delujejo med samim risanje, kar pomeni, da lahko širino peresa spreminjate postopno, med vlečenjem poteze: - width=1, growing.... reaching 47, decreasing... back to 0 - - + width=1, growing.... reaching 47, decreasing... back to 0 + + Širina peresa pa je, glede na parameter tanjšanja, lahko odvisna tudi od hitrosti. Ta parameter lahko zavzame vrednosti od -1 do 1, pri čemer vrednost 0 pomeni, da je širina neodvisna od hitrosti, pozitivne vrednosti naredijo hitrejše poteze ožje, negativne vrednosti pa naredijo hitrejše poteze širše. Privzeta vrednost 10 pomeni tanjšanje hitrih potez. Tu je nekaj primerov, pri vseh je širina = 0,2 in kot = 90 stopinj: - tanjšanje = 0 (enotna širina) - thinning = 10 - thinning = 40 - thinning = -20 - thinning = -60 - - - - - - - - - - - - - - - - - - - - - + tanjšanje = 0 (enotna širina) + thinning = 10 + thinning = 40 + thinning = -20 + thinning = -60 + + + + + + + + + + + + + + + + + + + + + @@ -234,16 +226,16 @@ drawing tablets). jerky movements to get strangely naturalistic, neuron-like shapes: - - - - - - - - Kot in stalnost + + + + + + + + Kot in stalnost - + @@ -258,15 +250,15 @@ jerky movements to get strangely naturalistic, neuron-like shapes: - - - - kot = 90 st - kot = 30 (privzeto) - kot = 0 - kot = -90 st - - + + + + kot = 90 st + kot = 30 (privzeto) + kot = 0 + kot = -90 st + + @@ -275,8 +267,8 @@ jerky movements to get strangely naturalistic, neuron-like shapes: - - + + @@ -290,26 +282,26 @@ keeping the angle constant will work best. Here are examples of strokes drawn at different angles (fixation = 100): - kot = 30 - kot = 60 - kot = 90 - kot = 0 - kot = 15 - kot = -45 - - - - - - - + kot = 30 + kot = 60 + kot = 90 + kot = 0 + kot = 15 + kot = -45 + + + + + + + Kot lahko vidite, je poteza najtanjša, ko je risana vzporedno s svojim kotom, in najdebelejša, ko je risana pravokotno nanj. Za desničarje so pozitivni koti najbolj naravni in zato tudi najbolj običajni. - + @@ -326,19 +318,19 @@ perpendicular to the stroke, and Angle has no effect anymore: - kot = 30fixation = 100 - kot = 30fixation = 80 - kot = 30nagibanje = 0 - - - - - - - - - - + kot = 30fixation = 100 + kot = 30fixation = 80 + kot = 30nagibanje = 0 + + + + + + + + + + @@ -347,7 +339,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -356,7 +348,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -365,7 +357,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -374,7 +366,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -383,7 +375,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -392,7 +384,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -401,7 +393,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -410,7 +402,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -419,7 +411,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -428,7 +420,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -437,7 +429,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -446,7 +438,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -455,7 +447,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -464,7 +456,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -473,7 +465,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -482,7 +474,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -491,17 +483,17 @@ perpendicular to the stroke, and Angle has no effect anymore: - + Tipografsko gledano sta največja stalnost in največji kontrast širine poteze (zgoraj levo) značilnosti antičnih tipografij s serifi (npr. Times ali Bodoni, ki sta že historično imitaciji kaligrafije s peresom). Stalnost = 0 in ničelni kontrast širine (zgoraj desno) pa je značilnost modernih tipografij brez serifov (npr. Helvetica). - - Tresenje + + Tresenje - + @@ -512,7 +504,7 @@ affect your strokes producing anything from slight unevenness to wild blotches a splotches. This significantly expands the creative range of the tool. - + počasno srednje hitro @@ -526,59 +518,59 @@ splotches. This significantly expands the creative range of the tool. - tresenje = 0 - tremor = 10 - tremor = 30 - tremor = 50 - tremor = 70 - tremor = 90 - tremor = 20 - tremor = 40 - tremor = 60 - tremor = 80 - tremor = 100 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Wiggle & Mass + tresenje = 0 + tremor = 10 + tremor = 30 + tremor = 50 + tremor = 70 + tremor = 90 + tremor = 20 + tremor = 40 + tremor = 60 + tremor = 80 + tremor = 100 + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Wiggle & Mass - + Zadnja dva parametra, za razliko od kota in širine, definirata kako orodje "čuti" in ne vplivata na njegov vizualni učinek. V tem delu ni nikakršnih ilustracij; namesto tega maso in upor raje raziščite sami! - + @@ -589,7 +581,7 @@ if the mass is big, the pen tends to run away on sharp turns; if the mass is zer wiggle makes the pen to wiggle wildly. - + @@ -601,39 +593,39 @@ quite small (2) so that the tool is fast and responsive, but you can increase ma get slower and smoother pen. - - Kaligrafski primeri + + Kaligrafski primeri - + Zdaj, ko poznate osnovne zmožnosti orodja, lahko s kaligrafijo poizkusite sami. Če ste v tem novi, si priskrbite dobro kaligrafsko knjigo ter jo predelajte z Inkscapom. Ta del vam bo pokazal nekaj enostavnih primerov. - + Na začetku je za pisanje črk potrebno ustvariti nekaj ravnil, po katerih se boste ravnali. Če boste pisali v poševni pisavi, potrebujete tudi nekaj poševnih smernic, npr.: - - - - - - - - - + + + + + + + + + Nato povečajte platno, da bo višina med ravniloma ustrezala vašemu najbolj naravnemu obsegu premika roke, prilagodite širino ter kot in… Ustvarjajte! - + @@ -643,184 +635,184 @@ elements of letters — vertical and horizontal stems, round strokes, slanted stems. Here are some letter elements for the Uncial hand: - - - - - - - - - - - - - - - - - - + + + + + + + + + + + + + + + + + + Nekaj uporabnih nasvetov: - - + + Če imate roko udobno nameščeno na tablici, je ne premikajte. Namesto tega z levico premaknite platno po vsaki črki, ki jo napišete (pritisnite Ctrl+smerne tipke). - - + + Če z vašo zadnjo potezo niste zadovoljni, jo razveljavite (pritisnite Ctrl+Z). Če pa je oblika dobra, vendar odstopata položaj ali velikost, začasno preklopite na orodje Izberi (pritisnite preslednico) in premaknite, raztegnite ali zavrtite potezo kolikor je potrebno (z uporabo miške ali tipk). Za vrnitev na kaligrafsko orodje ponovno pritisnite preslednico. - - + + Ko napišete besedo, ponovno preklopite v orodje Izberi in prilagodite enotnost in razmak med znaki. Vendar pa nikar ne pretiravajte. Dobra kaligrafija mora do neke mere ohraniti videz ročne pisave. Uprite se skušnjavi kopiranja črk in črkovnih elementov; vsaka poteza naj bo originalna! - + Nekaj zaključenih črkovnih primerov: - - - - - - - - - Unicialna pisava - Karolinška pisava - Gotska pisava - Bâtardska pisava - - - Razcvetela italična pisava - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Zaključek + + + + + + + + + Unicialna pisava + Karolinška pisava + Gotska pisava + Bâtardska pisava + + + Razcvetela italična pisava + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Zaključek - + Kaligrafija ni le zabava, temveč globoko duhovna veščina, ki lahko spremeni vaš pogled na vse, kar delate in vidite. Inkscapovo kaligrafsko orodje služi le kot skromno uvajanje v vse to. In čeprav se je z njim lepo igrati, je lahko uporabno tudi v resničnem oblikovanju. Uživajte! - + diff --git a/share/tutorials/tutorial-calligraphy.svg b/share/tutorials/tutorial-calligraphy.svg index 9ac73c909..0db2f5a55 100644 --- a/share/tutorials/tutorial-calligraphy.svg +++ b/share/tutorials/tutorial-calligraphy.svg @@ -181,7 +181,7 @@ quill or pen with nib are also not very sensitive to pressure, unlike a brush. If you have a tablet and would like to utilize the sensitivity features, you will need to configure your device. This configuration will only need to be performed once and the settings are saved. To enable this support you must have the tablet plugged in -prior to starting inkscape and then proceed to open the Input Devices... +prior to starting Inkscape and then proceed to open the Input Devices... dialog through the Edit menu. With this dialog open you can choose the preferred device and settings for your tablet pen. Lastly, after choosing those settings, switch to the Calligraphy tool and toggle the toolbar buttons for pressure and tilt. From @@ -294,14 +294,14 @@ angle=90: jerky movements to get strangely naturalistic, neuron-like shapes: - - - - - - - - Angle & Fixation + + + + + + + + Angle & Fixation @@ -341,7 +341,7 @@ the angle is determined by the tilt of the pen. - + @@ -377,7 +377,7 @@ and at its broadest when drawn perpendicular. Positive angles are the most natural and traditional for right-handed calligraphy. - + @@ -571,10 +571,10 @@ fixation and zero width contrast (above right), on the other hand, suggest moder serif typefaces such as Helvetica. - - Tremor + + Tremor - + @@ -641,8 +641,8 @@ splotches. This significantly expands the creative range of the tool. - - Wiggle & Mass + + Wiggle & Mass @@ -654,7 +654,7 @@ than affect its visual output. So there won't be any illustrations in this instead just try them yourself to get a better idea. - + @@ -677,10 +677,10 @@ quite small (2) so that the tool is fast and responsive, but you can increase ma get slower and smoother pen. - - Calligraphy examples + + Calligraphy examples - + @@ -690,7 +690,7 @@ calligraphy. If you are new to this art, get yourself a good calligraphy book an it with Inkscape. This section will show you just a few simple examples. - + @@ -700,15 +700,15 @@ going to write in a slanted or cursive hand, add some slanted guides across the rulers as well, for example: - - - - - - - - - + + + + + + + + + @@ -744,7 +744,7 @@ stems. Here are some letter elements for the Uncial hand: - + @@ -752,8 +752,8 @@ stems. Here are some letter elements for the Uncial hand: Several useful tips: - - + + @@ -762,8 +762,8 @@ stems. Here are some letter elements for the Uncial hand: scroll the canvas (Ctrl+arrow keys) with your left hand after finishing each letter. - - + + @@ -775,8 +775,8 @@ nudge/scale/rotate it as needed (using mouse or keys), then press - - + + @@ -787,7 +787,7 @@ irregular handwritten look. Resist the temptation to copy over letters and lett elements; each stroke must be original. - + @@ -795,122 +795,122 @@ elements; each stroke must be original. And here are some complete lettering examples: - - - - - - - - - Unicial hand - Carolingian hand - Gothic hand - Bâtarde hand - - - Flourished Italic hand - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Conclusion + + + + + + + + + Uncial hand + Carolingian hand + Gothic hand + Bâtarde hand + + + Flourished Italic hand + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Conclusion - + @@ -921,7 +921,7 @@ calligraphy tool can only serve as a modest introduction. And yet it is very nice to play with and may be useful in real design. Enjoy! - + diff --git a/share/tutorials/tutorial-calligraphy.vi.svg b/share/tutorials/tutorial-calligraphy.vi.svg index 74c154a71..d1f6b3955 100644 --- a/share/tutorials/tutorial-calligraphy.vi.svg +++ b/share/tutorials/tutorial-calligraphy.vi.svg @@ -142,27 +142,19 @@ - If you have a tablet and would like to utilize the sensitivity features, you will need -to configure your device. This configuration will only need to be performed once and -the settings are saved. To enable this support you must have the tablet plugged in -prior to starting inkscape and then proceed to open the Input Devices... -dialog through the Edit menu. With this dialog open you can choose the -preferred device and settings for your tablet pen. Lastly, after choosing those settings, switch -to the Calligraphy tool and toggle the toolbar buttons for pressure and tilt. From -now on, Inkscape will remember those settings on startup. - + Nếu bạn có bàn vẽ điện tử và muốn dùng các chức năng cảm ứng độ nghiêng và lực ấn bút, bạn sẽ phải cấu hình thiết bị này. Các cấu hình chỉ cần làm 1 lần, và sẽ được lưu lại. Để bật chức năng hỗ trợ trong Inkscape, bạn phải cắm bàn vẽ vào trước khi bật Inkscape, rồi mở phần Thiết bị nhập... trong trình đơn Tập tin. Trong hộp thoại này, bạn có thể chọn thiết bị mình muốn dùng, và đặt các thiết lập cho bàn vẽ điện tử. Cuối cùng, sau khi chọn các thiết lập xong, hãy thử chuyển sang công cụ Thư pháp và bật nút tương ứng trên thanh Điều khiển công cụ để lấy thông số cảm ứng được về lực ấn bút và độ nghiêng. Sau đó, Inkscape sẽ lưu lại các thiết lập và dùng chúng mỗi khi chạy. - + Bút thư pháp của Inkscape cũng rất nhạy với tốc độ nét vẽ được thực hiện (xem phần "Thu hẹp" ở dưới), nên nếu dùng chuột thì bạn nên đặt tham số này là 0. - - Các tuỳ chọn cho công cụ Thư pháp + + Các tuỳ chọn cho công cụ Thư pháp - + @@ -174,26 +166,26 @@ There are also two buttons to toggle tablet Pressure and Tilt sensitivity on and drawing tablets). - - Rộng & Thu hẹp + + Rộng & Thu hẹp - + Hai tham số này cho phép bạn điều chỉnh độ rộng của ngòi bút. Giá trị Rộng trong khoảng từ 1 đến 100 và (mặc định) được đo bằng đơn vị tương đối so với kích cỡ của vùng vẽ, nhưng không phụ thuộc vào mức độ thu phóng. Đó là do đơn vị đo đối với công cụ Thư pháp là phạm vi di chuyển của tay bạn, nên sẽ thuận lợi hơn khi vẽ bằng bút có độ rộng nét tỉ lệ không đổi với kích cỡ của bản vẽ, và không bị phụ thuộc vào độ thu phóng. Tuy nhiên chế độ này có thể thay đổi được, nếu bạn bấm đúp chuột vào nút Thư pháp trên thanh công cụ, và chọn ô Dùng đơn vị tuyệt đối trong phần Tuỳ chỉnh cho công cụ Thư pháp. - + Độ rộng ngòi bút có thể thay đổi thông qua các phím mũi tên trái và phải hoặc qua lực nhấn lên bàn vẽ nếu chức năng cảm ứng lực ấn được bật, nên bạn có thể điều chỉnh nó mà không cần phải truy cập vào Thanh điều khiển công cụ. Các phím này làm việc ngay khi bạn vẽ, nên bạn có thể thay đổi độ rộng của nét vẽ từ từ trong lúc rê chuột: - width=1, growing.... reaching 47, decreasing... back to 0 - - + width=1, growing.... reaching 47, decreasing... back to 0 + + @@ -206,32 +198,32 @@ thinning of fast strokes. Here are a few examples, all drawn with width=20 and angle=90: - Thu hẹp = 0 (chiều rộng cố định) - thinning = 10 - thinning = 40 - thinning = -20 - thinning = -60 - - - - - - - - - - - - - - - - - - - - - + Thu hẹp = 0 (chiều rộng cố định) + thinning = 10 + thinning = 40 + thinning = -20 + thinning = -60 + + + + + + + + + + + + + + + + + + + + + @@ -240,16 +232,16 @@ angle=90: jerky movements to get strangely naturalistic, neuron-like shapes: - - - - - - - - Góc & Độ cố định + + + + + + + + Góc & Độ cố định - + @@ -264,15 +256,15 @@ jerky movements to get strangely naturalistic, neuron-like shapes: - - - - Góc = 90 độ - Góc = 30 (mặc định) - Góc = 0 - Góc = -90 độ - - + + + + Góc = 90 độ + Góc = 30 (mặc định) + Góc = 0 + Góc = -90 độ + + @@ -281,8 +273,8 @@ jerky movements to get strangely naturalistic, neuron-like shapes: - - + + @@ -296,26 +288,26 @@ keeping the angle constant will work best. Here are examples of strokes drawn at different angles (fixation = 100): - Góc = 30 - Góc = 60 - Góc = 90 - Góc = 0 - Góc = 15 - Góc = -45 - - - - - - - + Góc = 30 + Góc = 60 + Góc = 90 + Góc = 0 + Góc = 15 + Góc = -45 + + + + + + + Như bạn thấy, nét bút trở nên mảnh nhất khi được vẽ song song với Góc đặt bút, và rộng nhất khi vẽ vuông góc với Góc đặt bút. Các góc dương thường cho cảm giác tự nhiên, mô phỏng nét chữ viết bằng tay phải. - + @@ -332,19 +324,19 @@ perpendicular to the stroke, and Angle has no effect anymore: - Góc = 30fixation = 100 - Góc = 30fixation = 80 - Góc = 30Độ cố định = 0 - - - - - - - - - - + Góc = 30fixation = 100 + Góc = 30fixation = 80 + Góc = 30Độ cố định = 0 + + + + + + + + + + @@ -353,7 +345,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -362,7 +354,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -371,7 +363,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -380,7 +372,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -389,7 +381,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -398,7 +390,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -407,7 +399,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -416,7 +408,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -425,7 +417,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -434,7 +426,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -443,7 +435,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -452,7 +444,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -461,7 +453,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -470,7 +462,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -479,7 +471,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -488,7 +480,7 @@ perpendicular to the stroke, and Angle has no effect anymore: - + @@ -497,17 +489,17 @@ perpendicular to the stroke, and Angle has no effect anymore: - + Khi bạn đặt Độ cố định bằng 1, bạn sẽ thu được các mặt chữ cổ như Times hoặc Bodoni, giống như phần bên trái hình trên (vì chúng là các mặt chữ mô phỏng thư pháp được tạo ra với nét bút không đổi). Khi đặt Fixation bằng 0, ta thu được các mặt chữ hiện đại như Sans Serif hoặc Helvetica, giống phần bên phải. - - Nét run: + + Nét run: - + @@ -518,7 +510,7 @@ affect your strokes producing anything from slight unevenness to wild blotches a splotches. This significantly expands the creative range of the tool. - + chậm vừa nhanh @@ -532,59 +524,59 @@ splotches. This significantly expands the creative range of the tool. - Nét run = 0 - tremor = 10 - tremor = 30 - tremor = 50 - tremor = 70 - tremor = 90 - tremor = 20 - tremor = 40 - tremor = 60 - tremor = 80 - tremor = 100 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Wiggle & Mass + Nét run = 0 + tremor = 10 + tremor = 30 + tremor = 50 + tremor = 70 + tremor = 90 + tremor = 20 + tremor = 40 + tremor = 60 + tremor = 80 + tremor = 100 + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Wiggle & Mass - + Không giống các tham số về độ rộng và góc ở phần trước, 2 tham số này định nghĩa cách thức công cụ Thư pháp “cảm nhận” hơn là vẽ ra một thứ gì trên tài liệu của bạn. Cho nên trong phần này sẽ không có hình minh họa nào cả, và bạn sẽ phải thử thực hành nhiều lần để hiểu hơn về chúng. - + @@ -595,7 +587,7 @@ if the mass is big, the pen tends to run away on sharp turns; if the mass is zer wiggle makes the pen to wiggle wildly. - + @@ -607,39 +599,39 @@ quite small (2) so that the tool is fast and responsive, but you can increase ma get slower and smoother pen. - - Các ví dụ về Thư pháp + + Các ví dụ về Thư pháp - + Sau khi đã hiểu sơ sơ về các khả năng của công cụ Thư pháp, bạn hãy dùng nó để thử tạo ra một tác phẩm thư pháp xem sao! Nếu bạn chưa bao giờ tập vẽ thư pháp, hãy kiếm cho mình một cuốn sách hay về nghệ thuật này và học nó trên Inkscape. Chương này cho bạn xem một số ví dụ về thư pháp. - + Trước hết, để viết một lá thư, bạn cần phải tạo ra một cặp thước kẻ để định vị nét bút. Nếu bạn viết chữ nghiêng hay chữ thảo, hãy thêm một số đường gióng nghiêng giữa 2 thước kẻ. Ví dụ: - - - - - - - - - + + + + + + + + + Sau đó phóng to để sao cho chiều cao giữa 2 thước kẻ tương ứng với độ di chuyển cổ tay của bạn, rồi đặt các tham số độ rộng và góc trước khi viết! - + @@ -649,184 +641,184 @@ elements of letters — vertical and horizontal stems, round strokes, slanted stems. Here are some letter elements for the Uncial hand: - - - - - - - - - - - - - - - - - - + + + + + + + + + + + + + + + + + + Một số mẹo nhỏ: - - + + Nếu tay bạn đặt thoải mái trên bàn viết, đừng di chuyển nó. Thay vào đó, hãy cuộn khung vẽ (Ctrl+mũi tên) bằng tay trái sau khi hoàn tất mỗi chữ. - - + + Nếu nét bút cuối cùng của bạn trông xấu, hãy sửa lại bằng lệnh Hủy bước (Ctrl+Z). Tuy nhiên, nếu hình dạng của nó đạt chất lượng nhưng vị trí cũng như kích thước hơi bị sai, hãy chuyển sang công cụ Chọn bằng phím cách và di chuyển, co giãn hay xoay lại nét vẽ cho vừa ý. Sau đó nhấn phím cách thêm lần nữa để chuyển lại về công cụ Thư pháp. - - + + Sau khi hoàn tất một từ, hãy chuyển sang công cụ Chọn và điều chỉnh lại cho phù hợp. Đừng làm quá, vì các bản thư pháp đẹp phải giữ lại tính bất quy tắc của nét vẽ tay. Tránh vội vàng sao chép các chữ và các thành phần của chữ: hãy vẽ những nét nguyên bản. - + Và đây là một số ví dụ hoàn chỉnh về Thư pháp: - - - - - - - - - chữ Unicial - chữ Carolingian - chữ Gothic - chữ Bâtarde - - - chữ nghiêng trang trí - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Kết luận + + + + + + + + + chữ Uncial + chữ Carolingian + chữ Gothic + chữ Bâtarde + + + chữ nghiêng trang trí + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Kết luận - + Thư pháp là một công cụ rất lý thú; nó dùng để diễn tả cả một nghệ thuật, có thể được áp dụng cho tất cả các sáng tạo của bạn. Hãy học cách dùng Thư pháp và ứng dụng nó một cách hiệu quả trong các ảnh mà bạn thiết kế. Enjoy! - + diff --git a/share/tutorials/tutorial-calligraphy.zh_TW.svg b/share/tutorials/tutorial-calligraphy.zh_TW.svg index db8031da0..ba91201b8 100644 --- a/share/tutorials/tutorial-calligraphy.zh_TW.svg +++ b/share/tutorials/tutorial-calligraphy.zh_TW.svg @@ -51,184 +51,184 @@ 書法工具是 Inkscape 眾多優秀工具的其中之一。這篇教學會幫助你熟悉這個工具的使用方法，示範書法藝術的一些基本技巧。 - + 使用 Ctrl+方向鍵、滑鼠滾輪 或 按著滑鼠中鍵拖曳 可向下捲動頁面。關於建立、選取和改變物件的基本方法，請閱讀 說明 > 指導手冊 中的基本教學。 - - 歷史與書法風格 + + 歷史與書法風格 - + 依照字典中的定義，書法是指「優美的書寫」或「工整或優雅的筆跡」。基本上，書法是創造美麗或優雅的手寫藝術。這樣聽起來感覺很困難，但是經過一點練習，任何人都能掌握這種藝術的基本原則。 - + 書法最簡單的形式可追溯到山頂洞人的壁畫。直到西元 1440 年左右，在印刷機發明以前，書籍與其他出版物都用手書寫而成。繕寫員用手寫出了每本書或出版物的獨特複製品。繕寫員用羽毛筆和墨水在羊皮紙或犢皮紙等材料上完成書寫工作。從古至今流傳使用的文字風格包括有粗俗體、卡洛林王朝體、古黑體等。或許現今一般人最常在喜帖上見到書法。 - + 有三種主要的書法風格： - - + + 西方或羅馬 - - + + 阿拉伯 - - + + 中國或東方 - + 這個教學主要著重於西方書法，而另外兩種風格傾向於使用筆刷 (而非鋼筆的筆尖)，這不是我們的書法工具目前的功能。 - + 我們有一個以前繕寫員所沒有的極大優勢，那就是復原指令：如果你寫錯了，不必毀去整張紙。Inkscape 的書法工具也能夠實現一些傳統筆墨無法做到的技巧。 - - 硬體設備 + + 硬體設備 - + 如果你使用 繪圖板 (例如 Wacom) 會得到最佳的效果。所幸我們的工具極具靈活性，即使只使用滑鼠也能創造一些相當複雜的書法，雖然快速製作連綿彎曲的畫筆會有些困難。 - + Inkscape 能支援繪圖筆的壓力感應和傾斜感應特性。感應功能因為需要設定，所以預設是停用的。另外，記住一點用羽毛筆或鋼筆寫的書法對壓力變化的感應也不會很靈敏，與筆刷不同。 - + - 如果你有繪圖板並且想使用感壓功能，需要設定一下你的裝置。只需要設置一次並儲存設定。要啟用這項支援你必須再啟動 inkscape 之前插上繪圖板然後開啟編輯選單中的輸入裝置...對話窗。你可以在開啟的對話窗中選擇偏好的裝置和設定你的繪圖筆。完成這些設定後，切換到書法工具並且按下工具列上壓力和傾斜開關按鈕。從此之後 Inkscape 在啟動時會記住這些設定值。 + 如果你有繪圖板並且想使用感壓功能，需要設定一下你的裝置。只需要設置一次並儲存設定。要啟用這項支援你必須再啟動 Inkscape 之前插上繪圖板然後開啟編輯選單中的輸入裝置...對話窗。你可以在開啟的對話窗中選擇偏好的裝置和設定你的繪圖筆。完成這些設定後，切換到書法工具並且按下工具列上壓力和傾斜開關按鈕。從此之後 Inkscape 在啟動時會記住這些設定值。 - + Inkscape 的美工筆能感應畫筆的速度 (詳見下面“細化”小節)，所以如果你正在使用滑鼠，你可能會想讓這個參數值為零。 - - 書法工具選項 + + 書法工具選項 - + 按 Ctrl+F6、C 按鍵或點擊工具列上的按鈕來切換到書法工具。你會注意到在上方工具列有 8 個選項：寬度和細化；角度和固定；端點；顫抖；擺動和質量。也有兩個按鈕可開關繪圖板的壓力和傾斜感應功能 (繪圖板)。 - - 寬度和細化 + + 寬度和細化 - + 這組選項控制你的畫筆寬度。寬度可從 1 變化到 100 而且 (預設) 測量的單位相對於你的編輯視窗大小，但與畫面縮放無關。這樣設計是有原因的，因為在書法中的自然“測量單位”是你手移動的範圍，因而方便你的筆尖寬度使用“繪圖板”大小的固定比例，而不是用真實單位，這樣可以使其取決於畫面大小。這種運作方式不是強制的，所以可轉而使用不管畫面縮放的絕對單位。勾選於工具的偏好設定頁面上的勾選方格來切換為這種模式 (點擊兩次此工具按鈕可開啟偏好設定頁面)。 - + 由於會時常改變筆尖寬度，所以你不必到工具列調整寬度，直接使用左和右方向鍵或繪圖板的感壓功能。最棒的是你能一邊繪畫一邊使用這些快捷鍵，所以你能逐漸改變筆畫中間的寬度。 - 寬度=1, 逐漸變寬.... 達到 47, 逐漸變細... 回到 0 - - + 寬度=1, 逐漸變寬.... 達到 47, 逐漸變細... 回到 0 + + 筆尖寬度也可以取決於速度，由細化參數進行控制。這項參數可設定的數值為 -100 到 100；零表示筆寬與速度無關，數值為正表示速度越快筆畫越細，數值為負則越快筆畫越寬。預設值 10 表示快速的筆畫會有中等程度的細化。這裡有一些例子，全部以寬度=20 且角度=90： - 細化 = 0 (等寬) - 細化 = 10 - 細化 = 40 - 細化 = -20 - 細化 = -60 - - - - - - - - - - - - - - - - - - - - - + 細化 = 0 (等寬) + 細化 = 10 + 細化 = 40 + 細化 = -20 + 細化 = -60 + + + + + + + + + + + + + + + + + + + + + 來做一件好玩的事，將寬度和細化都設定為 100 (最大值) 並用抖動方式移動繪畫會產生奇妙自然的類似神經細胞的形狀： - - - - - - - - 角度和固定 + + + + + + + + 角度和固定 - + @@ -243,15 +243,15 @@ - - - - 角度 = 90 度 - 角度 = 30 (預設) - 角度 = 0 - 角度 = -90 度 - - + + + + 角度 = 90 度 + 角度 = 30 (預設) + 角度 = 0 + 角度 = -90 度 + + @@ -260,34 +260,34 @@ - - + + 每一種傳統書法風格都有自己普遍的運筆角度。例如，安瑟爾字體 (Uncial hand) 書寫時使用 25 度角。更複雜的手法及富有經驗的書法家時常會在書寫時改變角度，而 Inkscape 能按上和下方向鍵或藉由繪圖板的傾斜感應功能達成這種效果。不過書法訓練課程剛開始時，保持固定角度是最好的練習方式。這有幾個用不同角度書寫的筆畫範例 (固定 = 100)： - 角度 = 30 - 角度 = 60 - 角度 = 90 - 角度 = 0 - 角度 = 15 - 角度 = -45 - - - - - - - + 角度 = 30 + 角度 = 60 + 角度 = 90 + 角度 = 0 + 角度 = 15 + 角度 = -45 + + + + + + + 正如所見，書寫與筆尖角度平行時筆畫最細，而垂直書寫則最寬。角度為正是最自然和傳統的右手書法。 - + @@ -299,19 +299,19 @@ - 角度 = 30固定 = 100 - 角度 = 30固定 = 80 - 角度 = 30固定 = 0 - - - - - - - - - - + 角度 = 30固定 = 100 + 角度 = 30固定 = 80 + 角度 = 30固定 = 0 + + + + + + + + + + @@ -320,7 +320,7 @@ - + @@ -329,7 +329,7 @@ - + @@ -338,7 +338,7 @@ - + @@ -347,7 +347,7 @@ - + @@ -356,7 +356,7 @@ - + @@ -365,7 +365,7 @@ - + @@ -374,7 +374,7 @@ - + @@ -383,7 +383,7 @@ - + @@ -392,7 +392,7 @@ - + @@ -401,7 +401,7 @@ - + @@ -410,7 +410,7 @@ - + @@ -419,7 +419,7 @@ - + @@ -428,7 +428,7 @@ - + @@ -437,7 +437,7 @@ - + @@ -446,7 +446,7 @@ - + @@ -455,7 +455,7 @@ - + @@ -464,24 +464,24 @@ - + 以印刷方面來說，最大固定值形成最大程度的筆畫寬度對比 (左上圖) 便是古羅馬襯線字型的特色，諸如 Times 或 Bodoni (因為這些字型從歷史角度來看是在模仿固定筆尖的書寫方式)。固定值和寬度對比皆為零 (右上圖)，用於其他的書寫方式，使人聯想到無襯線字形，例如 Helvetica。 - - 顫抖 + + 顫抖 - + 顫抖是為了使書寫筆畫有更自然的外觀。在控制列上可調整顫抖的數值範圍從 0 到 100。它會使你的筆畫有可能產生從些微不均勻到不受控制的斑點和汙點不同的情形。這項功能可有效擴大書法工具的創作幅度。 - + 慢 中 快 @@ -495,289 +495,289 @@ - 顫抖 = 0 - 顫抖 = 10 - 顫抖 = 30 - 顫抖 = 50 - 顫抖 = 70 - 顫抖 = 90 - 顫抖 = 20 - 顫抖 = 40 - 顫抖 = 60 - 顫抖 = 80 - 顫抖 = 100 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 擺動和質量 + 顫抖 = 0 + 顫抖 = 10 + 顫抖 = 30 + 顫抖 = 50 + 顫抖 = 70 + 顫抖 = 90 + 顫抖 = 20 + 顫抖 = 40 + 顫抖 = 60 + 顫抖 = 80 + 顫抖 = 100 + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 擺動和質量 - + 不同於寬度和角度，最後這兩個參數是定義工具「感覺」起來如何，而不是影響工具產生的效果。所以在這一小節不會有任何插圖；反而只要你自己去嘗試這兩個參數從中獲得想法。 - + 擺動是筆移動時與紙張之間的阻力。預設為最小值 (0)，而這項參數愈大會使紙張愈「光滑」：如果質量很大，筆往往會在轉彎處失控；如果質量為零，且擺動值高會使筆瘋狂扭動。 - + 物理上，質量是導致慣性的因素；Inkscape 書法工具的質量越大，會比滑鼠游標移動慢更多且筆畫中的小轉彎和扭轉處會更為平滑。預設的質量相當小 (2) 所以書法工具反應快速，但你能增加質量使筆尖移動較慢且較平滑。 - - 書法範例 + + 書法範例 - + 現在你已經曉得書法工具的基本功能，你可試著寫一些實際的書法。如果你對這門藝術不熟悉，自己找一本書法書籍並用 Inkscape 來學習。這一小節只會示範一些簡單的例子讓你看。 - + 首先，開始學習寫一些字，你需要建立一組基準線引導你。如果你要寫斜體或草書，同樣地加入一些跨越那兩條基準線的斜參考線，如下： - - - - - - - - - + + + + + + + + + 然後放大畫面如此一來基準線間的高度相當於你的手最自然的移動範圍，調整寬度和角度，然後自己練習寫看看！ - + 身為書法初學者要做的第一件事大概是練習文字的基本元素 — 橫、豎、圓、撇。下面有一些安瑟爾字體 (Uncial hand) 的字形元素： - - - - - - - - - - - - - - - - - - + + + + + + + + + + + + + + + + + + 一些有用的秘訣： - - + + 如果你的手在繪圖板上很舒適，手不要離開。反而，在完成每個字母後用你的左手捲動頁面 (Ctrl+方向鍵)。 - - + + 如果你最後一道筆畫很糟，直接按 Ctrl+Z 復原。不過，假如字的形狀很棒但位置或大小有輕微偏離，最好暫時切換到選取工具 (空白鍵) 並依需求調整/縮放/旋轉 (使用滑鼠或鍵盤)，然後再按一次空白鍵回到輸法工具。 - - + + 已經完成一個字母，就再次切換到選取工具去調整筆畫一致性和字母間距。可是不要做過頭了；好的書法必須保留稍微不規則的手寫樣貌。要抵抗去複製字母和字母元件的誘惑；每一筆畫都必須用手寫。 - + 而這裡有一些完整的文字範例： - - - - - - - - - 安瑟爾體 (Unicial) - 卡洛林王朝體 (Carolingian) - 哥德體 (Gothic) - 法國哥德體 (Bâtarde) - - - 花斜體 (Flourished Italic) - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 結論 + + + + + + + + + 安瑟爾體 (Uncial) + 卡洛林王朝體 (Carolingian) + 哥德體 (Gothic) + 法國哥德體 (Bâtarde) + + + 花斜體 (Flourished Italic) + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 結論 - + 書法不僅好玩有趣；也是能傳達你的經歷和感受且能觸及深層靈魂的藝術。Inkscape 的書法工具只能作為適度的入門。但它是非常好的玩樂消遣並且在實際設計上會非常有用。祝您玩得愉快！ - + -- cgit v1.2.3