From 44d1206c0e63d47eb87a7e6723bf1028ba16ffdd Mon Sep 17 00:00:00 2001 From: Nicolas Dufour Date: Sat, 27 Aug 2016 12:45:34 +0200 Subject: [Bug #1417923] Fixing issues with titles. Fixed bugs: - https://launchpad.net/bugs/1417923 (bzr r15079) --- share/tutorials/tutorial-advanced.svg | 284 +++++++++++++++++----------------- 1 file changed, 142 insertions(+), 142 deletions(-) (limited to 'share/tutorials/tutorial-advanced.svg') diff --git a/share/tutorials/tutorial-advanced.svg b/share/tutorials/tutorial-advanced.svg index 506196331..cda930c11 100644 --- a/share/tutorials/tutorial-advanced.svg +++ b/share/tutorials/tutorial-advanced.svg @@ -40,11 +40,11 @@ Use Ctrl+down arrow to scroll - + ::ADVANCED -bulia byak, buliabyak@users.sf.net and josh andler, scislac@users.sf.net - + + @@ -53,7 +53,7 @@ bulia byak, buliabyak@users.sf.net and josh andler, scislac@users.sf.net drawing, path manipulation, booleans, offsets, simplification, and text tool. - + @@ -63,10 +63,10 @@ drag to scroll the page down. For basics of object creation, selectio transformation, see the Basic tutorial in Help > Tutorials. - - Pasting techniques + + Pasting techniques - + @@ -80,7 +80,7 @@ copied, and you can paste back there by Paste (Ctrl+Alt+V). - + @@ -91,7 +91,7 @@ applies the style of the (first) object on the clipboard to the current selectio size, or parameters specific to a shape type, such as the number of tips of a star. - + @@ -102,7 +102,7 @@ of commands for pasting size and are as follows: Paste Size, Paste Width, Paste Paste Size Separately, Paste Width Separately, and Paste Height Separately. - + @@ -119,7 +119,7 @@ they scale each selected object separately to make it match the size/width/heigh of the clipboard object(s). - + @@ -129,10 +129,10 @@ instances as well as between Inkscape and other applications (which must be able handle SVG on the clipboard to use this). - - Drawing freehand and regular paths + + Drawing freehand and regular paths - + @@ -141,16 +141,16 @@ handle SVG on the clipboard to use this). Pencil (freehand) tool (F6): - - - - - - - - - - + + + + + + + + + + @@ -158,16 +158,16 @@ Pencil (freehand) tool (F6): If you want more regular shapes, use the Pen (Bezier) tool (Shift+F6): - - - - - - - - - - + + + + + + + + + + @@ -182,7 +182,7 @@ the current line segment or the Bezier handles to 15 degree increments. Pressing only the last segment of an unfinished line, press Backspace. - + @@ -194,10 +194,10 @@ only the last segment of an unfinished line, press new one. - - Editing paths + + Editing paths - + @@ -210,8 +210,8 @@ properties. But unlike a shape, a path can be edited by freely dragging any of i path and switch to the Node tool (F2): - - + + @@ -227,7 +227,7 @@ inverts node selection in the current subpath(s) (i.e. subpaths with at least on selected node); Alt+! inverts in the entire path. - + @@ -240,7 +240,7 @@ but apply to nodes instead of objects. You can add nodes anywhere on a path by either double clicking or by Ctrl+Alt+click at the desired location. - + @@ -253,7 +253,7 @@ selected nodes. The path can be broken (Shift+BShift+J). - + @@ -270,7 +270,7 @@ of one of the two handles by hovering your mouse over it, so that only the other rotated/scaled to match. - + @@ -281,10 +281,10 @@ retracted, the path segment between them is a straight line. To pull out the ret node, Shift+drag away from the node. - - Subpaths and combining + + Subpaths and combining - + @@ -295,11 +295,11 @@ subpath, not all of its nodes are connected.) Below left, three subpaths belong single compound path; the same three subpaths on the right are independent path objects: - - - - - + + + + + @@ -310,7 +310,7 @@ will see nodes displayed on all three subpaths. On the right, you can only node- path at a time. - + @@ -322,7 +322,7 @@ examples. Since an object can only have one fill and stroke, a new compound path the style of the first (lowest in z-order) object being combined. - + @@ -331,8 +331,8 @@ the style of the first (lowest in z-order) object being combined. in the areas where the paths overlap: - - + + @@ -341,10 +341,10 @@ in the areas where the paths overlap: commands, see “Boolean operations” below. - - Converting to path + + Converting to path - + @@ -357,9 +357,9 @@ nodes. Here are two stars - the left one is kept a shape and the right one is converted to path. Switch to node tool and compare their editability when selected: - - - + + + @@ -370,12 +370,12 @@ second one is the result of the Stroke to Path command (black fill, no stroke): - - - - Boolean operations + + + + Boolean operations - + @@ -384,25 +384,25 @@ no stroke): boolean operations: - Original shapes - Union (Ctrl++) - Difference (Ctrl+-) - Intersection(Ctrl+*) - Exclusion(Ctrl+^) - Division(Ctrl+/) - Cut Path(Ctrl+Alt+/) - - - - - - - - - - - (bottom minus top) - + Original shapes + Union (Ctrl++) + Difference (Ctrl+-) + Intersection(Ctrl+*) + Exclusion(Ctrl+^) + Division(Ctrl+/) + Cut Path(Ctrl+Alt+/) + + + + + + + + + + + (bottom minus top) + @@ -414,7 +414,7 @@ to two selected objects; others may process any number of objects at once. The r always receives the style of the bottom object. - + @@ -428,10 +428,10 @@ only cuts the bottom object's stroke and removes any fill (this is convenie cutting fill-less strokes into pieces). - - Inset and outset + + Inset and outset - + @@ -444,14 +444,14 @@ to the path in each point. The corresponding commands are called inset or outset from that original: - - - - - - - - + + + + + + + + @@ -464,8 +464,8 @@ distance. Select the object below, switch to the node tool, and drag its handle an idea: - - + + @@ -475,7 +475,7 @@ does not “degrade” when you change the offset distance again and again. When need it to be adjustable anymore, you can always convert an offset object back to path. - + @@ -487,27 +487,27 @@ offset linked to it has black stroke and no fill, the other has black fill and n stroke. - + Select the red object and node-edit it; watch how both linked offsets respond. Now select any of the offsets and drag its handle to adjust the offset radius. Finally, note -how moving or transforming the source moves all offset objects linked to it, and how you + how you can move or transform the offset objects independently without losing their connection with the source. - + - - Simplification + + Simplification - + @@ -521,9 +521,9 @@ nodes, while the simplified one has 17 (which means it is much easier to work wi node tool) and is smoother. - - - + + + @@ -539,7 +539,7 @@ pause, the threshold is back to its default value.) By making use of the acceler is easy to apply the exact amount of simplification you need for each case. - + @@ -552,16 +552,16 @@ sometimes plain funny. Here's an example of a clipart shape that looks much Simplify: - Original - Slight simplification - Aggressive simplification - - - - - Creating text + Original + Slight simplification + Aggressive simplification + + + + + Creating text - + @@ -572,7 +572,7 @@ labels and captions, etc. This section is a very basic introduction into Inkscap text capabilities. - + @@ -585,7 +585,7 @@ situations, it may be more convenient than editing it right on the canvas (in particular, that tab supports as-you-type spell checking). - + @@ -595,7 +595,7 @@ objects -so you can click to select and position the cursor in any existing text object (such as this paragraph). - + @@ -610,11 +610,11 @@ a text object is larger than the default, it will likely benefit from squeezing a bit tighter than the default. Here's an example: - Original - Letter spacing decreased - Inspiration - Inspiration - + Original + Letter spacing decreased + Inspiration + Inspiration + @@ -627,7 +627,7 @@ any text string and in any font you will probably find pairs of letters that wil benefit from kerning adjustments. - + @@ -638,9 +638,9 @@ of the cursor. Here is the same heading again, this time with manual adjustments for visually uniform letter positioning: - Letter spacing decreased, some letter pairs manually kerned - Inspiration - + Letter spacing decreased, some letter pairs manually kerned + Inspiration + @@ -650,8 +650,8 @@ for visually uniform letter positioning: Alt+Up or Alt+Down: - Inspiration - + Inspiration + @@ -664,7 +664,7 @@ disadvantage to the “text as text” approach is that you need to have the ori installed on any system where you want to open that SVG document. - + @@ -677,10 +677,10 @@ As in Selector, pressing Shift with any produces 10 times greater effect than without Shift. - - XML editor + + XML editor - + @@ -694,10 +694,10 @@ interactively, and it allows you to do tricks that would be impossible with regu editing tools. - - Conclusion + + Conclusion - + @@ -707,7 +707,7 @@ enjoyed it. Don't be afraid to experiment and share what you create. Please versions, and help from user and developer communities. - + -- cgit v1.2.3 From 2da7e6e719adaf4dd4d9bd1eb5544004eae6bb88 Mon Sep 17 00:00:00 2001 From: Nicolas Dufour Date: Sat, 7 Jan 2017 15:35:57 +0100 Subject: [Bug #1651815] share/examples: rescale svgs to 96 dpi - Tutorials Fixed bugs: - https://launchpad.net/bugs/1651815 (bzr r15396) --- share/tutorials/tutorial-advanced.svg | 2 +- 1 file changed, 1 insertion(+), 1 deletion(-) (limited to 'share/tutorials/tutorial-advanced.svg') diff --git a/share/tutorials/tutorial-advanced.svg b/share/tutorials/tutorial-advanced.svg index cda930c11..0c5a8fce3 100644 --- a/share/tutorials/tutorial-advanced.svg +++ b/share/tutorials/tutorial-advanced.svg @@ -1,6 +1,6 @@ - + -- cgit v1.2.3